Sash South Africa reveals Phola Park part three: Sunset

Last August we spoke to designer, creative director and founder of Sash South Africa, Sakhile Cebekulu, about the second iteration of their collection Phola Park, ‘Sunday Best’. Now the multidisciplinary brand based in Johannesburg has announced the third and concluding chapter to the Phola Park trilogy, namely ‘Sunset’

This collection captures the essence of a South African sunset, weaving together themes of love, healing, and music through an evolving colour palette and considered craftsmanship. 

The Phola Park journey began with the eponymous first collection, celebrating

everyday joy and nostalgia, about which Sakhile shared, “It is multi-layered and explores various notions and thoughts. The initial idea was inspired by images from my mothers photo album of her with friends and family in the 90s in parks enjoying life, joyful and relaxed. The images captured a sense of peace and calm, seeing black joy and love invoked in my head.” It continued with Phola Park Sunday Best, which reimagined the cultural significance of dressing up for special moments. Now, Phola Park Sunset marks a poignant farewell—an ode to the golden hour, where warm hues transition into the earthy tones of dusk.

 

All imagery courtesy of Sash South Africa

Inspired by the natural transition of day into dusk, Phola Park Sunset is a meditation on warmth, nostalgia, and the passage of time. The collection’s colour palette mirrors the hues of a South African sunset, shifting from the bright optimism of canary yellows and golden mustards to the fiery depth of burnt oranges, before settling into the grounding, earthy tones of deep greens and rich browns. Each shade is carefully chosen to evoke the changing light, from the brilliance of the afternoon sun to the quiet glow of twilight.

Signature elements return, tying together the trilogy’s narrative— Phola Park artwork, intricate embroidery, and the striking Lion’s Tail motif, all woven into contemporary silhouettes, emphasising Sash South Africa’s signature blend of contemporary tailoring, artistic prints, and elevated everyday wear. 

This instalment features 24 looks—12 menswear and 12 womenswear—ranging from semi-tailored jackets and structured suiting to fluid skirts and utility-inspired workwear. Key pieces include the Lions Tail Ringer T-Shirt, a vibrant nod to summer optimism, and the Phola Park Wide-Leg Utility Pants, designed for effortless movement and impact. The collection also revisits familiar motifs such as the Phola Park Printed Semi-Tailored Jacket and the Pleated Midi Skirt, celebrating storytelling through fabric and form.

“We wanted to close this chapter with a collection that feels like a moment suspended in time—the last light of day before night falls,” says Creative Director Sakhile Cebekhulu. “This is both a reflection and an evolution of what Phola Park has meant to us.” Shot against a striking yet intimate backdrop, the Phola Park Sunset look book embodies the narrative of the collection—where colour, light, and emotion shift in harmony.

 

Imagery credits:

Creative Direction: Sakhile Cebekhulu

Photography: Simba Takaedza

Styling: Mpumi Mdunge

Models: Wesley Takaedza & Teisha Santos

Makeup: Bongiwe Ngondo

Lighting & Digi Tech: Jimmy Moloto & Sibusiso Kgokane

Retouching: Lesedi Goulanka

Set Assistance: Nina Peterson, Desne Peterson, Kabelo Moukangwe

 

Phola Park Sunset is available now at Sash South Africa’s webstore.

 

Learn more about Sash South Africa here or read the CEC article here

 

Press release courtesy of Sash South Africa 

RMB Latitudes Art Fair’s Third Edition is Back in JHB this May

RMB Latitudes Art Fair is back for its third edition, taking place at Shepstone Gardens in Johannesburg from Friday, 23 May to Sunday, 25 May 2025.

Presented by Latitudes Online in partnership with Rand Merchant Bank (RMB), the Fair has become a standout event on Johannesburg’s cultural calendar, celebrated for its unique, immersive approach to experiencing contemporary African art. By moving beyond the confines of a traditional fair venue, RMB Latitudes invites visitors to explore art in a dynamic and multi-sensory environment – wandering through distinctive indoor and outdoor spaces, pausing for a leisurely lunch in lush gardens, engaging in thought-provoking conversations, and contemplating sculpture beneath Johannesburg’s crisp autumn skies.

This year, RMB Latitudes Art Fair is excited to be working with 50 galleries and with over 300 artists showcasing their talent over the course of the weekend. From major local galleries such as Southern Guild, Stevenson and Everard Read to nomadic gallery FEDE Arthouse, Strauss & Co auction house and new Nigerian space AMG Projects, every aspect of the art ecosystem is represented. View the full list of 2025 participating exhibitors here.

All imagery courtesy of RMB Latitudes

“This year’s theme of CO-PRODUCTION is a nod to the Fair’s central ethos of working collaboratively with and connecting all players in the art industry,” says Lucy MacGarry, co-founder and director. “The theme sees galleries, artists and institutions come together to create an exciting programme of exhibitions and special projects, exemplifying the truly African sentiment of what is possible through collaboration.”

The Fair’s 2025 International platform takes a deliberate and engaged focus on neighbouring country Botswana, with several exhibitors working collaboratively to create a presentation that respects the balance between contemporary art and more traditional, foundational art practices in that region.

INDEX, an annual focus on independent artists, is curated by artist Bonolo Kavula. In her tenure as INDEX curator, Kavula’s exhibition seeks to highlight the rich depth of abstract art. Kavula mentors her chosen artists, in posing questions that force them to think deeper about abstraction, and what it is they are abstracting.

In the gardens, an outdoor exhibition Disturbed Currents: Art for a Warming World explores how it is that we inform the climate, and how it, in turn, informs our own lived experience, while ESSAY sees stoneware sculptures by doyenne of South African ceramic sculptors, Amalie von Maltitz, shown alongside charcoal drawings by Sydney Kumalo.

For the first time, Design Week South Africa is involved in the fair and has curated the Design Showcase, an opportunity to shop some of the most premium local brands, while enjoying the art displays.

Through all of these (and more) Special Projects, and the works of 50 exhibiting galleries, RMB Latitudes strikes a balance between the serious business of the art world and the sheer joy of engaging with creativity in an open, welcoming space. This curatorial approach embraces an intergenerational and diverse audience – whether seasoned collectors or first-time visitors – broadening access to art while fostering sustainable economic growth in the sector.

