DJ Powerhouse Nataša, Has Set Her Sights on Making a Name for Herself

Johannesburg born, 23 year old Nataša’s passion and love for music developed at an early age. Drawing inspiration from a love of the arts, in 2017 Nataša started working for the iconic Rage Festival hosted by G&G Productions. It was during this time, that she was exposed to a much deeper variety of electronic music genres which led to her falling in love with house, deep house, downtempo and techno. Nataša explored her love for the nuances of electronic music styles as a DJ and in 2019, after debuting at the infamous Johannesburg venue Carfax, Nataša’s DJ career has progressed from strength to strength.

In 2020, Nataša joined Ryan Murgatroyd in managing his record label, Swoon Recordings. From sharing the stage with Noir, Josh Butler and some of the country’s top artists, to working with and sitting in the studio with iconic music producers, this up and coming DJ powerhouse has set her sights on making a name for herself, and she’s only getting started.

Instagram: @natasa_music 
Bookings: [email protected]

 

A Laugh-a-Minute with Lazola Gola. Laz on Comedy, Crossfit and Cults

In the past year and a half, I have realised 2 things; cheese is ridiculously expensive and nobody, I mean NOBODY likes to be on a Zoom call. It doesn’t matter whether it is for work, or for “leisure“ (why are you using Zoom for leisure, who hurt you?) Zoom, Google Meets or Skype serve as a reminder that we are still to some extent, disconnected from one another and that things are still slightly weird in this world.

This whole narrative changed in an instant though, when I was informed that I would have the opportunity to jump on the other end of a screen to chat to multiple award-winning comedian, copy writer, director and all round gem of a human being, Lazola Gola. I have been involved in hundreds of interviews previously in my radio career but none quite as unique as this one. Between internet service providers cutting Laz off as he was reaching the zenith of one of the most stupendous points I have ever heard, we also spent somewhere between 30 to 40 minutes discussing cults, coffee shops and crossfit.

In-between all the tomfoolery though, an interview did transpire and if you are a fan of comedy, looking to get into comedy or just really want to listen to one of South Africa’s greatest creative minds, strap yourself in, Lazola has got you covered.

If you don’t know who Lazola Gola is, the man is so vastly talented and has so many accolades as well as projects that he has worked on, that this paragraph would look like the opening 3 chapters of Homer’s Iliad, but to sort of summarize, here’s my best attempt…

Laz is an award-winning comedian who performed his first show while he was still in high school. He has also performed at multiple comedy shows and festivals, from Rocking the Daisies to the Wits “Haha” Comedy festival. He is no stranger to the theatre and was involved in his brother’s (Loyiso Gola) show “Loyiso Gola Runs for president”. You may think that it ends there but you would be absolutely wrong. Laz also has many feathers in his cap when it comes to writing for television and has featured in multiple adverts. Do you remember when Rodwell Tshabalala needed to restock the International Space Station with Chicken Licken? Well, that was all Laz! When he isn’t busting his ass off in the entertainment scene, Laz is also an incredibly talented copy-writer. 

 

Lazola, tell us how you have been? How was your 2020/2021?

“I have been good, this year is a lot better than last year. I feel like it’s weird to be negative about my shit when everyone has had their own. With comedy, and the film industry pretty much closing down for a time, I went from someone that could juggle multiple careers and forms of creative output, to ‘wham’  everything just being cut. I’m not going to lie, the first 2 weeks were like a well-needed holiday that I haven’t taken since I started comedy in 2007. It was weird because I never had that anxiety that I wasn’t on stage or anything so  because the whole world was chilled I thought  ‘lemme chill the fuck out too’ ” 

 

Was there a point during the lockdown where you thought, “Maybe I need to go into looking different career paths?” 

 “No no no, all this was a blessing; I have always seen myself as a ‘Jack of all trades, master of none’. I am not a person that ever tried to focus on just one thing so between the comedy and TV writing, directing and copy-writing, only 2 of those things were affected hard. Having my writing was a blessing to fall back on but I will always love comedy as an art form and as a form of entertainment.

 

I feel like this is a good segue to dive headfirst into questions about comedy. You started your comedy career at the YFM show case in 2007 and pretty much haven’t stopped since then. In your opinion, how has Comedy changed from 2007 to 2021. 

“Before I answer I that, quick story about that YFM Comedy Showcase; so I had to basically choose between doing all-nighters studying for my Economics degree that I was doing at Wits at the time or, to go through to Rosebank where YFM was based to compete in the showcase. You can guess which one I chose! Back to the question though, which is a  great question, and it’s of the assumption that whilst my point of view has stayed the same, my perception of comedy then and now is completely different. To simply put it, there are way more comedians around which is incredible, and for the younger comedians coming through to work in comedy, it is a tangible goal that you can earn money doing it. Back then it wasn’t the same, everyone followed the same sort of path whereas now you can get there in so many different ways.”

