Government Backtracks on Cannabis Product Ban Amid Industry Uproar

Apr 16, 2025 | News, Community

The South African government has reversed its abrupt proposal to ban food products containing cannabis and hemp, offering a lifeline to an emerging industry that stood to lose thousands of jobs and billions in potential revenue. The now-retracted regulations, issued without prior public engagement, triggered backlash from civil society groups, cannabis producers, and business owners.

Initially published, quietly so, in a government Gazette in early March 2025, the regulations were rolled out without the three-month public comment period required by the Foodstuffs, Cosmetics and Disinfectants Act of 1972. The Department of Health offered no urgent justification for bypassing this process, sparking widespread accusations of procedural misconduct. This comes after a protracted fight in the country for many years to bring cannabis to the fore as a powerful and legitimate addition to our economy. 

Civil society organisation Free SA was among the first to oppose the regulations, threatening legal action alongside licensed stakeholders in the hemp and cannabis sectors. The Democratic Alliance estimated the ban would have impacted around 1,800 enterprises — including 1,400 licensed hemp farmers and 400 small businesses — effectively dismantling a rapidly growing ecosystem.

The decision to rescind the regulations aligns with President Cyril Ramaphosa’s 2025 State of the Nation Address, where he reiterated his goal of positioning South Africa as a key global player in the legal cannabis and hemp economy. This shift builds on the Cannabis for Private Purposes Act, passed in May 2024, which permits adults to privately cultivate, possess and use cannabis.

Imagery by Cottonbro Studio, via Pexels

Imagery by Harrison Haines, via Pexels

However, commercial activity remains restricted. Cannabis is legally classified based on its THC (tetrahydrocannabinol) content— any product containing more than 0.2% THC is considered cannabis, while hemp refers to low-THC components such as seeds, roots and stalks. The Department of Health had cited child safety as a motivation for the ban, referencing cases where cannabis-laced edibles had been consumed by minors; however, critics argued the decision was overly broad, punishing an entire sector instead of targeting specific risks through tighter, more precise regulation.

Western Cape’s Agriculture Minister Ivan Meyer warned that the ban threatened to derail an industry valued at R28-billion, which could create as many as 25,000 new jobs. He also highlighted the potential loss to the informal wellness market— a growing space in which businesses sell low-THC, cannabis-infused products under the framework of agri-processing and wellness, thanks to a legislative grey area.

This controversy illustrates the uncertainty still facing South Africa’s cannabis sector. While personal use is decriminalised, commercial frameworks remain undeveloped, leaving entrepreneurs to navigate a fragmented and precarious legal landscape.

The journey towards cannabis reform in South Africa has been hard-won. The fight gained traction with the landmark 2018 Constitutional Court ruling decriminalising private use. This pivotal moment paved the way for the Cannabis for Private Purposes Act— but without comprehensive commercial legislation, businesses remain in limbo, reliant on legal loopholes and inconsistent enforcement.

The numerous Cannabis cafés cropping up in South Africa operate under a legal loophole by structuring themselves as private clubs rather than public businesses. Members join the club by paying a fee, which grants them access to cannabis that is grown and shared collectively for private use— technically within the bounds of the Constitutional Court’s 2018 ruling allowing personal cultivation and consumption. As the cannabis is not sold commercially but shared among consenting adults in a private setting, these clubs avoid directly violating current commercial cannabis laws.

Though the recent government U-turn offers temporary stability, it also exposes the urgent need for robust, consultative cannabis legislation that can unlock the industry’s economic potential while safeguarding public health. Until then, the cannabis community continues to operate in a space marked by progress— but also profound legal uncertainty that evidently could be threatened at any time. 

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

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Our Top Sports and Fitness Finds From Takealot.com

Apr 16, 2025 | Lifestyle, Community

Movement is medicine, and having consistent fitness or sports practice is one of the most critical ways that we can take care of ourselves. There’s a certain magic in discovering a fitness essential that both performs and inspires you to move with purpose—whether it’s gear that supports your stride, hydration that powers your recovery, or smart tech that keeps you on track, the right tools can elevate your performance and deepen your connection to your body. 

As always, Takealot brings the best straight accompaniments to your doorstep. We’ve rounded up eleven standout products to help you train smarter, recover better and make the most of the precious time we have inhabiting our bodies. Whatever your sport or activity of choice, there’s something here for everyone—and maybe even something to spark a new passion. 