“Our growing partnership with Latitudes – not only on the Fair but also through initiatives like RMB Latitudes CuratorLab, a mentorship programme for aspiring curators across the continent, and RMB Latitudes Collectors’ Circle, a growing community of like-minded art enthusiasts – aligns with our mission to unlock and celebrate creative talent,” says RMB’s Chief Marketing Officer, Alison Badenhorst. “Like the partnership between RMB and Latitudes, the relationship between creativity and optimism is an extremely positive one. Creativity fuels optimism and optimism fuels creativity.”

Tickets for RMB Latitudes Art Fair 2025 are on sale here

Press release courtesy of Latitudes Online

Chapter 36 | Part Two: African Fashion Capitals You Need To Know About

When Naomi Campbell advocated for a ‘Vogue Africa’ edition, it might have, at first glance, seemed like a brilliant idea. Until, British-Nigerian designer Tokyo James reminded us that “a single Vogue representing an entire continent wouldn’t work, Africa is too diverse to be represented by one publication.” Tokyo’s response to Naomi’s call for a Vogue Africa highlights a critical issue in how Africa is treated as a monolith rather than a richly diverse continent with distinct cultures and aesthetics. The idea of a single Vogue Africa risks oversimplifying and homogenising the vast range of fashion voices across the continent, and lord knows, we’re done with any singular view of the continent; this, we know.

This is also why, when writing this second edition of Interlude’s ‘CITY FACTS and FASHION HACKS’, I am reminded by just how much of an undertaking it is to try and summarise anything happening, in any city, across the continent. So, this chapter is not an attempt to oversimplify by any means; rather, it’s an attempt at one small ‘taste’ or peek into the proverbial window of six more fashion capitals to keep our eyes on. The real need we face on the continent is for more localised representation— by supporting existing context-specific African publications in each country, platforms, and designers that continue to assert their own narratives. Alas, we move. 

Below, we extend ourselves to all corners of the continent; with Angola as a Southern African country, Togo in the West, Morocco, Tunisia and Egypt in the North, and finally— Rwanda, land-locked in the East. 

Lomé, Togo

CITY FACTS: Togo might be a smaller country than its west African counterparts, but it has a lot to say—flanked on either side by Benin and Ghana, its capital city Lomé’s creative pulse is felt in its bustling Grand Marché. The city is home to institutions like the Togolese National Museum, which preserves the country’s artistic heritage, and Palais de Lomé, a restored colonial palace turned contemporary art and cultural center. Lomé’s fashion industry is rooted in craftsmanship, with designers showcasing their work at events like the Festival International de la Mode au Togo (FIMO228), which highlights emerging and established West African talent. Traditional weaving and embroidery techniques continue to influence contemporary Togolese fashion, making the city a key player in preserving and evolving West African design.

FASHION HACKS: I’ll be totally honest, the idea to do another edition of this format was precipitated by Togo YEYE: a conceptual publication and project, initiated between London-based photographer and art director Delali Ayivi and Lomé-based fashion activist Malaika Nabillah. Founded to celebrate and uplift Togolese creative expression, the collective serves as a platform for edifying a vision of Togolese fashion creatives: from stylists, to fashion students, to make-up artists and photographers. It’s these kinds of projects that remind one exactly why fashion collaboration is as powerful as it is, and as Delali shared with Nataal, “Togo Yeye translates to ‘a new Togo’ in Ewe and is dedicated to tomorrow’s generation of artists and thinkers, today. Its main objective is to document and celebrate those who push creative boundaries, especially in Lomé’s fashion industry. We also hope that through collaboration we can strengthen our community and bridge the gap between the Togolese diaspora and people at home.”

Then, there is Jacques Logoh, a key figure in Togolese design, known for his innovative approach to fashion. As the founder of FIMO228, Logoh has created an essential space for Togolese and West African designers to showcase their work; a legend, as it were, who has played a pivotal role in shaping the creative industry in Togo. Fallylah Nyny Ryke Goungou’s brand ‘NYNY RYKE  is equally a force in Togolese fashion, celebrated for her unique approach to textile design and avant-garde silhouettes. 

Jacques Logoh Couture, via @jacqueslogoh.couture IG

Nyny Ryke, via @nynyryke IG

Tunis, Tunisia

CITY FACTS: Tunis is a cultural powerhouse, home to the Institut Supérieur des Beaux-Arts de Tunis, one of North Africa’s most prestigious art schools, nurturing generations of visual artists and designers. The city’s architecture is a blend of Ottoman, Arab, and European influences, and Tunisian fashion designer Azzedine Alaïa remains an icon of industry, though today— many emerging designers are merging the country’s deep sartorial heritage with contemporary aesthetics.

FASHION HACKS: Tunisia has no shortage of fashion creatives, developing strong, contemporary identities of Tunisian expression. Founded by Tunisian designer Anissa Meddeb, ANISSA AIDA is a brand that forges principles of minimalism with deep Tunisian heritage. Meddeb, who studied in New York and Paris, creates garments that incorporate elements of North African craftsmanship—such as traditional weaving and embroidery—while maintaining a clean, structured aesthetic inspired by Japanese design principles. I’m going to need several Nano bags by Anissa Aida, stat. Then, Fichier Caché (also styled as FC3) is an avant-garde, streetwear Tunisian fashion label that operates at the intersection of art, design, and social commentary. The brand is known for its conceptual approach and the name “Fichier Caché,” which translates to “Hidden File,” demonstrates an ethos of uncovering and reinterpreting Tunisia’s cultural codes through a modern lens. FC3 collections often play with gender-fluid silhouettes and gritty marketing activations, making it a standout in Tunisia’s growing alternative, youth-led fashion scene. Bold Denim is a highly-articulated Tunisian brand redefining denim culture in North Africa with a fresh, daring energy. Known for its sustainable practices and focus on craftsmanship, Bold Denim offers high-quality, fashion-forward denim pieces that merge streetwear influences with Tunisian textile expertise. 