 

We digress. If you were to join a cult, which one tickles your fancy? Heaven’s Gate, The Rajneeshees or the Manson Family?

“Sheesh I am not too clued up on cults. Ummm, I would have to say that one that was on Netflix, about the country or something…”Wild Wild Country”, yea I think that was the Rajneeshees, right? I watched that documentary and saw the guy had like 10 Bentleys and I thought ‘Damn, maybe this isn’t so bad.’ Also, a side note, I think it’s mainly sexually repressed people that start these cults, because it’s always like, to get further in the cult, you need to do some kind of weird, creepy shit to go up a level or something. It’s strange. About those Bentleys though…call me a Rajneeshee”

 

Next question… If you were to rank the most irritating people on Earth between vegans, cyclists and Crossfitters, how do you place them from 1 to 3?

“These questions don’t get any less weird  but, I would probably put cyclists at the top. Cycling and cyclists are the real cult. It’s just the arrogance for me man, especially about coffee and the obscene amount of space they take up in coffee shops. I remember chilling on the Atlantic Seaboard once and there was this one dude cycling all on his own but literally in the middle of the road and I thought to myself, ‘how damn confident are you to just take up not one lane, but both, really?!’. Next I’d have to say Crossfitters, like I don’t need to hear about your weekend in kilograms, just tell me if you went away or not dude. Lastly vegans, I have nothing bad to say about vegans, my girlfriend is a vegan. Or vegetarian. Something like that.

 

Going back to how comedy has changed, what about the content of your comedy, are people more easily offended by sets now days?

“Okay so there is a pretty big misconception here. A comedian’s goal is to never insult the audience. A good comedian is always careful about their content. I can honestly say, for the most part, anything you hear on stage was carefully curated to avoid that feeling of offense. A good comic is also able to gauge if an audience is with them for a certain subject  and if they feel the audience is turning on them, they will know how to steer the punch line in a different way. Comedy is one of the most adaptive and sensitive art forms. The goal is to generally try get an audience to laugh at something they might not usually find funny or think about it in a different way. Through a set, the comments and jokes are all a litmus test to gauge an audience’s sensitivity. The one thing that’s for sure though, NO comedian is going to defend a joke that’s not funny.”

 

Is there anything that you yourself don’t particularly like to discuss or joke about?

“No, not at all. I think everything is fair play. There have been times in the past where I have talked about contentious issues. Let me break it down for you like this;  when I make or write a joke, I consider it ‘problem solving’ or ‘puzzle solving’ so when I get on stage and perform that joke, that is then me ‘presenting my puzzle’ to the audience. Whilst I am working on that joke, I’ll read something and then see that there could potentially be an interesting angle to broach the subject. In essence, by saying that there aren’t subjects that are off the table to joke about,  just means that there are things that are more taboo than others and that is just more of a challenge”.

 

That leads me into my next question. Are you naturally a funny person, or was this a skill that you had to hone and work on. Essentially what I am asking is, are you funny when you aren’t on stage?

“That is a great question and also a big misconception. I like to consider myself a funny person, but there are far funnier people that I hang out with. When I find myself in a situation where there is a lot of humour, there are 2 approaches I like to take; the one is to just take a step back and let other people be insanely hilarious and let the jokes fly, the other is to just join into that situation. The one thing is, when I am at a braai, I HATE mentioning that I am a comedian {or if someone mentions I am a comedian} because it brings out this weird social interaction where the guy that’s always the funny one at the braai sort of feels threatened or when they do something funny, they look to you for approval. I feel like Caesar in Gladiator where I need to either give the thumbs up or down to show my approval, or lack thereof, for a joke. So to answer your question briefly, I think I am pretty funny naturally but I am also able to turn on a different type of humour when I am on stage. 

 

So, now that we know you are naturally funny, has there ever been a performance where you absolutely bombed? 