Puma Men’s Future Play Soccer Boots

Footie remains the single biggest sport across the planet, and we love to see it. Designed for dynamic play and rapid movement, the Puma Men’s Future Play Soccer Boots are essential for your weekly practice; specifically designed for agility, speed, and ball control. Featuring a lightweight synthetic upper with a flexible fit, these boots offer lockdown support so you can change direction quickly and confidently. Whether you’re training or competing, these boots allow you to express yourself on the pitch with bold colours and tech-forward design. 

adidas Performance Boxing Gloves

Boxing is a sport for both the mind and body; demanding the very best of us in the present moment. Whether you’re a beginner or seasoned fighter, the adidas Performance Boxing Gloves are a key piece of gear for anyone serious about boxing or high-intensity training. Crafted with high-density foam padding, they deliver optimal shock absorption to protect your hands and wrists through every jab, hook, and uppercut. A secure Velcro strap provides wrist stability and a snug fit for total confidence with every punch. The correct gloves help build strength, discipline, and cardiovascular endurance so intrinsic to the boxing game; this pair is perfect for sparring to bag work and fitness boxing. 

 

All imagery courtesy of Takealot.com

HyperIce Vyper GO Portable Vibrating Roller

During exercise, our muscles experience microscopic tears that require time to repair and rebuild, leading to increased strength and growth; so what we do in between our exercise sessions is as important as the session itself. The HyperIce Vyper GO Portable Vibrating Roller is your secret weapon for faster recovery and improved mobility. This high-tech foam roller combines vibration therapy with deep tissue massage to help release tension, improve circulation,and reduce muscle soreness post-workout—empowering you to take recovery into your own hands from the comfort of home. With three vibration settings, it’s easy to personalise your recovery session whether you’re warming up before a run or winding down after a HIIT class. Lightweight and compact, it’s built for athletes and wellness seekers on the go—slip it into your gym bag or carry-on and roll out wherever you are. Perfect for strain, the Vyper GO enhances your flexibility and reduces your risk of injury. 

Nike Dri-FIT Club Running Cap

We never underestimate good gear and the absolute OGs in running innovation, Nike are truly on the forefront of innovation when it comes to trail, track or road running of any kind. The Nike Dri-FIT Club Running Cap is a performance essential for athletes and outdoor enthusiasts. Made with moisture-wicking Dri-FIT technology, it helps keep sweat off your face so you stay cool and focused on your run. Lightweight and breathable, this cap features laser-perforated side panels for enhanced ventilation, making it ideal for everything from marathon training to morning jogs. Sleek, minimal, and emblazoned with the iconic Nike swoosh, we reckon it transitions easily from workout to everyday wear; with few logos as indomitable as the mighty swoosh remaining perennially chic. Whether you’re clocking miles in the sun or heading out for a hike, this cap offers sun protection, sweat control, and style in one fell swoop. 

Oakley Hydra Sunglasses

Inspired by Oakley’s surf heritage, The Hydra Sunglasses feature a semi-rimless shield lens design for an expansive field of view, making them ideal for high-energy sports, running, or outdoor adventure. Prizm™ lens technology enhances colour and contrast, allowing you to see terrain and detail with incredible clarity, coupled with the lightweight O-Matter™ frame and Unobtainium® nose pads ensure a secure, comfortable fit even during sweat-heavy sessions. These sunglasses provide top-tier UV protection while making a serious style statement—let’s be so for real, has any shape of sunnies become so culturally iconic as the ultra-marathon-esque sports style? We didn’t think so. 

Salomon Unisex Trailblazer 10 Backpack

The Salomon Trailblazer 10 Backpack is built for movement and adventure; coming in at compact 10L, this pack has just the right amount of space for your essentials, so you’re not weighed down by a single unnecessary thing on your journey. The padded back panel, adjustable chest and waist straps, and breathable shoulder design provide ergonomic comfort and stability, so the bag moves with you; form fitting and not disruptive. With multiple pockets, including an internal hydration sleeve, the Trailblazer makes it easy to stay organised and hydrated. For anyone building a fitness-forward lifestyle or exploring the outdoors, this backpack is a reliable companion that supports your active flow. Pack it up, head out, and stay light on your feet. Also, literally anything Salomon designs is cool as hell. 

GetUp Yoga Mat Set For Beginners

Step into your yoga or stretching practice with confidence using the GetUp Yoga Mat Set for Beginners. Designed to help you build your routine from the ground up, this set includes a cushioned non-slip mat, yoga blocks, and a strap—everything you need to enhance flexibility and alignment. The 6mm-thick mat provides excellent joint support and stability, whether you’re flowing through vinyasa or mastering your balance in tree pose, while the blocks offer additional height and support for difficult stretches, while the strap helps you safely deepen your poses over time. Made from lightweight, eco-conscious materials, this set travels easily and cleans up with minimal fuss. If you’re new to yoga or just want a dependable foundation for stretching, core workouts, or meditation, this is your go-to setup for your established or burgeoning practice alike; it’s giving the ultimate shavasana. 

