Moonga K. releases the first track from his country-inspired EP ‘Outlaw’

MOONGA K., the genre-defying artist known for his electrifying sound and fearless storytelling, is back with a new single, “hold on!”. The track is the first glimpse into his highly anticipated country-inspired EP, OUTLAW, marking an exhilarating new chapter in his artistic evolution.

Blending elements of funk, soul, and Americana-infused country, “hold on!” is a choir-driven anthem of resilience, echoing MOONGA K.’s commitment to breaking musical boundaries. The single was announced with a visually striking teaser filmed at a horse ranch, setting the stage for a project that redefines the cowboy aesthetic through a queer African lens.

“hold on!” encapsulates the spirit of OUTLAW—a narrative that follows MOONGA K. as a lone cowboy on the open road, guitar in hand, traversing through vast landscapes, small-town bars, and the unseen corners of the world. The accompanying music video, filmed across South Africa and Lesotho, will capture the raw beauty of MOONGA’s journey as an artist and outlaw.

MOONGA K. describes OUTLAW as a bold reclamation of country music, a genre deeply rooted in Black history. This project pays homage to the Black cowboys of the 19th century, a narrative often erased from mainstream storytelling. Through “hold on!”, Moonga K. continues his mission to uplift underrepresented voices, embracing themes of courage, identity, and self-determination.

The release of “hold on!” also kicks off a dynamic visual campaign, featuring striking cowboy-inspired imagery and teasers designed to intrigue and excite fans. This cinematic rollout sets the tone for the OUTLAW EP, which will introduce more layers of Moonga’s sonic and visual world in the months ahead.

About Moonga K.

MOONGA K. is a multi-talented singer, songwriter, and activist, known for his genre-fluid artistry that blends R&B, soul, rock, jazz, and electronic influences. Born in Zambia, raised in Botswana, and based in South Africa, he has built a reputation as a fearless storyteller and boundary-pushing musician. His previous work has earned SAMA nominations, widespread critical acclaim from Rolling Stone, GQ, The FADER, AFROPUNK, and performances on major stages like Afropunk, Rocking the Daisies, and OppiKoppi.

With OUTLAW, MOONGA K. is set to redefine what it means to be a modern cowboy—bold, unapologetic, and boundless.

Listen to ‘hold on!’ here

Watch the official music video here

Press release courtesy of iBeMusic

Ed Sheeran releases his new single ‘Azizam’

Ed Sheeran presses play on a new era with the release of his new single ‘Azizam’. The song title is a Persian term of endearment that means “my dear” or “my beloved,” and is Ed’s a return to joy, to light, to love and to fun!  

“Azizam” began as a meeting of minds in the studio with Swedish/Iranian producer Ilya Salmanzadeh (Ariana Grande, Charli XCX, Ellie Goudling, Sam Smith). Driven by Ed’s relentless curiosity they soon realised how much Persian and Irish folk music have in common and how only Ed could set those influences in a pop context. The result is a hedonistic technicolor call to action to live the moment “in between the dancing lights” on the dancefloor until the Sun rises. A celebration of cross-cultural collaborations brought to life, this rhythmic pop song is about the universality of emotion.

Ed said, “Even though it’s completely different to anything that I’ve ever done before, Azizam feels familiar to me. I wanted to create a party atmosphere in a song and Ilya Salmanzadeh, who I worked with on the track, helped bring that to life. He was so inspiring to work with.”

In the video accompanying the single release, Ed embarks on a journey across the US and UK with a pink, heart-shaped balloon in tow. He takes in the sights of New York from an iconic yellow taxi, cruises through Los Angeles in a classic open-top car, and braves the elements in rural Massachusetts. Along the way, he leads a street party in New Orleans and makes stops in Boston and Nashville. And, of course, no trip would be complete without a visit to his beloved Ipswich Town FC. Watch Here

After closing the chapter on his Mathematics era, Ed Sheeran is finally back and stepping boldly into a fresh new phase for 2025. An artist who has continuously pushed himself, and his craft, into new territory, Sheeran has collaborated with producers and writers from across the globe on his upcoming album, which promises to be one of the years defining pop records (details of which will be released soon).

Listen to ‘Azizam’ here

Press release courtesy of Sippy Time

Sippy Time presents ‘Ubuntu’, the latest release from FiNE

Sippy Time proudly presents ‘Ubuntu’, the latest release from FiNE, Romy Janssen, and Tabia – a powerful statement of connection and unity. Inspired by the African philosophy of “I am because we are,” “Ubuntu” embodies the spirit of shared humanity, compassion, and togetherness through its rich, immersive sound.