“If any comedian tells you with a straight face that they haven’t bombed they are lying. There are so many different factors when doing a gig that change from place to place, whether it’s the demographic, the way the stage is set-up or even the lighting. All these things can lend to something going insanely wrong. You do get to a point though, where your mind set shifts to “Shit happens, I can’t blame the audience.” What that eventually does, is help in blocking out all the bad gigs, but the bad gigs don’t become bad gigs, but they become learning curves and almost like a ‘bad day at the office’.
HOWEVER, there is one gig…when I was still in high school, a friend of mine was doing job shadowing, and he shadowed a comedian, Cokey Falkow. So Cokey was performing a gig and asked if I wanted 5 minutes on stage, I obviously said yes, because any time on stage is good. The problem was that my time on stage was getting more and more delayed and I was having a beer here, and a shot there. So by the time I got on stage, I was LIT. I remember getting on stage and saying the punch lines before the jokes, and then getting lost in the middle of jokes. I remember my brain being like ‘where the fuck does this all go’ and the crowd was dead silent. I didn’t even leave the stage on a joke, I just said ‘thank you’ and walked off. The MC then had to address the elephant in the room and was like ‘Yea, so um, that dude was terrible’ and the entire club burst into applause. Comedy is the closest thing we have to a public execution.

 

I want to change gears on this entire interview quickly, why the fuck did you study economics?

“Man, I love economics, it’s an amazing subject but it’s the things around economics that I didn’t like, the whole idea of equipping students to be “business people”.  I think economics helped me to view the world differently. For example, something you learn in first year, opportunity cost, so what is the cost of certain decisions if given 2 options? I saw it as a philosophy as opposed to ‘Let’s get that bank boooy’”. 

 

So what does the future hold for you Laz, what are you going to be getting up to moving forward? I may have heard some things about getting into the director’s chair?

“So, I am getting quite heavily into directing which is exciting. What I found with comedy is that it is almost autonomous; when something goes right, you get all the praise, then moving into writing for TV as well as copywriting, you sort of have less autonomy and you would end up passing your work to someone else to finish, which is generally a director. So that is basically where the idea started percolating in my own head. Strangely because of COVID,  all these cool things and opportunities started cropping up. I was involved in a number of projects during last year. I am also incredibly into story-telling from a single source. So at the moment I am with 7Films where I am doing commercial directing, but they have also said they are open to anything where I can get involved and have fun with it. I am going to keep on writing too, and I’m obviously going to still be doing comedy”.  

 

 

 

“ I am just happy to be juggling all these things again”.
Written by: Duncan Bayne

Sparrow and Barbossa’s Highly Anticipated Album ‘Seven Seas’ is Finally Here

Sparrow & Barbossa have their highly anticipated album ready to sail the world’s oceans, ‘Seven Seas’ is finally here. One year locked down in the studio has opened their minds to travel to different cultures allowing them to create a unique and colourful debut album.

‘Quando Te Veo’ is the album’s first single, a complete reinterpretation of the emblematic song from the all-timers Acid & Nu Jazz gurus, the German Duo, MoHorizons. The second single is ‘E Fura,’ a collaboration with one of the most popular Nigerian Afrobeat ambassadors, Dele Sosimi. ‘Nyakua’ is the contribution of Sparrow & Barbossa’s mentor. The Iberican Sound mastermind, Stereo Productions founder, and Redolent head honcho, DJ Chus. A vocal song by Kenyan favourite singer Idd Aziz. Azucar’ brings the Latin Flavour to this album with a tribute to Latin Grammy winners and most popular Cuban-Band, Los VanVan. Afrikan Rising Star, Berlin-based, Floyd Lavine, is the partner on this studio collaboration titled ‘When I’m With You’ performed by legendary New York Soulful singer Josh Milan.

The Pirates trimmed sails to Morocco to meet Cee ElAssaad to produce ‘Libre,’ a freedom ode with the finest female and Spanish vocal. TOSZ, the multidisciplinary artist, Polish singer, and songwriter, Frankfurt-based, is the man behind ‘Saudades Do Mar.’ A Brasilian carnival festivity in the form of a love song. ‘Morena’ is the gypsy rumba-fiesta track in this voyage featuring the Spanish singer Vinila Von Bismark.

The duo passed on a Caribean heading and joined forces with El Chino Dreadlion and VitiYono on ‘We Are Not Alone,’ a charming Cuban chants track. ‘Dream’ & ‘Back Home’ are their private crossovers in the album. ‘Transat L’Antique’ is the album’s closing track, where Bryan Coletta (Sparrow) involved his father, the world-famous guitar player Francis Coletta. The icing on the cake of ‘Seven Seas.’

Seven Seas’ is a milestone that will set a new course in Sparrow & Barbossa’s career. They aim to transmit ancient cultures’ roots and democratize World Music through Electronica. ‘Seven Seas’ is the perfect example, music coming from all cardinal points. The treasures and richness of ‘Seven Seas’ can’t be categorized into one specific genre. It has a House Music core and is all about Organic, Latin, and Afro Electronic Dance Music.