Hydro Flask

Hydration is non-negotiable, and the Hydro Flask is a true essential for those who want to make moves with purpose. Created from pro-grade stainless steel with TempShield™ double-wall vacuum insulation, this bottle keeps drinks icy cold for up to 24 hours or piping hot for 12—perfect for gym sessions, hikes, commutes, or all-day adventuring. BPA-free, durable, and made to last, its functionality is it helps you cut down on single-use plastics while keeping hydration always within reach. 

Asics Men’s Gel-Nimbus 27 Road Running Shoes

Built for serious runners and everyday movers alike, the Asics Gel-Nimbus 27 is all about plush comfort and smooth performance. Featuring Asics’ signature GEL™ technology in the rear and forefoot, these shoes offer exceptional shock absorption, making them ideal for long-distance runs or pavement pounding. Protect those ankles and knees, babe. The FF BLAST™ PLUS ECO cushioning delivers soft yet responsive energy return, while the engineered knit upper ensures breathability and a secure fit. With an updated heel collar and improved midsole geometry, the Gel-Nimbus 27 is intended to feel like a cloud underfoot—how fabulous. 

REVIVE 40’s Sugar-Free Hydration Electrolytes

We love to see a South African brand dominate the fitness space— and REVIVE is truly a gamechanger on the local market. Their 40’s Sugar-Free Hydration Electrolytes are your go-to formula for replenishment and performance. Packed with a scientifically balanced mix of electrolytes, minerals, and essential nutrients, these sachets help restore what’s lost through sweat and keep your body functioning at its best. Sugar-free and low in calories, they’re perfect for athletes, hot weather, or anyone wanting to boost hydration without the crash. Electrolytes are definitionally essential for our bodies; REVIVE has you covered. 

Garmin Forerunner 165 GPS Running Smartwatch

It might be wild to say, but in the digital age; your new fitness coach lives on your wrist. The Garmin Forerunner 165 is a GPS smartwatch tailored for runners, cyclists, and everyday wellness seekers. It features accurate GPS tracking, real-time pace and heart rate monitoring, and personalised training plans straight from your watch. The vivid AMOLED display makes it easy to view data on the go, while built-in music storage, sleep insights, and wellness tracking make this a 24/7 companion for body and mind. For those serious about goals, this smartwatch is a must-have that tracks your progress and helps hold you accountable to your fitness vision.

Written by: Holly Beaton

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Thobeka Mbane On Extending The Freedom of Fashion To Everyone

Apr 15, 2025 | Interviews, Fashion

When Thobeka Mbane speaks, you listen. An African Fashion cultural strategist, curator and stylist, her work resists the binaries of past and present, tradition and futurism; instead, it is rooted in something more elemental: the power of clothing to carry memory and change. 

Thobeka has styled some of the continent’s most dynamic talents, with a firm focus on identity and intention suffused with every look. With each collaboration or editorial, Thobeka’s approach is always contextual. From Miss Universe Zozibini Tunzi, to musician Sho Madjozi, Thobeka is as much a go-to curator for the stars, as she is an ardent proliferator of Africa’s sartorial and intellectual spirit. Whether it was the styling that shaped visuals for Black Coffee, or curating a campaign for Elsa Majimbo’s collaboration with Maison Valentino; Thobeka is a master of cultural depth and storytelling—harnessing fashion into a medium for visibility, empowerment, and African excellence. Every detail traced in Thobeka’s decade-long and counting  body of work reflects her expansive vision and nuanced approach to representation.

“Growing up in South Africa, I was always fascinated by the power of fashion to tell stories and express identity,” Thobeka tells me. “It’s almost like you can tell a person’s background through what they’re wearing, so I found that as an expression. As a creative with a physical disability, I found that fashion allowed me to express myself in ways that felt freeing and empowering. My journey into styling began with a passion for photography and a desire to bring people together through art. Over time, this evolved into a broader practice of cultural strategy and fashion curation, as I aim to amplify marginalised voices and challenge dominant narratives.”