At the core of this release are FiNE, twin brothers from South Africa making waves in the international Afro House scene. Known for their deep, groove-driven productions that seamlessly blend modern electronic elements with traditional African influences, FiNE have gained recognition alongside artists like Francis Mercier, Sun-EL Musician, THEMBA, Lemon & Herb, and many more. With their innovative approach to Afro House, they continue to push boundaries, captivating audiences both locally and globally.

 

Dutch-born Romy Janssen joins forces with FiNE to infuse her unique flavour into this dynamic collaboration. A rising star in the Afro House scene, Romy has garnered strong support from superstars like Black Coffee, Caiiro, Benja (NL), and others. Renowned for her energetic, charismatic performances, Romy has graced stages at prestigious events such as Mysteryland, Extrema Outdoor, Paaspop Festival, and at iconic venues like Koko London, Eden Ibiza, The Steelyard London, and Paradiso in Amsterdam.

From the first beat, “Ubuntu” commands attention. Deep, resonant basslines propel the rhythm, layered with hypnotic melodies and crisp percussion. Tabia’s unmistakable vocal performance adds emotional depth, cutting through the soundscape with raw power and authenticity. Every element is meticulously crafted, resulting in a track that feels both timeless and forward-thinking.

With “Ubuntu”, Sippy Time reaffirms its position at the forefront of Afro House innovation. As 2025 unfolds, this release is not just about following trends – it’s about setting them. “Ubuntu” is an experience that leaves a lasting impact long after the final note fades.

Listen to ‘Ubuntu’ here

Press release courtesy of Sippy Time

Jazzanova releases ‘Another New Day’ Live

Berlin-based collective Jazzanova continues to celebrate 20 years of their groundbreaking debut album ‘In Between’ with the release of “Another New Day”, the second single from their highly anticipated live album, ‘In Between Revisited: Jazzanova Live’.

This new live rendition breathes fresh energy into the song, transforming it into a buoyant and dynamic anthem. Featuring swirling flute melodies, uplifting horns, driving drums, and vibrant percussion, this reinterpretation captures the essence of hope and renewal. Inspiring vocal fragments weave throughout the arrangement, creating a rich and layered performance that reflects the vibrancy of live music.

 

Recorded at the renowned Little Big Beat Studios in Liechtenstein, In Between Revisited: Jazzanova Live reimagines the collective’s sample- based debut with the spontaneity and soul of live instrumentation. This intimate session marked the first time Jazzanova’s iconic album was performed live in front of an audience, blending the collective’s signature style with a stellar lineup of musicians.

“Another New Day” exemplifies what this project is all about: honouring Jazzanova’s legacy while bringing a renewed energy that transcends time. With its hopeful tone and vibrant execution, this live rendition is a celebration of the timelessness of great music.

About the album

Celebrate 20 years of Jazzanova’s groundbreaking debut album ‘In Between’ with this stunning live reinterpretation. Recorded at Little Big Beat Studios in Liechtenstein, the Jazzanova Live Band brings fresh energy to iconic tracks like That Night, No Use, and Days To Come. ‘In Between Revisited: Jazzanova Live’ is to be released on May 9th 2025. 

Listen to ‘Another New Day’ here

Press release courtesy of Only Good Stuff

Applications for Design Week South Africa 2025 are now open

Design Week South Africa is an expansive city-wide calendar of events and immersive experiences that showcase the future of South African design through knowledge-share, inclusivity and support. Launched in 2024 with more than 90 activations, discussions, showcases, workshops and exhibitions across Johannesburg and Cape Town, Design Week South Africa aims to be one of the country’s leading design platforms. Applications are now open to creatives across all disciplines to participate in this national celebration of creativity and industry innovation. 

Through year-round activations and two city wide design weeks, Design Week South Africa aims to boost the local creative economy with an approach that is industry-led, increasing the public’s knowledge; awareness and appreciation of design, while generating and collecting open-source data around local design sectors.

This is a platform dedicated to celebrating design as an expression of creative thinking and making, jumpstarting collaboration, encouraging informative dialogue and open-source knowledge share, while cultivating the next generation of creative leaders through inclusivity and support.

All imagery courtesy of Design Week South Africa

For decades, the incredible economic, educational, creative and cultural benefits of dedicated, city-wide, design weeks have been witnessed the world over, from Milan to Melbourne. A creative space where designers and makers can express themselves, the trade and public can engage with the local design sector, while the next generation of designers, artists and makers can be inspired to continue a legacy – in our case, the legacy of South African design.

‘City design week, by building a creative platform and opportunities for interdisciplinary collaborations, is now recognised as one of the important mechanisms in the development of creative cities, in providing emerging strong support for the construction of innovative models that promote sustainable urban development.’ – Han, H. The Design Engins – Sustainable Development of City Design Weeks

 

Apply to participate in Design Week South Africa 2025, happening in Johannesburg from 9 – 12 October 2025 and Cape Town 23 – 26 October 2025. The deadline for application submissions is 30 April 2025, acceptance into the calendar will be sent by 30 June 2025. Please note prior to applying, all work will need to be completed by 1 October 2025, ahead of the activation weeks.