Now is the time to travel the world spreading the musical message of this ‘Infamous-Afro- Latin-House-Pirates Duo.’

Sparrow & Barbossa ‘Seven Seas’– available everywhere – was released July 7th 2021 via Redolent Music

TRACKLIST

  1. Mo’Horizons, Sparrow & Barbossa – Quando Te Veo feat. Francis Coletta (Original Mix)
  2. Dele Sosimi, Sparrow & Barbossa – E Fura feat. Francis Coletta (Original Mix)
  3. DJ Chus, Sparrow & Barbossa – Nyakua feat. Idd Aziz (Original Mix)
  4. Sparrow & Barbossa – Azucar feat. Los Van Van (Original Mix)
  5. Floyd Lavine, Sparrow & Barbossa – When I’m With You feat. Josh Milan (Original Mix)
  6. Cee ElAssaad, Sparrow & Barbossa – Libre (Original Mix)
  7. TOSZ, Sparrow & Barbossa – Saudades Do Mar (Original Mix)
  8. Sparrow & Barbossa – Dream (Original Mix)
  9. Sparrow & Barbossa – Morena feat. Vinila Von Bismark (Original Mix)
  10. El Chino Dreadlion, Sparrow & Barbossa – We Are Not Alone feat. VitiYono (Original Mix)
  11. Sparrow & Barbossa – Back Home (Original Mix)
  12. Sparrow & Barbossa – Transat L’Antique feat. Elektron (Original Mix)

 

FIND SPARROW & BARBOSSA ONLINE:

SOUNDCLOUD

FACEBOOK

INSTAGRAM

FIND REDOLENT MUSIC ONLINE:

SOUNDCLOUD

FACEBOOK

INSTAGRAM

Edition Events Series – A Chat with The Founder Lea Debbah for CEC

After more than a year of solo observing the world through the curtain of social media and reminiscing on the events of days past, Edition Events by Lea skate event made the nostalgia for ‘normality’ a little more forgettable. 

It all started with an unusually warm winter afternoon in Cape Town, and a text from a friend that simply contained a location pin across the road from The Old Biscuit Mill in Woodstock. With no signage to point out the space, it was the thump of a bass remix, the familiar lyrics “Can I kick it? (Yes, you can!)” and the hollow scrapes of a trick landing that tipped me off. 

By day the warehouse space exists as a workshop/studio for the HE(ART)Y Collective artists and for each event a gallery that walls in the photographers, Dj’s, MC’s, creatives, athletes, entrepreneurs and enthusiasts of the City.

I’ve always looked at Richard E. Aaron, Angela Philips, and Larry Clark’s documentary-style depictions of what life looked like for the youth in the 90s and wished to have been a part of that cultural moment. Well, the Edition Events skate event felt pretty close to that. I was one of the crowd, bobbing to the live revolving DJ sets, meeting new people (something I definitely underestimated missing during this pandemonium), connecting with my people, perusing the stores set up, all the while watching the skaters do their magic and subsequently dodging the drifting boards and that one guy, Aderito (@_adjz_) a free line skater who had me mesmerised. 

It could have been and honestly was the community of the warehouse space, the crowd of hipsters, the music, meeting and sitting next to thee Queezy (@queezybabaz), or the tricks being performed on the rail and a peep-hole in the wall of the warehouse that left me wanting more Edition Events in my weekends to come. But meeting the founder, Lea, is what really impressed me. Lea seemed to know everyone and vice versa, always leaving people with a smile while making her way around the room, handling the door, and making sure that sustenance was available for the performers, the space inviting and the energy intact. 

 

I captured Lea in between sessions and left with the promise of setting up a call to know more about her company and initiative. 

Lea first came to Cape Town in 2017 to learn English at an international school but soon realised that most of the students there were French too. She asked herself, “Who am I going to learn English from if it’s only French people in that school?”, and then started clubbing and going to bars where she started to talk to people and with her beautiful French accent everyone wanted to talk to her and so her network of people started to form. 

With a background in marketing and event planning, a few successful events under her belt already and the tenacity to work hard for what she is passionate about. Lea secured a warehouse space in Woodstock, Cape Town, the HE(ART)Y Collective, where she created a creative space, a full-time Gallery and Art Studio/ Workshop in a double-storey warehouse to house and host collaborative brands and people, creating a blend of people through art, culture, sport, music and beyond. This space gives artists the opportunity to do what they are good at, with the backing of someone – Lea – who provides an infrastructure and materials for them to paint and showcase their work while providing a practical retail platform that helps attract people who are interested in buying their art. The studio space is open to membership artists Monday to Saturday and an exhibition is hosted once a month in collaboration with international and local artists. 

