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26 May 2023 ///

RMB Latitudes 2023 presents ‘Special Projects’ exploring the year’s chosen theme ‘Coemergence’

RMB Latitudes 2023 explores the theme of Coemergence this year, defined as ‘the intersection of cultural and aesthetic influences on the creation and interpretation of art from Africa’

With excitement mounting in the lead up to the RMB Latitudes Art Fair, when 40 galleries and 250 artists will bring their art to Shepstone Gardens in Johannesburg from 26 – 28 May 2023, Latitudes Curator, Nkhensani Mkhari, announces three Special Projects that will enhance the visitors’ experience and offer some insight into this year’s chosen theme of Coemergence.

Within the African art context,” explains Mkhari, Coemergence refers to the intersection of various cultural and aesthetic influences on the creation and interpretation of art from Africa. This can include the blending of traditional and contemporary art forms, the incorporation of elements from different ethnic and regional cultures within Africa, and the impact of global perspectives and influences on African art.”

This year, three platforms will support this theme: INDEX, a captivating survey exhibition that brings together an array of independent artistic practices from South Africa, the African region, and the diaspora; ESSAY – an exhibition that showcases a cross-generational dialogue through the works of three artists – Sam Nhlengethwa, Katlego Tlabela, and Cinthia Sifa Mulanga; and the International Galleries Platform.

Cinthia Sifa Mulanga, Mold me II. 2022. Courtesy the artist and Goodman Gallery.

Azuka Muoh, Harmattan Has Come. Digital print, acrylic on canvas. 2022. Courtesy Christopher Moller Gallery.

Hedwig Barry, element-fire.

The International Galleries Platform has been launched as a sustainable means for galleries and artists on the continent and in the diaspora to show in South Africa. The platform presents the opportunity to propose artworks for inclusion within a curated special project. Each year, selected works will be curated thematically so that participating artists are represented in a nuanced way that speaks to their unique practices. The 2023 International Galleries show is led by Mkhari, in close dialogue with the Project Advisory Committee members; Azu Nwagbogu, Valerie Kabov and Lucy MacGarry.

INDEX is a new platform that offers exposure to independent artists, who often have to create their own networks and methods for getting their work seen by audiences. This is often cultivated through fostering relationships with curators, organisers, and other artists, as well as building an online presence through websites, social media, and various platforms. This exhibition is a reflection of this spirit; it speaks to the importance of cultivating connections outside traditional models of exhibition making and creating space for galleries and audiences to discover new artists.

The exhibition is divided into three themes. The first theme is Reflections, and features contemporary photography and figurative paintings by artists like Jody Brand, Terrence Maluleke, Lebogang Mogul Mabusela, Thembinkosi Hlatshwayo, Jack Markovitz, Bahati Simoens, Ketumile Malesa, Samurai Farai and Thato Toeba amongst other luminaries. The theme explores figuration, portraiture, and unpacking the strange and wondrous landscape of the body(politic).

Bahati Simoens, Start The Way You Wanna Finish.

Terence Maluleke, Vertical Line. 2021.

Lwando Dlamini & Ian Mangenga. Oil, charcoal and thread on canvas. 2022-2023. Courtesy Martin Art Projects.
Lwando Dlamini, Asikhalazi. Oil, charcoal and thread on canvas. 2022. Courtesy Martin Art Projects.

The second theme, Rest, explores the dialectic between space and rest, a sustained meditation on the latent tension between the forces of movement and stillness, action and inaction, or change and stability, encapsulated and expressed through sculptural form. It features contemporary sculptural pieces by Warren Maroon, Bulumko Mbete, Cazlynne Peffer, Gaelen Pinnock, Alexandra Naledi Holtman, and a host of hybrid 3D works by Tzung-Hui Lauren Lee, Raees Saieet, and a stellar art installation by Mankebe Seakgoe. The works are curated to evoke a sense of peacefulness and contemplation while also hinting at the underlying energy and dynamism that animate all forms of existence.

The third and final theme is titled Dream and is devoted to contemporary painting ranging from abstract expressionism to landscape, neo-expressionist, and various other styles. The staging features the works of Thokozani Mthiyane, Yonela Makoba, Mankebe Seakgoe, Maja Maljevic, Lerato Lodi, and Benjamin Salvatore, among others.

Andrzej Urbanski, B05 71 01 22, 2022. Stainless Steel and Automotive Paint. Courtesy Everard Read Gallery.