Photography by Dan Carter

Imagery courtesy of Thobeka Mbane

Thobeka’s work is driven by the politics of representation, a practice that’s less about surface-level diversity and more about the deep, necessary work of reimagining who gets to be seen—and how. “As a stylist, my work is guided by a commitment to representation and inclusivity,” she says, and “I aim to challenge prevailing narratives and highlight underrepresented voices. When creating visual content, I consider the impact on our understanding of identity, culture, and history. My focus is on showcasing diverse stories, particularly those of Black women, queer individuals, and trans women, and collaborating with models and creatives who reflect the richness of African and LGBTQ+ experiences.”

Thobeka speaks with the assurance of someone who has lived—and worked—through the gaps: spaces in which conventional systems or support structures were not designated for her ease or comfort. As such, Thobeka’s spirit is punk as hell, and her styling is unapologetic in its intention: to redress absence, to create presence, and to do so with beauty and pride. Thobeka’s manifesto of representation is personal, political, and deeply rooted in a desire to shift culture from the inside out.

“I believe it’s essential to honour our culture and history while pushing contemporary expression forward,” Thobeka says on honouring heritage while pushing forth toward contemporary expression, and “I navigate this balance by staying connected to my roots and exploring new ways to express African identity through fashion. This involves collaborating with emerging designers, experimenting with new materials and techniques, and engaging with global fashion trends in a way that feels authentic and relevant to African audiences.”

This simultaneous honouring and innovating is central to how Thobeka sees African fashion—less as a static aesthetic, and more as a living, breathing expression of identity that is in transient evolution. Thobeka’s Fashion (with a capital F) is a form of dialogue, and this spirit of dialogue is what led her to found The Jozi Collective, an exciting new showcase format and creative space grounded in community and built with a vision of inclusivity and collaboration. “I founded Jozi Collective to showcase and celebrate local talent in Johannesburg, providing a space for creatives to connect, share ideas, and collaborate on projects while building a community,” Thobeka notes. “The name ‘Jozi Collective’ honours Johannesburg’s reputation as a hub for opportunity and creativity, particularly for people of colour in the fashion industry. However, our community goes beyond the city, welcoming African designers and creatives who share our vision and values.”

Imagery courtesy of Thobeka Mbane

Imagery courtesy of Thobeka Mbane

“Since launching Jozi Collective, I’ve been surprised by the level of enthusiasm and support from the local creative community,” Thobeka muses. “One of my biggest learnings has been the importance of building strong relationships with collaborators and how we all need each other to make it work. This has involved being intentional about communication, setting clear expectations, and being open to feedback and growth.”

We speak intensely and consistently of the ‘African fashion Renaissance’ that we are all immersed in; it’s a cultural wave spanning some 30.37 million square kilometers that make up the surface of the continent, involving the present innovation and drive of people today; imbibed with the ancestral past, and motivated by a reimagining and reclamation of Africa beyond a falsely homogenised land for extraction and exploitation. Through fabric, form, and story, and in this layered resurgence, Thobeka’s work is equal parts memory and momentum, challenging erasure while boldly envisioning what comes next. “I believe that fashion plays a significant role in shaping collective memory and identity,” Thobeka continues. “Through the images we create, the clothes we wear, and the stories we tell, fashion has the power to influence how we understand ourselves and our place in the world. I see my work as a way to contribute to this narrative, amplifying African voices and experiences that have often been marginalised or erased.”

This attention to memory—how it’s constructed, preserved, and passed on—marks all of Thobeka’s work, from the commercial to the highly editorial. “African fashion is at a moment of great excitement and possibility,” she muses, “with the rise of global interest in African design, there’s a growing recognition of the continent’s rich cultural heritage and creative talent. As an industry, we’re seeing a shift towards more inclusive and diverse representation, with African designers and creatives taking centre stage. I believe the future of African fashion is bright, with endless opportunities for innovation, collaboration, and growth.”

Still, for Mbane, optimism is always balanced by realism—particularly when it comes to inclusion and accessibility. As a disabled creative, she has experienced the limits of the industry’s supposed openness. “As a creative person with a physical disability, I’ve experienced firsthand the challenges of navigating an industry that often prioritises able-bodiedness,” Thobeka says. “While there’s been progress in recent years, I believe there’s still much work to be done to create a truly inclusive and affirming environment for disabled creatives and audiences. I think it’s essential for the industry to prioritise accessibility, provide opportunities for disabled creatives to showcase their work, and engage in open and honest dialogue about ableism and its impact on our community.”

Visibility is not enough, as we know. It is the stepping stone to meaningful, tangible change within all the systems of our world; and in the context of fashion, inclusion indeed means systems change, too. It means addressing and acting upon structural barriers. It means understanding that accessibility should be the foundation from which all expression and participation originates. 