From ‘Skate & Create’ at City Bowl Skate Park, to ‘Sodaze Sundaze’, to First Thursdays at Ideas Cartel and Hotel du Parc, ‘Spectrum’, ‘Skate’, and ‘Night at Hearty’ events, Lea’s mission at these beautiful gatherings was to make sure everyone feels welcome, a safe space for every artist (Photographer, Painter, Sculptor, Performer, Musician, DJ, Dancer, Skater, Designer) to showcase their work and passions, to express themself. And with the Hearty warehouse space, her team are able to transform it to cater to whichever crowd and theme are needed. Although small, Lea shares that her team is growing with Edition Events and with her guidance in their own creative spheres. Edition Events hosts events every Saturday of the month at their venue welcoming different communities, a collective.

Although I have only attended one of Lea’s Edition Events, I can assure you that after experiencing Lea’s passion for action and listening to her plans I will be attending as many as I can in the future. Because who doesn’t love a bass remix, artists, hipsters, photographers, small businesses, community and kickin’ it?

/// Find out more about Edition Events and what they offer from future events, membership, services and purchasing of the art on their website (coming soon): edition-events.com 

WRITTEN BY: BRIONY BLEVIN
PHOTOGRAPHY BY: @BYBRIONYHANNAH

Stefan Sands, Cape Town-based Singer/Songwriter, Guitarist and Producer Exudes Strong Roots in Blues and Funk

Stefan Sands, Cape Town-based singer/songwriter, guitarist and producer exudes strong roots in blues and funk and his sounds rest upon elements of these with a strong focus on the groove.

Using a blend of traditional and more modern instruments and sounds, his focus is to phrase his influences of older, more traditional funk, blues and soul music into a contemporary, individual sound that showcases these elements in a way that is different but retains its simple instrumental nature and places musicality at the forefront. 

Stefan’s latest EP, Catalyst, combines elements of Pop, Blues, Funk and Soul to create a balanced sonic palette representative of the artist’s influences. The EP is structured predominantly as a pop record, rich with melodies and hooks to keep the listener engaged in the groove. The EP is instrumentally rich and makes a point of using this to maintain the groove and showcase the ideas of the artist, which creates the right space in the mix to enhance the vocal performance. Catalyst is a groovy, funky, easy listening record that introduces Stefan and his ideas as well as hints at what is to come in the near future.

This project was self-produced by Stefan along with a friend, Richard Baker. Notable contributors on the EP include Hiram Koopman on sax, Nic Williams on keys and bass, Eldon Quirk at Verse Sound for mixing and Randy Merrill at Sterling Sound for the mastering of the project in its entirety. 

Stefan on “Beautiful Day” (listen and watch here

“I was sitting on the porch of an Airbnb in Austin, Texas with this crappy little travel guitar I had with me that holiday and started playing some chords with a peculiar jazz’ish voicing that just sounded right in the moment. Lyrically, I usually only write when something is bothering me or I have a story to tell, and truthfully that day everything was fine, and all I was thinking in the moment was “woah, it’s such a beautiful day” – so that’s what I sang. I never really intended it to be a song I released but it became a reminder to me later on that not every moment is going to be profound and deep, and sometimes one needs be contempt with the fact that what’s going on in the current moment is enough because it’s honest. I liked the chord structure and the groove so I produced it out and it found its place in the EP”.

Streaming links below for some ultra-tasty groove, funk and blues.

Spotify

Apple Music

YouTube

MeccaMind Releases his First Song “Straight Vibin” From The Debut Mixtape ROSES

21 year old Cape Town-based artist, MeccaMind (“The Holy Mind”) started making music at the tender age of 15 which quickly became popular amongst the skating and art community in Bloemfontein where he grew up.

“Straight Vibin” is the first song released from his debut mixtape ROSES, where the instrumental inspired the accompanying lyrics. It is clear from the carefully selected beats and modulations that MeccaMind’s inspiration found in Outkast, A Tribe Called Quest, Erykah Badu and the Soulection movement, helped craft and convey this tune. 

“Straight Vibin’ is the first song I wrote when I moved to Cape Town last year and it is the second single I released from my debut mixtape called ROSES. When I got the instrumental right, the words just started coming out. The song is one of my favourites because it sums up how I felt after moving to Cape Town perfectly. I was sad, lonely and lost you can hear in the lyrics I paint it perfectly. As for the name “Straight Vibin’” I called it that because as much as it was chaotic around me and I felt all these emotions, there’s peace in the chaos and that’s one of the biggest themes for this mixtape, Finding peace in the midst of chaos, being in the middle of a tornado but sitting in the lotus position just Straight Vibin’”. 