 

Apply to participate in Johannesburg here

Apply to participate in Cape Town here

 

Learn more about Design Week South Africa here

 

Press release courtesy of Design Week South Africa

Keith Henning’s New Solo Exhibition Celebrates Fluidity and Queer Visibility

Reservoir presents their latest solo exhibition WATERSPORTS: Not for Public Consumption, by artist Keith Henning. In 2024 Henning completed his postgraduate diploma in Fine Art at the Michaelis School of Fine Art, at the University of Cape Town. Originally developing a practice in design, founding the well-known AKJP design store and clothing label, Henning has expanded his material interests. This body of work, made from ceramic, steel, and found material, builds on the presentation that he created for his post grad diploma at the Michaelis School of Fine Art. 

Formally and conceptually, Henning’s work merges together two commonplace architectural objects: the urinal and the fountain. The former is gendered, utilitarian, private, whereas the latter is generic, ornamental, public. By highlighting these tensions, Henning aims to critique how objects can enforce conformity and subdue our instincts for intimacy––especially in those spaces that we take for granted in our everyday lives.

Photography by Michael Oliver Love

Versions of the urinal have existed since ancient times, serving both a functional and a social purpose. The politics of who is allowed to use the urinal and how it ought to be used implicitly codifies heteronormative and patriarchal structures. Through the enforcement of rigid binaries between male and female, the urinal is often the site where non-normative expressions of gender and sexuality––such as non-binary and trans individuals’ use of the object––are policed. Any disruption of the unspoken codes that foment around the urinal can be met with castigation, at best, and, at worst, violence. In fact, its very design––sanitised, sterilised and disembodied––suggests conformity to a status quo that disavows any possibility of play, sensuality, or subversion. 

The fountain, on the other hand, holds a more interactive and poetic place in our culture. That is, it has a practical function as well as aesthetic intrigue and spiritual significance. This is why fountains in town squares are often ornately designed, why a coin tossed in fountain water is bound to grant a wish. The fountain is both ordinary and exalted, commonplace and magical. It is a place where people gather to rest, to drink, to splash, to play, or simply to marvel. This is why Henning sees the fountain as a totem for queer liberty. By reintroducing a lost eroticism between these two objects––the fountain and the urinal––Henning’s work celebrates fluidity, reimagining new possibilities for queer visibility and erotic play. 

Some of the sculptures provocatively ‘urinate’ into one another. Others are unapologetically phallus-shaped. Stainless steel wall pieces have dry ice hidden inside of them that, when activated, produces condensation, building up a frozen layer––like a colour field atop the steel––before melting. In other words, these are objects that, at first glance, appear to be solid and sterile, like a public restroom, suddenly begin to sweat, to drip, to cry, like bodies. These choices reimagine a public space that reflects––rather than restrains––the body’s natural needs, desires, and expressions. Inspired by the act of cruising––a practice in which individuals seek anonymous or semi-public sexual encounters, often in locations like public parks, restrooms, and other liminal spaces––Henning sees the exploration of desire in an environment that actively suppresses personal intimacy and public exposure as a subversive and sacred act.

Photography by Michael Oliver Love

Photography by Michael Oliver Love

This point is reinforced by Henning’s use of materials. Stainless steel, for example, is associated with industry, rigidity, and utilitarianism; it is, accordingly, often seen in institutional or public settings, such as restrooms. Ceramics, on the other hand, evoke domesticity, fragility, and intimacy. By merging the two, his work challenges conventional dichotomies between hard and soft, public and private, utility and sensuality. The interplay between the feminine, organic ceramic curves and the masculine, rigid steel structures further mirrors the tension of dominance and submission in queer sexual roles, which the artist intends as a metaphor for the shifting dynamics of identity and desire.

By considering how public spaces might be used for queer expression and challenging the norms that seek to regulate desire, Henning’s work celebrates difference and intimacy. In this way, his practice resonates as both a personal narrative and a collective call to action, advocating for a world in which all expressions of identity can thrive openly and without fear.

This exhibition is available for public viewing at Reservoir from 4 April – 16 April 2025. Reservoir is located on 7th Floor Bree Castle House, 68 Bree Street, Cape Town.

Learn more about Keith Henning Here

Learn more about RESERVOIR Here

 

Press release courtesy of RESERVOIR

PIANO CITY RELEASE THEIR LATEST SINGLE ‘IMPILO EMNANDI’

Following the release of their first single of the year “Amalanga” with Royce 77, Nanette and Rivalz is independent label-group “Piano City” as they return with their second single of the year titled “Impilo Emnandi” with uprising star, Naledi Aphiwe, Nkosazana Daughter, Royce 77 and Major League DJz.