It’s precisely this clarity—this fusion of personal experience and political vision—that makes Mbane’s work so urgent and so necessary. Thobeka is styling futures. Building networks. Giving voice to the people—and bodies—who’ve been left out for far too long.

Fashion is freedom; and a freedom that Thobeka aims to extend to us all.  

Written by: Holly Beaton

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Adja Diagne: A Creative Tapestry of Multiculturalism

Apr 14, 2025 | Interviews, Creatives

Adja Diagne is a creative producer and art director from Senegal, born in Japan and based in Montreal. Her work, under its brand name Piiiirre, has a strong thematic emphasis on celebrating Afro-Descendants and BIPOC (Black, Indigenous and People of Colour) Communities. She has lived around the world and holds a bachelor’s degree in Political Science and Women’s Studies. Adja is a model, content creator, dancer and is part of a non-profit organization named Cultur’elles Mtl to support creative women of colour. In this interview, we learn more about her background, creativity and multicultural experience.

CEC: You have an incredibly diverse experience of living, working and studying in multiple countries, could you tell us a bit more about your background?

Adja: I’m originally from Senegal, born in Japan, and spent most of my childhood in Belgium before living in France, Egypt, and Germany. Despite moving around, my connection to my Senegalese roots has always been strong. I’m incredibly grateful to my parents for ensuring I visited Senegal at least once a year, allowing me to stay close to my culture, understand the language, and embrace our customs. Currently, I’m based in Montreal, with frequent trips to New York for work.

All imagery courtesy of Adja Diagne

CEC: You’re certainly a multifaceted creative, spanning creative production, art direction, modeling and dancing. Could you share more about your creative journey between disciplines thus far?

Adja: My creative journey has been a blend of exploration and growth across various disciplines. Each form of expression has taught me something new and informed the others in ways I didn’t expect.

Dancing came into play when I was 10 because it’s a form of expression that is deeply personal and allows me to connect with movement in a way that informs the fluidity and energy I bring to my work. It’s also a way for me to channel emotions, and the experience of storytelling through dance often mirrors the storytelling I do in my visual projects.

Alongside this around the same age, I’ve ventured into fashion design, which allows me to create tangible expressions of my vision. I’m exploring how fabrics, textures, and silhouettes can carry meaning, just like any other medium I work with. Fashion design is an extension of my creative process, where I can blend aesthetics with purpose.

I started in modeling, which helped me develop an eye for detail and an appreciation for the visual aesthetics of fashion and beauty. That led me to creative direction, where I could take the lessons from modeling and expand them into more comprehensive concepts, guiding shoots, and working with teams to bring a vision to life.

As I explored art direction, I began weaving social issues into my work, using each project as an opportunity to convey meaning beyond the aesthetics. I wanted my work to speak to culture, identity, and representation. It’s a balance of using beauty to spark deeper conversations, and I try to bring those layers of significance into everything I create. In a way, each discipline feeds into the other, creating a holistic approach to my work. Modeling helped shape how I see the world visually, creative direction allows me to construct that world, dance lets me tap into the emotional depth, fashion design gives me the ability to craft my vision into form, and art direction brings all of these elements together with purpose and intention. I’m constantly evolving, learning, and finding new ways to blend these practices, and that’s what keeps me motivated to keep pushing my boundaries.

Other than that, I also take photos sometimes and organize events.

CEC: Your work centers around celebrating Afro-Descendants and BIPOC Communities, telling the lesser known and lesser-represented stories from these communities, which we believe is incredibly important. In addition to this, what other themes do you explore in your work? 

Adja: My creative journey has been all about exploring and growing across different disciplines. Each form of expression has taught me something new, and they all influence each other in ways I never expected.

I started dancing (popping and hiphop/jazz) when I was 10, and it became one of my first ways of expressing myself. Movement helps me connect with energy and fluidity, which naturally shows up in my creative work. Dance is also a way for me to channel emotions, and the storytelling aspect of it feels a lot like the way I build narratives in my visual projects.

Around the same time, I got into fashion design, which lets me bring my ideas to life in a more tangible way. I love exploring how fabrics, textures, and silhouettes carry meaning—just like any other artistic medium. For me, fashion design is just another way to blend aesthetics with purpose. Modeling was my first step into the fashion world, and it helped me develop an eye for detail while deepening my love for visual storytelling. That eventually led me to creative direction, where I could do more than just be in front of the camera—I could shape entire concepts, work with teams, and bring ideas to life.

As I got more into art direction, I became more intentional about incorporating social issues into my work. I want my projects to go beyond just looking good—I want them to spark conversations about culture, identity, and representation. It’s all about finding that balance between beauty and deeper meaning. Besides, I also take photos sometimes and organize events—just more ways to bring my creative ideas to life!