Watch Straight Vibin’ 
https://youtu.be/Bc0xG4acviQ

Listen: 
https://distrokid.com/hyperfollow/meccamind/roses-2

Artists Interviewing Artists: Nic Preen on Thor Rixon

IT’S THOR PRONOUNCED “TOR”  –  A CANDID CHAT WITH THOR RIXON AND NIC PREEN FOR CEC. 

I feel defeated. Musically and creatively defeated. I wish I could blame it all on Covid. I want to tell you that because of Covid-19 the musicians in South Africa have been hit with less gigging opportunities, reduced rates and a lack of venues to perform in. I want to say due to Covid-19, I don’t receive an income anymore for the 9-5-9 job I choose to do. All the time spent behind computer programmes and media platforms relentlessly pushing the craft upon others, sell sell sell! Did I mention the travel costs, gear expense, insurance rates and costly studio time? I want to say that now, because of the pandemic musicians are on a constant plug to be heard against the streaming sites’ algorithms or major label foot-holds within an industry we’ve now been told “begins in the bedroom…and never leaves”.

I want to tell you that Covid, with it all its pressures has diminished the number of people at my shows. A line I find myself often using when asked “So how’s the music going? Shame, not good right now hey?”
Really it hasn’t been that good for a number of years now. Really the pandemic hasn’t been all that bad to my musical endeavours if I compare them to recent years. I’ve only plateaued. Music seems to me, as similar a struggle as it ever was for myself and the other independent artists not chasing a dog around their room in the hopes of a viral TikTok. Says me, I’ve definitely chased the dog this past year in lock down. It’s depressing.

Video killed the radio star, tape killed the vinyl, CD killed the tape and then the Mp3 Player managed to scratch the CD before the iPod finished him off with a torch. Then suddenly, an “inspired vinyl” tried to come back and kill everyone but was very short lived in the wake of the genocide that would be the streaming site. The streaming platforms wiped out all of the above and so it seems, the independent artist too.

Before I get started on the death of live music and the rise of electronic music’s most recent sought after booking: “nature-in-the-dark-meets-strobe-light” or try to remind you of the amount Spotify pay an artist per stream (Psst! It’s $0.00437. That’s currently R0.60) I want to give you a little hope…

Let me tell you a story about someone who has always given it to me.

I first met Thor Rixon in Cape St Francis at a Lumo party in 2009 (Sex On Fire blaring in the background) a different Thor to the Thor I would meet a year later at a Hog Hoggidy Hog show in my high school gymnasium where a band he played the trumpet in had just opened (Checked Zebra). I then met him again outside a bar in Claremont, both very lost, Thor had played a DJ set consisting mostly of Dubstep under the moniker ‘Skrum’. I say we met because he forgot who I was (Sorry Thor, but it’s true) and also because each time we did he would be different. Dressed different and looked different, but spoke the same way. Calm chuckles with a smile, his shoulders always bouncing.

“Video killed the radio star, tape killed the vinyl, CD killed the tape and then the Mp3 Player managed to scratch the CD before the iPod finished him off with a torch.”

Regardless of meeting for the first time each time, Thor and I would talk for hours about music, music in South Africa, music in the world, music in film and then film in music.

I forget how many more times I really met Thor but not long after these conversations would turn into a great friendship and become our usual. In years to come, we’d intertwine ourselves in the local Cape Town music scene with various different projects, often frequenting the same places and achieving the same successes. We’d discuss how we were to make a name for ourselves doing what we love. I remember taking to my own projects, a mirror of how Thor would take to his. I saw Thor do the unexpected and surprise his audiences in performances, then again in his music. The most important mirror, however, has been Thor’s outlook and confidence in doing what he says and wants. The difference between us here was how we showed this confidence: Thor was confident in his ability to create or at least try everything. Where I was often, maybe only confident in the ability to show confidence.

Thor has a can-do attitude to creativity. This is what sets him apart from other independent artists following their dreams. Unlike myself at times, he is no pessimist.

On a recent call with the CEC team he confirmed this with me:
Life is short, just do what you want to do in this life because one day you’re gonna get old and maybe not be able to? Then look back and think f**k I wish I’d done that!.. If you just take it in little bits, just start…don’t care what anyone thinks, do what YOU want to do and enjoy yourself whilst doing it. It’s cheesy basic stuff! But I stand by it.