Bold Denim, via @boldenim

Anissa Aida, via @anissaida IG

Casablanca, Morocco

CITY FACTS: A dreamy symbol in our collective consciousness, even if we’ve never visited, Casablanca is historically a site for creative energy; and it remains on display at institutions like L’Uzine, an interdisciplinary arts space supporting emerging Moroccan artists, and Villa des Arts, a cultural space showcasing contemporary and traditional works. The city is a hotspot for fashion, home to the Casa Fashion Show, which brings together Moroccan and international designers. Casablanca Design Week is another key event, celebrating innovation in architecture, product design, and urban planning. The city’s design scene is a suffusion of Moroccan heritage and modernity, with artisans reviving traditional crafts like zellige tile work and embroidery while pushing them into the future through contemporary applications.

FASHION HACKS: Among the city’s standout creative forces are Auzée, blibla, Atelier Berber and ARTSY Concept Store, each bringing a unique perspective to Casablanca’s fashion and design landscape. Auzée so aptly describes its manifesto, “we celebrate elegance and boldness. Born from the vision of a Moroccan woman who dared to follow her childhood dream, our brand bridges modernity and tradition,” with limited runs and locally produced in Morocco, the brand is a vision of new, sartorial ideals for Moroccan women. Then, blibla is a contemporary brand specialising in the luxurious reimagining of the indomitable ‘Caftan’ silhouette, the traditional Moroccan interpretation of a garment with an ancient presence across West and North Africa, and the Middle East. As far as concept stores go, ARTSY is a principle space for Casablanca’s creative community. Curating a mix of emerging Moroccan designers, global brands, and artistic collaborations, ARTSY reflects Casablanca’s new wave—eclectic, and deeply connected to its cultural roots while embracing a cosmopolitan outlook for Morocco. Lastly, Atelier Berber is penning love letters to the soft, tender and organic expression of linen as a fabric in the region with both cultural and practical importance; among other disciplines in objects and furniture. 

blibla Studio, via @bliblastudio

Atelier Berber, via @atelierberber IG

Kigali, Rwanda

CITY FACTS: Kigali has been popping off in terms of creative expression, with institutions like the Inema Arts Center nurturing Rwandan contemporary art and supporting young talent. The city is also home to the Kigali Center for Photography, a key space for visual storytelling in East Africa. Kigali Fashion Week has gained international recognition, showcasing designers who merge traditional fabrics like kitenge with modern, structured silhouettes. The city is also at the forefront of sustainable design, with initiatives like Made in Rwanda promoting locally produced textiles and ethically crafted fashion. Kigali’s ecologically conscious, modern aesthetic is reflected in its architecture and city policies on litter, making it seen as one of the most future-forward capitals in Africa.

FASHION HACKS: Kigali’s fashion scene is incredible. mille collines was conceived in Rwanda, and though now based in South Africa and Kenya, the luxury womenswear and lifestyle brand’s roots in Kigali make it a notable extension of the city’s creative musings. House of Tayo, founded by Matthew Rugamba, is reinventing classic menswear and extends its vision for Rwandan tailoring. Maryse Mbonyumutwa’s incredibly beautiful brand ASANTII is demonstrating the power of design as a vehicle for business; the brand has its own manufacturing infrastructure that today, employs over 1500 staff in Rwanda,  predominantly women. MOSHIONS, Moses Turahirwa’s luxury Rwandan label, is a study on avant-garde minimalism, and is a vanguard for a highly articulated, luxury fashion future for Rwanda and beyond. 

ASANTII, via @asantii_official IG

House of Tayo, via @houseoftayo IG

Luanda, Angola

CITY FACTS: Luanda’s arts and design scene is flourishing, with the Fundação Sindika Dokolo supporting contemporary African artists. The city hosts Luanda Fashion Week, a major event where Angolan designers bring Angolan design to the forefront. The Trienal de Luanda, an ambitious art festival, gathers international and local artists to explore Angola’s evolving identity through performance, sculpture, and painting. Deeply intertwined with Brazil, the country holds a rich cultural exchange that influences its artistic and design landscape. This Lusophone connection is evident in the rhythmic patterns of Angolan fashion, the Afro-Brazilian fusion in contemporary art and music, and the architectural echoes found in Luanda’s colonial and modernist structures. 

FASHION HACKS: Nadir Tati is a pioneering Angolan designer and human rights activist, noted for dancing  traditional Angolan aesthetics and fabrication with haute couture techniques. Her regal, tailored creations highlight Angolan heritage through intricate embellishments, and she become the first Angolan designer to showcase at the Oscars, through Rachel Mwanza. Meanwhile, Rose Palhares is redefining Angolan fashion with her inherently feminine aesthetic, though she has begun dabbling in menswear. Then, Pretah is an Angolan brand with a reverence for the 70s and the 2020s, simultaneously— creating ready-to-wear pieces that exude confidence and playfulness. Dipping across the diaspora to Australia; I just had to mention, Collective Closets, founded by two Angolan-Australian sisters, Fatuma and Laurinda Ndenzako; who are on a mission to share new visions of African heritage with the world.  Ethically made, Collective Closets honour traditional African textiles such as their incredible use of the storied legacy of plaid in East Africa

Rose Palhares, via @rose.palhares.rtw IG

Pretah, via @pretah.ao

Cairo, Egypt

CITY FACTS: Cairo’s rich artistic landscape is anchored equally by its seminal place in ancient history, and institutions like the Townhouse Gallery, a hub for contemporary Egyptian art, as well as the Museum of Islamic Art, housing one of the world’s finest collections of Islamic craftsmanship. The Cairo Opera House is a cornerstone of the city’s cultural life, hosting performances that blend classical and contemporary influences. Cairo Fashion Festival is one of the most important fashion events in the region, featuring both Egyptian and international designers. The city’s design aesthetic draws from millennia of artistic heritage. Cairo’s mix of ancient and contemporary influences cements its place as a creative capital in Africa and the Middle East.