In a way, each of these disciplines feeds into the others, creating a holistic approach to my work. Modeling shaped how I see the world visually, creative direction allows me to build that world, dance taps into the emotional depth, fashion design gives form to my ideas, and art direction ties it all together with purpose and intention. I’m constantly evolving, learning, and pushing my boundaries, which keeps me inspired to explore new creative territories.

CEC: Your work with the non-profit organisation Cultur’elles Mtl sounds both incredibly interesting and important – could you tell us more about the organisation and your work in it?

Adja: Cultur’elles MTL is a dynamic organization committed to advancing racialized women in the fields of culture, arts, and media. We believe that empowering these women to thrive in these industries can change the narrative, highlight underrepresented voices, and lead to the creation of rich, diverse cultural content that resonates across communities. By establishing transformative spaces and opportunities, we aim to foster a generation of women who are not only skilled but also confident, connected, and visible in their communities.

Our approach is centered around the development of impactful and sustainable initiatives that nurture the socio-professional fulfillment and personal growth of racialized women. We do this through a range of services, programs, and creative projects that give these women the tools they need to succeed in the competitive worlds of culture, arts, and media.

Our work is built upon several core pillars that help guide and inspire the women. My role within Cultur’elles MTL varies across different projects. As a project manager, I help oversee and execute initiatives that align with our mission. A significant part of my contribution is in art direction, particularly for photoshoots, ensuring that our visuals authentically represent the women we support. I love being part of this organization because it actively works to uplift and create meaningful relationships between creatives, helping them grow both personally and professionally.

All imagery courtesy of Adja Diagne

CEC: What has been your favorite project to work on thus far? 

Adja: That’s a tough one! Teranga Yearbook will always have a special place in my heart. It was such a collaborative effort, I worked with a big team, including assistant art directors, stylists, makeup artists, hairstylists, and even African stores to bring it to life. It took months of work, and there was a big impact, opening up so many opportunities and visibility, especially in Montreal, Dakar, and now even New York.

That said, I also have a project that’s really close to me, one that explores the four phases of grief through the lens of identical twins (Beyond the mirror). It challenges how society perceives them as a single entity rather than two individuals. That concept and how people project their own ideas onto twins was something I wanted to dive into visually.

CEC: Looking forward, what do you have in the pipeline for the year ahead?

Adja: Right now, I’m working on some exciting creative projects and new collaborations. I’m also planning a few events in Montreal and hopefully in Dakar in the future. I am looking forward to continuing to expand my work internationally and collaborate with the greatest talents. Feeling grateful for the journey and excited for what’s coming next!

Adja’s work weaves a rich tapestry of multidisciplinary and multicultural experiences, all layering together to foster beauty and convey positive, celebrative representations.

Moonga K. releases the first track from his country-inspired EP ‘Outlaw’

Apr 11, 2025 | New Release, Music

MOONGA K., the genre-defying artist known for his electrifying sound and fearless storytelling, is back with a new single, “hold on!”. The track is the first glimpse into his highly anticipated country-inspired EP, OUTLAW, marking an exhilarating new chapter in his artistic evolution.

Blending elements of funk, soul, and Americana-infused country, “hold on!” is a choir-driven anthem of resilience, echoing MOONGA K.’s commitment to breaking musical boundaries. The single was announced with a visually striking teaser filmed at a horse ranch, setting the stage for a project that redefines the cowboy aesthetic through a queer African lens.

“hold on!” encapsulates the spirit of OUTLAW—a narrative that follows MOONGA K. as a lone cowboy on the open road, guitar in hand, traversing through vast landscapes, small-town bars, and the unseen corners of the world. The accompanying music video, filmed across South Africa and Lesotho, will capture the raw beauty of MOONGA’s journey as an artist and outlaw.

MOONGA K. describes OUTLAW as a bold reclamation of country music, a genre deeply rooted in Black history. This project pays homage to the Black cowboys of the 19th century, a narrative often erased from mainstream storytelling. Through “hold on!”, Moonga K. continues his mission to uplift underrepresented voices, embracing themes of courage, identity, and self-determination.

The release of “hold on!” also kicks off a dynamic visual campaign, featuring striking cowboy-inspired imagery and teasers designed to intrigue and excite fans. This cinematic rollout sets the tone for the OUTLAW EP, which will introduce more layers of Moonga’s sonic and visual world in the months ahead.

About Moonga K.