Frances Goodman, The Chaise Lounge. Hand stitched Sequins on Canvas. 2023. Courtesy Smac Gallery.
Frances Goodman, Change is Coming. Acrylic Nails, Silocone, Fibergalss, Wire and Batting. 2023. Courtesy SMAC Gallery.

Khaya Witbooi, Out of the fire into the frying pan. oil and spray paint on canvas. 2022. Courtesy Kalashnikovv Gallery.

This exhibition is more akin to a library of the arts, a resource, and an inclusive and intersectional record of contemporary artistic practice and cultural production. Hosting this exhibition at an art fair creates a space for independent artists to connect and establish themselves as important contributors to the contemporary art landscape, while also connecting with new audiences and collectors to discover, engage, and connect in a generous and cultivated manner.

ESSAY explores a nuanced dialogue in concept, and approach to colour and line between Nhlengethwa, Tlabela and Mulanga. This cross generational dialogue is pertinent to the zeitgeist as the African art market grows, creating a need to analyse, expand and catalyse the critical middle between commerce and the academy. 

There’s a thread of homage weaving the three artists’ practices together, whether it’s honouring the past or projecting into the future. On a retinal level some of these works depicting interior settings may seem aspirational, on another level, each painting, collage and drawing can be seen as an investigation of the inefficiencies in our existing constructed and natural settings, as well as the relationships that people of colour have with them. 

Each artist’s work can be seen as a journalistic expression of their own becoming, their personal histories, dreams and nightmares projected onto paper and canvas. Their expressive voices are fuelled by architectural and infrastructural representations. These works pivot into a critical multivalent dialogue on representation whilst simultaneously institutionalising black portraiture which has been making waves over the past couple of years.

Michaela Younge, When the church-bells go, so do the gunshots. Merino Wool on Felt 2021. Courtesy SMAC Gallery.

Yannis Davy Guibinga, Nihil Ex Nihilo IV. Digital Photograph. 2021. Courtesy Doyle Wham.

Callan Grecia, Long Nap. Acrylic and Spray Paint on Canvas. 2022. Courtesy SMAC Gallery.

EVENT INFORMATION ///

Parking:

There is no parking at the venue. Visitors should make use of the Fair’s Park and Ride at the Old Edwardian Society, Houghton, where transport will be provided to and from the event. Hope Road is closed for the duration of the event. If arriving in an Uber or a private ride, visitors should have their tickets ready to show officials at the road closure, in order to gain access to the event.

Tickets:
Tickets allow visitors access to the Fair, where they can discover art from 40 galleries and 250 artists. They’ll also be able to explore all three acres of Shepstone Gardens, including the newly opened, stately Great Hall building. What’s more, kids will be able to unleash their creativity with the many activities in the RMB Young Artists’ Playground, and guests can treat themselves to an incredible food and wine experience, by the likes of winemakers from the Franschhoek Wine Valley and sustainable chef, James Diack 

/// PURCHASE TICKETS HERE 

 

About RMB:
Rand Merchant Bank (RMB) is a leading African Corporate and Investment Bank (CIB) with a deal footprint in over 35 countries in Africa. The bank represents the CIB activities of the FirstRand group – one of the largest financial services groups in Africa.

The group follows a multi-branding strategy, and its portfolio of businesses includes South Africa’s leading commercial and retail bank, FNB. RMB furthermore has niche offerings in the UK (London office) and India (Mumbai office). It has also established a broker-dealer business in the US and manages FirstRand’s representative office in New York. RMB manages FirstRand’s representative offices in Kenya, Angola and China. As a leading African CIB, RMB’s expansion on the continent is a key growth strategy. CIB offerings in Africa are offered under the RMB brand in South Africa, Botswana, Namibia and Nigeria and under the FNB CIB brand in Eswatini, Ghana, Lesotho, Mozambique and Zambia.

We offer our clients innovative, value-added advisory, funding, trading, corporate banking and principal investing solutions. We are passionate about solving problems by challenging the norm and seeking solutions beyond the obvious. We are innovative in our thinking and turn challenges into opportunities, while delivering on Traditional values. Innovative ideas.

About Latitudes:
Latitudes launched as a physical art fair in 2019 and has since evolved into an integral player in the African art industry. The all-women team runs an online marketplace for art from Africa, a physical art fair, a series of mentorship programmes and an art award, all with the common goal of creating voices for independent artists and connecting artists with collectors. Latitudes challenge how art can be seen, experienced, and purchased, making the process more inclusive, less intimidating, and ultimately enjoyable for collectors.

Press release courtesy of Bronwyn Coppola.

RMB Latitudes Venue.

Written by: Holly Beaton

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

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