Talent and hard work aside, he believes in the process and the enjoyment of creating.
You see this enjoyment through his social media presence (something that he has said causes him great anxiety).
Thor shares his adoration for his gear: from live-set synth builds to his camera gear he is using on his latest films and videos.
Best we believe that it’s not all about the process with Thor, as we’ve come to know with the sheer amount of work he’s released in the past 10 years, from multiple genre bending albums to two short films with longtime collaborator and Checked Zebra frontman: Rob Smith.

Thor and I  separated from each other for a bit as he broke away from the Cape Town scene and took to his art to the world, more specifically, Berlin. 

In his own words, why he left;
Within certain genres of South Africa you hit a certain ceiling and there are only so many festivals and places you can play before you’ve done them all and you’ve done them all three or four times. You have to leave, you have to travel, you have to spread your music to other audiences and any artist who’s been doing it for a certain amount of time will reach that point I feel, and find that they have to move.

I met up again with Thor recently when he visited Cape Town this past summer. Selfishly I’d hoped my creative sparring partner had decided to finally return home but alas he’d come to avoid a very cold Berlin in lockdown and to work on another film project. We hear whispers of a feature.

Unfortunately, Thor is not returning home anytime soon.
When asked; “When I first got here I was blown away, the city was like a festival, the streets were filled with artists and people constantly making connections and making stuff together, it was incredible”

“Then suddenly, an “inspired vinyl” tried to come back and kill everyone but was very short lived in the wake of the genocide that would be the streaming site. The streaming platforms wiped out all of the above and so it seems, the independent artist too.”

If it wasn’t just for Thor’s fresh start in a new city, Berlin supports creatives unlike anywhere in the world. The city-state of Berlin paid out more than 1.4 billion to self-employed people and small business owners within the city at the beginning of the pandemic.

Thor Rixon a young South African on a creative arts visa being one of them; 
I couldn’t believe it, I thought: I am never leaving this country”.

With support for the arts and a creative infrastructure like this, it’s no wonder musicians of the world flock to Berlin to follow in the steps of Bowie. For Thor, however, it wasn’t Bowie but one of our own Cape Town-to-Berlin exports; Alice Phoebe Lou.

Thor on how we initially met Alice and set his fate on Berlin;
“I was recording with her above the Wakaberry on Kloof Street in our Naas offices (Naas: a creative agency Thor began with friends in 2014) when she asked if I was looking for a place to stay… I said yes and she took me to the Camp Street house just down the road’

From there, Thor would bunker in the second-room-on -the-right and become the many Thor Rixon’s we know and love today. From the viral dreadlock shedding, end-of-bread-advocating Thor we saw in his ‘Fuk Bread’ music video (shot outside said bedroom) to the Thor headlining festivals across the nation, head bobbing up and down behind mountains of his own home-built modular synths and drum machines, we saw a variety of Thor Rixon.
The actor, the storyteller, the clown, the dancer, the social injustice advocate, we even saw Thor shoot through Longstreet traffic daily, leg high in air peddling a kids scooter, mullet flailing to keep up with creative genius.

Somehow all of these Thor’s still held a singular thread,
Thor would appreciate it if I called it a “dread”. 
This singular dread that was hard to pin down.

 

Thor himself has often wondered whether; due to the mass of his creation whether he should be the many Thor’s or someone different altogether.

It’s something I’ve been thinking about a lot lately, I create lots of different stuff… it’s very varied…I’m almost unable to stick with one thing for a certain amount of time because I get bored of it quite soon…or I just need to explore and try new things all the time.. and I’ve had a lot of conversations with people who listen to music a lot and say that when they find an artist they like, they usually don’t enjoy when an artist is trying lots of different things because when you fall in love with an artist you usually like their work in a certain way and sometimes when they change it’s not really your taste...’

In terms of an alias…I don’t want him to have one and I don’t think you should either. I want Thor Rixon and the arts to be under one roof, one Google search, the Donald Glover without the Childish Gambino, I want him to be his creative self. Which may be many different selves. Brown bear don’t care! I just want more! More Thor!
(By the way; I left this to the end of this article so you didn’t trip up the whole way in case you’d been previously mistaken).

It’s Thor pronounced “Tor” – I’ve heard some of his biggest fans still pronounce him the “God of Thunder”.
 
And here’s why I believe I’ve found the singular dread that ties everything together. In a dread bow.

I think you know what I’m about to say…
and it’s not ‘Thor should get his dreads back’
It’s his undying enthusiasm to create and inspire. 

A role-model for young musicians, film-makers and creative entrepreneurs to follow their dream by just beginning and enjoying the process.Regardless of Covid-19, a diminishing live-music industry, influx of whatever nonsense I spun in the first paragraph…what was I even saying back then? It’s all forgotten in the wave of inspiration I get when I think about my good friend, Thor. Who right now (just like you, I hope) is about to create something new and fantastic for some else to find enjoyment in, and more importantly himself.