FASHION HACKS: Saqhoute, founded by Mariam Mazhar in 2018, focuses on sustainability and ethical production, creating well-tailored garments that celebrate Egyptian craftsmanship while advocating for slow fashion. RISKY BOYS, a Cairo-based collective, has gained a cult following; consisting of models, stylists, art directors, and designers, the collective are advancing youth culture in Egypt through insane visuals, powerful brand partnerships and shedding a new lens on Cairo specifically. MAMZI, launched by designer Mariam Mazen in 2017, is one of my favourite brands on the continent. Made for the ‘assertive woman’, the brand is profound across design, visual communication and its presence across the world; Mariam is one of the most exciting female designers on the continent, and as she notes, “There are no limits, no boundaries to concepts and new ideas. I set my imagination free and let it take the lead on all my designs.” Last, but certainly not least, is the newest vanguard Mina Tahir pushes the boundaries of Egyptian fashion with conceptual, zero-waste collections that incorporate deconstruction, unconventional silhouettes, and artistic detailing. As a Vogue Italia CFE Winner (2022), Debut Talent Finalist at Fashion Trust Arabia (2021), and CFDA Future Fashion Graduate, Mina Tahir has quickly emerged as a visionary talent in the fashion industry— and you can get to know her better through this beautiful conversation on Dua Lipa’s platform, Service95. 

Mamzi by Mariam Abdelghany, via @__mamzi__ IG

Risky Boys, via @riskyboyss_

Written by: Holly Beaton

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

JOEBOY ANNOUNCES HIS NEW ALBUM ‘VIVA LAVIDA’ WITH THE SINGLE ‘TAXI DRIVER’

Nigerian Afrobeats artist Joeboy announces the release of his third studio album, ‘Viva Lavida’. Alongside the album announcement, Joeboy releases the project’s lead single, ‘Taxi Driver’, produced by Xtofa and Tempoe.

Joeboy has been teasing the track over the past few days with a series of short videos where he takes on the role of a taxi driver, driving high-profile Nigerian personalities around Lagos. In these videos, Joeboy engages his passengers in candid conversations about relationships, creating a buzz and offering fans a glimpse into the inspiration behind the new single.

Speaking on the concept of ‘Taxi Driver’, Joeboy shares:

“There’s something uniquely intimate about the conversations that happen in the back of a taxi. People open up in ways they might not elsewhere, sharing their deepest thoughts and relationship stories. ‘Taxi Driver’ captures those moments of vulnerability and connection, set against the backdrop of Lagos, a city that never sleeps.”

‘Taxi Driver’ is a soulful exploration of human connection, beautifully encapsulating the psychological dynamics of relationships over warm, dreamy melodic production. The track follows Joeboy’s previous single, ‘SMH’, released earlier this year, and continues to showcase his ability to blend Afrobeats with rich, emotive storytelling.

The upcoming album, ‘Viva Lavida’, is a 13-track project that sees Joeboy reunite with longtime collaborator Tempoe (producer of ‘Sip (Alcohol’) who also produced the album’s previous single, ‘SMH’. The album’s title, which translates to ‘Live Life’, reflects Joeboy’s mantra of living freely and embracing self-awareness and inner peace, even in the face of adversity.

Joeboy explains the ethos behind the album:

“Life is unpredictable, and bad times are inevitable, but the one thing you can control is how you react and live. I choose to live free. No matter how many times I get my heart broken, no matter whether I succeed or fail in life and love, Viva Lavida!”

With a world tour that’s set to showcase Joeboy’s authentic, sweet, and vibrant output to even greater heights, ‘Taxi Driver’ serves as an infectious launchpad for the next chapter of Joeboy’s artist journey.

Listen to Taxi Driver here
Pre-Add Viva Lavida here

Press release courtesy of Reliable PR

Nduduzo Makhathini releases a remix with FKA MASH, ‘Re-Amathambo’

Two of South Africa’s dynamic musical innovators, Jazz virtuoso, Nduduzo Makhathini and electronic pioneer, FKA MASH, have joined forces to unveil a reimagined version of “Re-Amathambo”. This remix is another example of how the worlds of jazz and electronic music can co-exist – while breathing new life into Makhathini’s deeply spiritual composition through FKA MASH’s signature afro house sound.

The song “Re-Amathambo” originally comes from Nduduzo Makhathini’s celebrated body of work “In The Spirit Of Ntu” which features an amazing vocalist Anna Widauer. The song is steeped in rich African heritage and layered with profound storytelling. Now, with FKA MASH’s eclectic touch, the track takes on a new pulse, bringing the textures of the original to a new bed of afro house rhythm.

FKA MASH, known for his ability to craft deeply emotive electronic productions, has previously collaborated with global icons and performed on some of the world’s biggest stages. His interpretation of Re-Amathambo pays homage to Makhathini’s spiritual essence while infusing the track with a rhythm that is bound to move dance floors across the globe.

 

Speaking on the collaboration, Makhathini shares: “The piece has had many lives, revealing the different truths about being in the world. It is fundamentally, a divination song that looks into disruption, the broken parts of our being (individually or even as a society) and seeks to harmonize towards healing. The song brings to focus ancient African technologies and their relevance in ‘modern’ times. I have been blessed to work with a friend and big brother of mine Black Coffee, he is the one that has introduced me to the dance music scene, the music convergences between this music and jazz, and essentially, to the great community of young producers. He first introduced me to Da Capo which resulted to the remix of ‘King Fela’ (also known as ‘Yehla Moya’) and now to FKA MASH. In both cases, he shared separate files to these producers, then returned to me to re-perform my piano parts. Again, the first time I was involved in a similar musical intersection was in Music is King (2018). I believe that there is an urgency to blur the lines between genres in order to realize new musical possibilities. From an improvisors standpoint, I require unfamiliar sonic territories to truly exercise my intuition and improvise in a true manner”.

FKA MASH adds: “This was a huge task. It’s been an honour and a beautiful experience to be trusted with this project. I appreciate the patience, support, and teachings of uNduduzo throughout this process. It makes me happy to finally share this with the world”.

 

Listen to “Re-Amathambo” here

 

Press release courtesy of Sheila Afari PR

MAJOR LEAGUE DJZ RELEASE A NEW SINGLE ‘COME WITH ME’ FT. JORJA SMITH

Pioneering South African duo Major League DJz release their latest single, Come With Me, featuring UK sensation Jorja Smith. Out now, the track marks their first official foray into electronic music—a carefully crafted evolution that’s been four years in the making.

As global ambassadors of amapiano, Major League DJz have long been at the forefront of shaping and expanding the genre. Their latest single Come With Meis a natural progression; blending their signature log drum rhythms with the pulse of house and Afro-electronic sounds.