MOONGA K. is a multi-talented singer, songwriter, and activist, known for his genre-fluid artistry that blends R&B, soul, rock, jazz, and electronic influences. Born in Zambia, raised in Botswana, and based in South Africa, he has built a reputation as a fearless storyteller and boundary-pushing musician. His previous work has earned SAMA nominations, widespread critical acclaim from Rolling Stone, GQ, The FADER, AFROPUNK, and performances on major stages like Afropunk, Rocking the Daisies, and OppiKoppi.

With OUTLAW, MOONGA K. is set to redefine what it means to be a modern cowboy—bold, unapologetic, and boundless.

Listen to ‘hold on!’ here

Watch the official music video here

Press release courtesy of iBeMusic

Ed Sheeran releases his new single ‘Azizam’

Apr 11, 2025 | New Release, Music

Ed Sheeran presses play on a new era with the release of his new single ‘Azizam’. The song title is a Persian term of endearment that means “my dear” or “my beloved,” and is Ed’s a return to joy, to light, to love and to fun!  

“Azizam” began as a meeting of minds in the studio with Swedish/Iranian producer Ilya Salmanzadeh (Ariana Grande, Charli XCX, Ellie Goudling, Sam Smith). Driven by Ed’s relentless curiosity they soon realised how much Persian and Irish folk music have in common and how only Ed could set those influences in a pop context. The result is a hedonistic technicolor call to action to live the moment “in between the dancing lights” on the dancefloor until the Sun rises. A celebration of cross-cultural collaborations brought to life, this rhythmic pop song is about the universality of emotion.

Ed said, “Even though it’s completely different to anything that I’ve ever done before, Azizam feels familiar to me. I wanted to create a party atmosphere in a song and Ilya Salmanzadeh, who I worked with on the track, helped bring that to life. He was so inspiring to work with.”

In the video accompanying the single release, Ed embarks on a journey across the US and UK with a pink, heart-shaped balloon in tow. He takes in the sights of New York from an iconic yellow taxi, cruises through Los Angeles in a classic open-top car, and braves the elements in rural Massachusetts. Along the way, he leads a street party in New Orleans and makes stops in Boston and Nashville. And, of course, no trip would be complete without a visit to his beloved Ipswich Town FC. Watch Here

After closing the chapter on his Mathematics era, Ed Sheeran is finally back and stepping boldly into a fresh new phase for 2025. An artist who has continuously pushed himself, and his craft, into new territory, Sheeran has collaborated with producers and writers from across the globe on his upcoming album, which promises to be one of the years defining pop records (details of which will be released soon).

Listen to ‘Azizam’ here

Press release courtesy of Sippy Time

Sippy Time presents ‘Ubuntu’, the latest release from FiNE

Apr 11, 2025 | New Release, Music

Sippy Time proudly presents ‘Ubuntu’, the latest release from FiNE, Romy Janssen, and Tabia – a powerful statement of connection and unity. Inspired by the African philosophy of “I am because we are,” “Ubuntu” embodies the spirit of shared humanity, compassion, and togetherness through its rich, immersive sound.

At the core of this release are FiNE, twin brothers from South Africa making waves in the international Afro House scene. Known for their deep, groove-driven productions that seamlessly blend modern electronic elements with traditional African influences, FiNE have gained recognition alongside artists like Francis Mercier, Sun-EL Musician, THEMBA, Lemon & Herb, and many more. With their innovative approach to Afro House, they continue to push boundaries, captivating audiences both locally and globally.

 

Dutch-born Romy Janssen joins forces with FiNE to infuse her unique flavour into this dynamic collaboration. A rising star in the Afro House scene, Romy has garnered strong support from superstars like Black Coffee, Caiiro, Benja (NL), and others. Renowned for her energetic, charismatic performances, Romy has graced stages at prestigious events such as Mysteryland, Extrema Outdoor, Paaspop Festival, and at iconic venues like Koko London, Eden Ibiza, The Steelyard London, and Paradiso in Amsterdam.

From the first beat, “Ubuntu” commands attention. Deep, resonant basslines propel the rhythm, layered with hypnotic melodies and crisp percussion. Tabia’s unmistakable vocal performance adds emotional depth, cutting through the soundscape with raw power and authenticity. Every element is meticulously crafted, resulting in a track that feels both timeless and forward-thinking.

With “Ubuntu”, Sippy Time reaffirms its position at the forefront of Afro House innovation. As 2025 unfolds, this release is not just about following trends – it’s about setting them. “Ubuntu” is an experience that leaves a lasting impact long after the final note fades.