“Impilo Emnandi” starts off over a well layered instrumental led by an upbeat tempo which is then complimented by calm and easing keys alongside Naledi’s soothing vocals. The single touches more on a message of hope and triumph as the chorus expresses a more progressing and optimistic journey through Naledi’s play of words and plead to God for a more light and positive experience in life as she further pens down her wishes and beliefs upon her career and life as a whole.

She is then followed by Nkosazana Daughter over a greatly stratified bass-guitar alongside various instrumentals guiding us towards a reaffirming and relaxing message that all things will be alright as long as one stays rooted to who they are. Nkosazana closes off the song with a melodic and relaxing approach through her play of words and tone. “Impilo Emnandi” is a song dedicated to all of the hard workers in the world, walking all types of walks in life with the aim of motivating and reassuring them that it will all be good as no hard work and form of goodness goes unnoticed. At some point, it will all pay off, one just has to remain consistent and invested into their journey of life and they should not forget who they are in the process of attaining the fruits of their hard labour which would be a nice and soft life.

The single speaks on high volumes of hard work and what it takes to succeed through a unique sonic experience and highly relatable story-line.

 

Listen to ‘Impilo Emnandi’ here

 

Press release courtesy of Escopia

Keita Sano and Sauce81 release their dancetrack ‘Feeling Alright’

Japanese producers Keita Sano & Sauce81 join forces for 7″ single ‘Feeling Alright’. This dancefloor track is stripped-back like classic house, yet raw like the best soul.

For the very first time, two of Japan’s most respected underground producers team up. With previous releases on labels such as Optimo, Local Talk, Mister Saturday Night, Turbocapitalism, Eglo and Delusions of Grandeur, their reputations precede them.

Keita Sano’s raw, visceral edge collides with Sauce81’s flair for boogie synths and unapologetic vocals, delivering a hard-hitting dose of house with an undeniable disco pulse.

Listen to ‘Feeling Alright’ here

 Press release courtesy of Only Good Stuff

Maya Amolo releases ‘Sweetest Time’ with Ywaya Tajiri

In a world where modern love often plays out through blurred lines and missed signals, Maya Amolo cuts through the noise with a single that’s both intimate and expansive. “Sweetest Time” — her first release of 2025 — is a seductive Afro-R&B offering that captures the heady rush of infatuation at its most exhilarating.

On this track, Maya pairs up with Ywaya Tajiri, whose dreamy vocals melt seamlessly into hers, creating a duet that feels like slow dancing under city lights. Produced by Maya’s longtime collaborator La Soulchyld, “Sweetest Time” is soaked in warmth and sensuality, all wrapped in Maya’s signature soft harmonies and emotionally-rich delivery.

“‘Sweetest Time’ is about the tension and beauty of a connection that’s new, uncertain, but completely intoxicating,” Maya shares. “It’s that moment when time stands still and nothing else matters.”

With roots in Nairobi and a sound that echoes across continents, Maya Amolo has steadily carved out her place in the global alt-R&B scene. Her debut EP Leave Me At The Pregame (2020) was a tender exploration of self-worth and healing, while her first full-length album Asali (2022) solidified her as one of the most exciting voices in African music.

She’s earned recognition from being selected as Spotify Africa’s first-ever Fresh Finds artist in 2022. In 2023, Maya was handpicked to participate in Spotify and COLORSxSTUDIOS’ debut African writing camp, Tantalizers Sessions — a sign of the industry’s growing interest in her artistry. Later that year, Apple Music named her East Africa’s Up Next artist, putting her in the spotlight as a voice of her generation. 

Now, with “Sweetest Time,” Maya enters a new era — one that embraces vulnerability, sensuality, and the full spectrum of feeling. It’s a sonic love letter for those caught up in the thrill of the unknown.

 

Listen to ‘Sweetest Time’ here

 

Press release courtesy of Sheila Afari PR

Eswatini’s !Sooks releases his new single ‘Kintsugi’

One of Eswatini’s leading electronic music artists !Sooks, kicks off 2025 with his new single, ‘Kintsugi’. This deep house and electronic infusion is driven by a mesmerizing trumpet melody that captures the essence of sun-drenched Ibiza rooftops and vibrant golden Joburg sunsets.

Inspired by the Japanese art of mending broken pottery with lacquer and powdered gold, the title reflects !Sooks’ meticulous approach to music production. Just as Kintsugi transforms imperfections into beauty, !Sooks weaves together diverse sonic elements to craft a golden masterpiece.

 

Listen to Kintsugi here

 

Press release courtesy of Antidote Music