“‘Come With Me’ is a record we started working on 4 years ago,” Major League DJz explain. “We knew we wanted to step into the electronic space in a way that still felt authentic to who we are, and this track was the perfect balance. We’ve also been wanting to work with Jorja on an original track for a while and now the timing feels perfect.” They shared, speaking of the track.

Beyond ‘Come With Me,’ Major League DJz continue their mission to amplify African dance music on a global scale. With an array of star collaborators including Major Lazer, Tion Wayne, and Calvin Harris, their ambition is clear: to push boundaries, break barriers, and evolve the sound of African electronic music.

 

Listen to ‘Come With Me’ Here

 

Press Release courtesy of Sheila Afari PR

Kerrier Collective and wolf peaches release ‘Rotten Fingers’ EP

Created in partnership with Sheffield songwriter wolf peaches, Cornwall’s Kerrier Collective return to Colour and Pitch with two brand new tracks: ‘Rotten Fingers’ and ‘Fake Silence’.

Slo-mo Deep House cut ‘Rotten Fingers’ was originally released by wolf peaches and producer Robin Grey as a downtempo song. As Ben Tidy puts it: “A real Sunday morning jam with great production from Robin.” After a chance meeting with Robin, Kerrier Collective got to work on the song bringing in regular collaborator Polly Meyrick on horns. “We wanted to make the Saturday night version of this Sunday morning Jam, so sped it up to a slow house tempo and got groovin’ with the drums. We were listening to a lot of Omar S’s slow crunky techno with 909 basslines and Nils Frahm’s subtle drops, and it seems we have paid homage to both of them in this track. This last section is really where Kerrier Collective and wolf peaches merge into one with Alfie’s strings, Polly’s horns and Ben’s synths sitting atop the vocals and chords. This was a real joy to work on. I hope you can feel how much we got into the track.”

Second track ‘Fake Silence’ takes a more delicate and minimal path, with lo-fi drums, heavy sub bass and ice-cold piano chords giving way to vocals and plucked violin and concertina flourishes. “When we received the vocals back from wolf peaches for what would become ‘Fake Silence,’ there were three long takes of ideas” says Ben. “So many good ideas, and lots of them. We treated the takes like you would sample material, taking a bit from here and a bit from there, editing together a new chorus and some ideas for a verse. Little did I know that I was whittling together a chorus subconsciously which was describing exactly what was going on in one of my relationships at the time.” “The yearning for authentic expression and mindful presence in wolf peaches’ vocals are themes which resonate strongly with all three of us” says Alfie. “So here we are, exploring the shortfall between language and emotions, as we probably all will, if we stop and listen.”

 

Listen to ‘Rotten Fingers’ here 

Press release courtesy of Only Good Stuff

Our Favourite Health & Wellness Picks From Takealot.com

Last month, we did a round up of our favourite Takealot Cult Classics – you loved it so much, we decided to bring you more. 

There’s a certain joy in finding a self-care product that delivers exactly what it promises—something that enhances your routine and actually feels like a daily pleasurable indulgence rather than a chore. Whether it’s a hydration boost, a gut-health fix, a skincare essential or a book that can transform the way you think; the right pick can be the catalyst to achieving your personal wellness goals for body, mind and more. 

 

Not long ago, getting your hands on broad-spectrum wellness gems often meant scouring international retailers or dealing with long shipping times, or heading to obscure health stores in far-flung places. Now, Takealot is making it easier than ever to access some of the best self-care products without the wait. We’ve put together a list of our thirteen must-haves in the health and wellness segment that are available right now—ones we think deserve a spot in your routine, on your journey to be your very best self. 

Gloot’s Protein Water

In recent years, protein has become the undisputed star of the wellness zeitgeist, celebrated both as the key to muscle gains and as a solution to strength and vitality in our continued understanding of women’s health. Reaching your protein goals is absolutely essential for every cell in the body, supporting muscle repair, hormone production, and overall metabolic function— and now, there are multiple ways to make those gains beyond our idea of a heavy, steak dinner. A game-changer in functional hydration, Gloot’s Protein Water in Tropical Crush flavour is a refreshing, easy-to-digest source of protein. Unlike traditional shakes, which can feel heavy, this ultra-light, fruit-infused water delivers 15g of protein per bottle without added sugars or artificial nasties. Whether post-workout, mid-afternoon, or as a recovery boost, it supports muscle repair and keeps you energised without bloating. Hydration and protein in one? Perfect. 

The Harvest Table Multi Collagen Powder

Collagen is the scaffolding of our skin, joints, and gut health— and by the time we turn 25, our skin begins to lose its natural collagen stores, leading to reduced elasticity and firmness. We know, it’s scary babes, but fear not. We live during a time in which it’s easier than ever to combat the onset of our biological clocks. Cue, The Harvest Table’s Multi Collagen Powder that combines Type I, II, and III collagen peptides to maximise bioavailability and benefits (the different types just mean they target various tissues—Type I for skin and hair, Type II for joints, and Type III for gut and connective tissue support). This powerhouse blend promotes skin elasticity, joint mobility, and stronger hair and nails. Tasteless and easy to mix into coffee, smoothies, or soup, it’s a non-negotiable way to future-proof your body from the inside out.

All imagery courtesy of Takealot.com

Breaking the Habit of Being Yourself: How to Lose Your Mind and Create a New One

Self-help books are out, and self-rewiring manuals are IN. If you’ve ever wanted to meditate your way into a new frame of mind — Dr Joe Dispenza is your man. Dispenza’s seminal book, Breaking the Habit of Being Yourself, blends neuroscience, quantum physics, and meditation techniques to help you break free from limiting thought patterns or those that perpetuate negative thinking. If you’ve ever felt stuck in cycles of self-doubt and unhealthy thought patterns, this book offers practical tools to reshape your mindset, making it a must-have in any self-care arsenal. It truly does show you how to re-wire your thinking for a more positive outlook which can only be good for us.  We’re over self-limiting beliefs and as some might say, you are what you think. The appeal of Dr Joe Dispenza is that he treats meditation less like a spiritual escape and more like a daily mental workout. No fluff, just focus.