Written by: Nic Preen 
Editor: Candice Erasmus 

Bantwanas Enlists the Prolific Remixing Skills of Re.You for “Backside”

South African electronic band, Bantwanas, have enlisted the prolific remixing skills of German maestro, Younion owner and Rampa Keinemusik artist, Re.You, for “Backside”, out now on their very own Bantwanas Kollektiv imprint which dropped on 25 June. ⁠ ⁠

Bantwanas seem to be hitting all the right notes with their recent release on Anjunadeep that featured two jaw-droppingly mesmerizing and danceable remixes by international heavyweight and All Day I Dream artist, Powel, as well South African Deep House leader and Dance Music South Africa winner, Fka Mash. They now return to their home base label, Bantwanas Kollektiv with another winning formula that sets picturesque vernacular vocals, well-encapsulated rhythms and a stunning remix, showcasing their talent whilst bringing on board another equitable international remixer.

Notorious for their selective instrumentals, Bantwanas have further explored the landscape of their African heritage in the assemblage of ‘Backside’. With brooding synth lines, well articulated guitar rhythms and brilliantly arranged vernacular vocals that flow throughout the track which are backed up by an energetic and dance inducing percussive rhythm.  Bantwanas continue to do what they do best, playing with the tension and release of the harmonics producing a true winner in their catalogue.

Re.You’s understated remix of Bantwanas ‘Backside’ is brought forward through the deep, scintillating bass and haunting vocals. Already having been coined a ‘late-night dance floor bomb’, ‘Backside’ by Bantwanas is captivating from the beginning thanks to Re.You’s signature sound and the tantalising instrumentals that come from Bantwana.

 

TRACKLIST

01: Bantwanas – ‘Backside’ (Original Mix) 
02: Bantwanas – ‘Backside’ (Re.You Remix)’

‘Backside’ by Bantwanas will be available from June 25th 2021 via Bantwanas Kollektiv at these Streaming Links:

LISTEN
Bantwanas – Backside incl. Re.You Remix

FIND BANTWANAS ONLINE
Bantwanas

FIND BANTWANAS KOLLEKTIV ONLINE
BEATPORT
TRAXSOURCE

 

ihatelorcan

Lorcan Berg a.k.a @ihatelorcan a twenty-year-old that hails from Cape Town has spent his entire life surrounded by creativity with a childhood that was shaped by fashion and photography.

Lorcan is currently studying art direction and has the view that exploration through his creativity has meant unrivalled personal self-affirmation and is reason for his dedication.

///  Lorcan frequents live events where he captures some of South Africa’s rising performers like KatzbruDefWing and Kloudink in their natural element.
///
Model: @onlygreyroses
Styling and MUA: @nel_sadie @fanisegerman
///
Model: @born2burnbaby
Styling and MUA: @nel_sadie
In between the nuances of university and portfolio work, Lorcan makes sure to find pockets where he can explore and push his creative bounds often producing some of his favourite photography.
Photography for Illucid Apparrel and painter  Kerry Ann Chaloner

///

Models: @bayasanjeba and @le.tago
Location: @cayacreativestudios

Fractals Release their Debut Record, “Part One”, through Mountainside Records

Cape Town Indie Folk Rock band, Fractals, have released their debut record, “Part One”, through Mountainside Records, with songs featured on Spotify editorial playlists “Chilled Vibes”, “New Music Friday South Africa” and “SAlt”, as well as Apple Music editorial playlist “Mzansi Indie”.

The Fractals band is composed of three members who came together out of friendship and instinctive music-making. Jonathan Stephen Simons on melody guitar, songwriting and lead vocals, Ray Adam Morgan on drums, percussion and harmonies, and Stephen de Souza on bass, strings and harmonies.

Musicians who contributed to the record include; Liam McDermott (lead guitar and harmonies), Tim Welsh (saxophone), Jono Prest (trumpet), Lezaam Beets (trombone), and Jonathan’s sister, Amy Brand (violin and ukulele). The record was recorded, mixed and mastered by Jonathan Simons and released through his independent label, Mountainside Records.

“Part One” is – as the title suggests – the first chapter of the ambitious journey of a versatile band with a strong character. Listening to Fractals ‘music is a truly emotional journey of crying, laughing and dancing’ – everything that defines a person. With strong indie sounds mixed with world music and a South African influence “Part One” is something really unique.

Find Fractals and stream “Part One” here:

Bandcamp

Spotify

Instagram

Facebook

Twitter