Wazoogles Superfood Protein Blend

Wazoogles is the gold standard of superfood protein powders. Packed with organic plant-based protein, adaptogens, and nutrient-dense superfoods like maca, lucuma, and chia seeds, it’s designed to nourish on a cellular level, and it’s made even better by its rich, indulgent flavours that transform smoothies into nutrient-packed treats. Unlike conventional protein powders that focus solely on protein content, Wazoogles Superfood Protein Blend provides a full spectrum of nutrients that support energy, digestion, and hormone balance. Plus, its whole-food ingredients mean better absorption and no synthetic additives—just pure, functional nutrition. 

Stainless Steel Gua Sha

A centuries-old beauty ritual turned modern essential, the Gua Sha tool lifts, depuffs, and sculpts the face while improving circulation and lymphatic drainage. Rooted in Traditional Chinese Medicine, gua sha (meaning ‘scraping sand’) was originally used to promote healing by increasing blood flow and releasing stagnant energy, or ‘chi.’ Whether used with facial oil or serum, it relieves tension, boosts glow, and enhances product absorption. While traditionally crafted from jade or rose quartz, stainless steel finds itself as a leading material for Gua Sha design in the new age; as its naturally antibacterial, ultra-durable, and non-porous, while staying cool and glides effortlessly for deeper, more effective sculpting. A five-minute ritual that transforms dull, tired skin into sculpted radiance? Yes, please.

Olio’s Body Brush 

Babes, are you dry-brushing? Dry brushing is an ancient wellness practice that involves using a firm-bristled brush on dry skin in upward strokes to promote detoxification and renewal. By encouraging lymphatic flow, it helps flush out toxins, reduces puffiness, and supports overall skin health. Regular use can improve skin texture and unclog pores, and even enhance the body’s natural ability to shed dead skin cells. The Olio Body Brush stimulates lymphatic drainage, boosts circulation, and gently exfoliates, leaving skin ultra-soft while reducing the appearance of cellulite. This is a must-do pre-shower ritual that wakes up both your body and mind; remember, your body is an intricate system that requires movement and flow in order to function optimally.

Olio’s Tongue Scraper 

Oral health can often be overlooked in self-care, especially the varying ways to practise it. As part of an age-old practice rooted in Ayurvedic tradition, tongue scraping is a simple yet powerful tool to support gut health and oral health, by reducing toxins that build up overnight. By clearing away the bacteria and debris that accumulate on the tongue, tongue scraping helps prevent harmful microbes from being swallowed and disrupting the gut microbiome. Olio’s stainless-steel tongue scraper is a daily essential, and removes said bacteria, improves breath, and enhances taste perception, with effortless perfection. A cleaner tongue means a healthier digestive system; literally though, oral bacteria play a key role in everything from inflammation to nutrient absorption. 

Le Live hydration spray

A mist of instant freshness, South Africa’s fave, Le Live, has a Hydration Spray that is skin-quenching, antioxidant-rich spritz that revives and soothes. Whether used post-cleanse, over makeup, or after sun exposure, it restores moisture levels and calms inflammation in your skin. The size is a travel-friendly essential and as we head into winter; we definitely want to maintain that dewy, healthy skin all season long.

Avene Eye Cream

Our delicate under-eyes need extra care, and Avene’s Eye Cream truly delivers. As the skin around the eyes is thinner and more sensitive, it requires targeted products that address its unique needs for hydration and protection. Infused with thermal spring water, Avene’s Eye Cream hydrates, soothes puffiness, and reduces fine lines. Its gentle formulation is perfect for sensitive skin, offering an instant refresh while protecting against environmental stressors. With consistent use, it helps strengthen the skin barrier, leaving the under-eye area smoother, brighter, and more resilient. 

Kiko Vitals ‘Heal Your Gut Duo’

A healthy gut is the foundation of overall wellness, and Kiko Vitals’ ‘Heal Your Gut Duo’ is designed to restore balance from the inside out. This proudly South African brand offers a two-step system which includes a high-quality probiotic to repopulate beneficial gut bacteria, and a potent gut cleanser that removes toxins and supports digestion. Whether you struggle with bloating, sluggish digestion, or skin flare-ups, this duo works synergistically to promote better gut function, boost immunity and enhance nutrient absorption. Given the gut’s profound link to mental health, skin clarity, and energy levels, this is a must-have for anyone looking to optimise their well-being. And to all our gals, good gut health is particularly essential for hormonal balance. 

Clarins Lip Comfort Oil

Clarins Lip Comfort Oil is a skincare treatment disguised as a beauty product. Infused with nourishing plant oils like organic jojoba, hazelnut, and rosehip, it deeply conditions while adding a subtle sheen to your lips. Unlike traditional glosses, it’s non-sticky, lightweight, and is intended to improve the health of your lips over time. Whether you wear it alone for a naturally plump look or as a topper over lipstick, this oil is sure to keep your lips deeply hydrated and oh so gorge.  

Dr Paw Paw Original Palm

A true multi-tasking essential, Dr Paw Paw Original Balm is one of those products that belongs in every bag. Made with papaya fruit extract, aloe vera, and castor oil, this fragrance-free formula has the range to hydrate, and heal everything from dry skin, to chapped lips, and even rough cuticles. It can even double as a glossy highlighter, a brow tamer, or an emergency hand cream. It’s giving range, darling. The beauty of this balm lies in its simplicity—just one tube does it all, making it a go-to for low-maintenance, effective self-care.

Pure Beginnings Activated Charcoal Toothpaste

For a naturally brighter smile without harsh chemicals, Pure Beginnings Activated Charcoal Toothpaste is a standout. Activated charcoal has come out as our greatest natural ally in teeth whitening; gently polishing away stains and plaque-build up in one fell swoop. Pure Beginning’s version is infused with xylitol and organic aloe that soothe gums and balance oral pH, and it’s free from fluoride, artificial sweeteners, and SLS. This is a clean, non-toxic choice for those prioritising both oral health and overall well-being; and don’t worry, that minty taste is still very much present, for the ultimate, fresh pearly-white feeling. 

Written by: Holly Beaton

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Cheatcodes for the Cost of Living (Crisis)

Do you ever feel like, if you don’t go out for a R400 lunch at a second-best friend’s acquaintance’s luncheon, you’ll face a slow social death? Have you ever been brought close to tears by a free parking bay, only to realise that you’re about to get cut off by a shitty driver? What about that matcha latte you’re sipping on? Did you pay R10 extra for oat milk that is predominantly seed oil? If you answered yes to some of the above questions, then we bid you a happy welcome to adulthood, welcome to city life in the midst of a cost of living crisis! 

This is a game that is neither cheap nor easy, but should you win a few rounds, you could get your hands on some big rewards. These may include: Student loan debt relief, a downpayment for a house, or a big big promotion. 

Obstacle levels and challenges include 1) Filling up your petrol tank before the midnight increase 2) Saying no to the pop-up opening scheduled 2 days before payday 3) Making it home with your wallet, keys and dignity intact. Bonus points if you can hide your cat in your apartment block without losing your deposit. Living in one of South Africa’s cities is a game in and of itself.

All imagery courtesy of Pexels

Step 1: Pick Your Fighter

Before you enter the challenge, I implore you to gain a keen understanding of your character, this is a must when the stakes are high. In this case, consider that the stakes are your shelter, your social life, stability, and emotional and physical well-being. So, it’s better to decipher your financial archetype and its origin story early on. According to Vangile Makwakwa, author of What’s Your Money Personality, depending on who you are and who raised you, you will be one of five archetypes. Think of this like your character arc. At your worst, it’s a villain origin story. At your best, it’s the start of the Hero’s Journey. 

 

  • The Sweet One wants to spoil the people around them. Their treat-yourself mentality is infectious and generous. They know their friends and family are broke, so they splurge for the casual hang.

Strengths: Pleases people

Weaknesses: People-pleaser  

 

  • The Destroyer lives in fight mode. They’re confrontational and combative, and don’t mind moving in their own direction even when it’s uncomfortable. They’re capable of losing and building several fortunes in a lifetime, knowing that half their salary will be spent in the first 5 days of the month anyway.  

Strengths: Resilient

Weaknesses: Combative

 

  • The Fixer is crafty, logical and money-conscious. They know what to do and which savings account to draw from in crisis. Their Excel spreadsheets are impressive, and they stand to have a budding career as a CEO. At home, they’re loved by parents and envied by siblings. 

Strengths: Altruistic

Weaknesses: Controlling

 

  • The Runaway believes that a gut feeling is the same as a budget. When the numbers don’t add up, they turn on flight mode to avoid the drama, claiming that the energy is ‘toxic’. 

Strengths: Independent

Weaknesses: Avoidant 

 

  • The Eternal Child says I’m Baby and means it. Their Peter Pan psychology struggles to reckon with responsibility. They may seem like fun, but honestly, they have no idea if they’re tax-compliant. 

Strengths: Youthful  

Weaknesses: Useless

 

Step 2: The Name of the Game 

 

Fortunately, like in every game, each player has an opportunity to level up. Makwakwa argues that if we can address our wounds then we can begin to heal our psyche, changing the way we process information and respond to external events and crises. To unlearn the bad money habits we picked up from our upbringing, the sweet one must address fears of setting boundaries, the fixer’s fear of losing control, or the eternal child’s fear of taking responsibility. Her approach reminds us that assigning personal responsibility can help us regain agency. But, as compelling as it is to look inward, one must also remember that external obstacles still exist to throw us off course. In a cost of living crisis, where prices rise and VAT increases but minimum wage stays low and social relief only increases incrementally, the foundations upon which we build our lives are at odds with themselves. 

All over the world, industry is impacted by layoffs, labour is displaced by technology, public-interest R&D is halted in the face of fickle politics and grant remits. Globalism introduces new competition, and only the biggest survive. Native businesses struggle against the Temus and Sheins, proving that a squeaky clean record means little in comparison to cheap prices and quick delivery. All of this only to leave work and, on your way home, be reminded of an ongoing housing crisis that fills the streets of one of the ‘world’s best cities’. In that same city, landmarked neighbourhoods, iconic in the country’s social fabric, are at risk of erasure in favour of new duplexes and complexes developed for the digital nomads who spike rental prices and slowly push out the country’s middle class. In the face of such immense obstacles, advanced gameplay seems futile. And yet, we still tell ourselves that budgeting better, put savings away, and joining the 5 am club will fix things. 

But even then, city centres tend to trigger our worst financial habits. Distractions compel us to overdo it, to escape into excess and entertainment. Whether you’re blowing all your coin at the club, or jumping between overburdened side hustles, the city brings out our most impulsive, hedonistic behaviour. The towering advertisements and tourist-oriented glamour of miso-marinated restaurants and sponsored parties lure you in like glitter pretending to be gold.

And for a short while, it will be beautifully fulfilling. But for all its delicious decadence, the reality of your credit statement is not easily avoidable. Part of the problem with cosmopolitan living is that it tricks you into believing you have access. But after rubbing shoulders with the 1%, the bill will remind you that you’re still a part of the 99. Yes, the door is wide open, but certain barriers will keep you from getting your foot in. 

The Cheatcode? 

Marx’s Economic determinism posits that culture, politics and society are fundamentally shaped by market forces. Newton was also a deterministic thinker, who said that rules govern outcomes. Systems can be understood, mastered and optimised. This thinking implies that if we control the variables, then success can follow. Understand the economic cycles, and you can forecast, model or predict a better outcome. But in an economy seemingly ruled by disorder, and a stochastic world where everything is in flux, the only solution seems to be reliance on uncertainty. This leaves us wondering whether we’re trapped in a game with no reward, or simply lost in a side quest. 

On the one hand, we are compelled to believe that we have agency, that we exist during a time when anything is possible and opportunity is infinite – that we can pull ourselves out from down and out if we really want to win. It’s more encouraging, and perhaps more productive, to believe that interpersonal change can supersede market determinants. But on the other hand, economic fluctuations leave many feeling powerless. Although, for now, the best we can do is come to terms with what we can control in uncertainty, maybe there’s also value in recognising that this rat race is a little rigged. Try as we might to fix things ourselves, sometimes the game is to blame. If that’s true, then perhaps it’s up to the “developers, the designers and the programmers” to start fixing broken code. Maybe only then will the cost of living become easier to cheat?

 

Written by Drew Haller

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

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ART THEMES | THEME FOUR: OBJECTS

Our bi-monthly curated art review is back for its fourth iteration. This time, a specific light is cast on artful objects: sculpted, framed, photographed, composed and pasted to create a piece worthy of noticing – in a world where the act of ‘paying attention’ or ‘spending time’ seems increasingly competitive.

There’s no denying that art exists in various forms. Art is a word so malleable that it has been used to describe something as broad as life itself. From a grain of sand to the act of performing societal roles or simply the gesture of drinking morning coffee, out of necessity, we’ve created categories to describe life, art and the objects often representing the relationships between them. Objects and mannerisms alike, we’ve chosen the former, strictly not 2D visual art, to focus on in this interaction of Art Themes, our curated bi-monthly art review. 

In the words of Russel Tovey, he shares the importance of gathering artful objects, crafted and framed by a maker, placing them in context and appreciating them – as the magic of life. I really care about stuff. To others, this stuff may just be stuff, but to me this stuff is everything. For me, this is art. Be it filmed, photographed, molded or hand-built, drawn or painted, recorded or reappropriated, art in all of its forms and guises, is my world.”

This March, we explore the work of artists Hylton Nel, Josh Egesi, Indrajit Khambe, Mestre Didi and Usha Seejarim, as they draw from their cultural contexts around the world in mediums of photography, sculpture, ceramics, furniture and found objects.

Photographic series by Indrajit Khambe (2025), photography courtesy of the artist

Indrajit Khambe: Photography

One could argue that photography is indeed a two-dimentional art form, however in the case of Indrajit Khambe, he uses the inspiration of traditional Indian saris as the object of symbolic significance. In rural India, these traditional Indian saris protect precious crops from grazing cattle. Khambe documents the old saris that create fences in his Maharashtrian hometown. In Ramgad, within the Sindhudurg district located off the Konkan coast, vibrant saris line the farmlands with their striking shades of reds and yellows, billowing in the breeze. Khambe has grown up and lived in this village all his life, and he believes his photographs document the lived realities of a community that is underrepresented. His artworks document the beauty in the rich history of the country – those who wore the saris and have passed them on to serve a broader role in the community.

Mestre Didi, Mixed Medium Sculpture, imagery courtesy of Inaicyra Falcao, Photography by Martin Seck

Mestre Didi: Mixed Medium Sculpture 

Besides being a sculptor and writer and central figure in 20th century art, Mestre Didi was an important researcher and religious leader, and carried out work of great relevance to studies on sacred art linked to Afro-Brazilian religions. His entire body of work is linked to the Nagô universe, a people of Yoruba origin. His sculptures were made predominantly from organic materials such as wood, straw, bamboo cowrie shells and beads. These made reference to the traditional art and objects of the Yoruba people, as well as symbolic representations of entities from the cult of ancestors. Elements from the Yoruba visual culture, such as birds, snakes, spears, and flames, are reworked by Didi into pieces that evoke the ancestry of this religion. This artwork “IGI NILÉ ATI EJO ORI MEJI (Tree of Earth with Two-Headed Serpent)” is part of his exhibition “Spiritual Form”. He reimagined Candomblé ritual objects as artworks in their own right. It was for this community that he produced several liturgical objects, before his personal award-winning artistic career earned him renown in the mid-1960s, even if at the outset the Brazilian artistic community only accepted his work as decorative art.

Josh Egesi, Ayo Bench. Photography by Ian Cibic, captured at the Wallpaper24 exhibition at Triennale Milano, 2024.

Josh Egesi: Furniture 

This Lagos-based artist and industrial designer has created the ‘Ayo Bench‘ which transcends the definition of furniture to make research-driven art which engages with cultural preservation, technology and ecology. The bench itself is designed to encourage conversation, but also has a game carved into it. ‘Ayo’, also known as Ayo-Olopon, is a traditional Nigerian game, specifically played by the Yoruba people in southwestern Nigeria, and is a type of mancala game, requiring strategic thinking and numeracy skills. Egesi shares, “In today’s design landscape, the true essence of African design lies in its ability to communicate the soul of an object. It’s about creating pieces that resonate on a personal level, evoking emotions and telling stories.”

Hylton Nel, Glazed Ceramic Stoneware. Imagery courtesy of the artist.

Hylton Nel: Ceramics

The prolific South African ceramicist, Hylton Nel has created hundreds of vases, bowls, plates and sculptures since the 1960s, mostly out of his Karoo studio. Most recently, he collaborated with Dior for the exhibition-like runway for Paris Fashion Week, which showcases his expansive reach. For Nel, there is no colour, shape, glaze or decoration that is incidental or without significance. He sees the repetition inherent to his vessels as infinite prompts for variation, stating, ‘Most of what I make are plates. The same shape over and over, but like people each one is different.’ His work is both utilitarian and decorative, functional and aesthetic. His ceramic pieces encompass geopolitics, pets and sexuality, reflecting a contemporary life mediated through the long tradition of ceramics. One might overlook vases, plates and bowls, finding them purely functional or unconsciously allow them to blend into the pastiche of home decor. Nel has, however, found a way to echo his own experience and tell stories which infiltrate the normality of domestic ‘objects’ to be of far more significance to himself and the viewer.

Usha Seejarim, Shy Yoni. Imagery courtesy of the artist.

Usha Seejarim: Domestic Objects

This Johannesburg-based artist explores the domestic space as a site of servitude, subversion and resilience through an intersectional lens. Functional objects found in the home, specifically the kitchen or scullery such as clothes pegs, ironing soleplates, brooms and serving trays – are repurposed and reframed to explore themes of oppression and agency in relation to gender, race and class. In the repetitive acts of assembling, Seejarim evokes the relentless, cyclical nature of domestic labour – traditionally gendered as women’s work. Through the use of these objects for art and commentary, contrasting from their original intended use, Seejarim explores a position of rebellion against the confines of womanhood and domesticity.

 

The abundance of expression and application of human creative skill and imagination is astounding, often overwhelming. From natural found objects paying homage to a long spiritual and religious tradition, to the use of everyday domestic objects to communicate a more contemporary subversion of gender roles, these artists have gathered common, recognisable items to make a comment and encourage one to look deeper. This is simply a microcosm, a curated sample-size of those artists around us trying to understand the difficult (and simple) questions we’re faced with in this life.  

Written by: Grace Crooks

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za