Listen to ‘Ubuntu’ here

Press release courtesy of Sippy Time

Jazzanova releases ‘Another New Day’ Live

Apr 11, 2025 | New Release, Music

Berlin-based collective Jazzanova continues to celebrate 20 years of their groundbreaking debut album ‘In Between’ with the release of “Another New Day”, the second single from their highly anticipated live album, ‘In Between Revisited: Jazzanova Live’.

This new live rendition breathes fresh energy into the song, transforming it into a buoyant and dynamic anthem. Featuring swirling flute melodies, uplifting horns, driving drums, and vibrant percussion, this reinterpretation captures the essence of hope and renewal. Inspiring vocal fragments weave throughout the arrangement, creating a rich and layered performance that reflects the vibrancy of live music.

 

Recorded at the renowned Little Big Beat Studios in Liechtenstein, In Between Revisited: Jazzanova Live reimagines the collective’s sample- based debut with the spontaneity and soul of live instrumentation. This intimate session marked the first time Jazzanova’s iconic album was performed live in front of an audience, blending the collective’s signature style with a stellar lineup of musicians.

“Another New Day” exemplifies what this project is all about: honouring Jazzanova’s legacy while bringing a renewed energy that transcends time. With its hopeful tone and vibrant execution, this live rendition is a celebration of the timelessness of great music.

About the album

Celebrate 20 years of Jazzanova’s groundbreaking debut album ‘In Between’ with this stunning live reinterpretation. Recorded at Little Big Beat Studios in Liechtenstein, the Jazzanova Live Band brings fresh energy to iconic tracks like That Night, No Use, and Days To Come. ‘In Between Revisited: Jazzanova Live’ is to be released on May 9th 2025. 

Listen to ‘Another New Day’ here

Press release courtesy of Only Good Stuff

Applications for Design Week South Africa 2025 are now open

Apr 8, 2025 | Creatives, Community

Design Week South Africa is an expansive city-wide calendar of events and immersive experiences that showcase the future of South African design through knowledge-share, inclusivity and support. Launched in 2024 with more than 90 activations, discussions, showcases, workshops and exhibitions across Johannesburg and Cape Town, Design Week South Africa aims to be one of the country’s leading design platforms. Applications are now open to creatives across all disciplines to participate in this national celebration of creativity and industry innovation. 

Through year-round activations and two city wide design weeks, Design Week South Africa aims to boost the local creative economy with an approach that is industry-led, increasing the public’s knowledge; awareness and appreciation of design, while generating and collecting open-source data around local design sectors.

This is a platform dedicated to celebrating design as an expression of creative thinking and making, jumpstarting collaboration, encouraging informative dialogue and open-source knowledge share, while cultivating the next generation of creative leaders through inclusivity and support.

All imagery courtesy of Design Week South Africa

For decades, the incredible economic, educational, creative and cultural benefits of dedicated, city-wide, design weeks have been witnessed the world over, from Milan to Melbourne. A creative space where designers and makers can express themselves, the trade and public can engage with the local design sector, while the next generation of designers, artists and makers can be inspired to continue a legacy – in our case, the legacy of South African design.

‘City design week, by building a creative platform and opportunities for interdisciplinary collaborations, is now recognised as one of the important mechanisms in the development of creative cities, in providing emerging strong support for the construction of innovative models that promote sustainable urban development.’ – Han, H. The Design Engins – Sustainable Development of City Design Weeks

 

Apply to participate in Design Week South Africa 2025, happening in Johannesburg from 9 – 12 October 2025 and Cape Town 23 – 26 October 2025. The deadline for application submissions is 30 April 2025, acceptance into the calendar will be sent by 30 June 2025. Please note prior to applying, all work will need to be completed by 1 October 2025, ahead of the activation weeks.

 

Apply to participate in Johannesburg here

Apply to participate in Cape Town here

 

Learn more about Design Week South Africa here

 

Press release courtesy of Design Week South Africa

Keith Henning’s New Solo Exhibition Celebrates Fluidity and Queer Visibility

Apr 8, 2025 | Art, Community

Reservoir presents their latest solo exhibition WATERSPORTS: Not for Public Consumption, by artist Keith Henning. In 2024 Henning completed his postgraduate diploma in Fine Art at the Michaelis School of Fine Art, at the University of Cape Town. Originally developing a practice in design, founding the well-known AKJP design store and clothing label, Henning has expanded his material interests. This body of work, made from ceramic, steel, and found material, builds on the presentation that he created for his post grad diploma at the Michaelis School of Fine Art. 

Formally and conceptually, Henning’s work merges together two commonplace architectural objects: the urinal and the fountain. The former is gendered, utilitarian, private, whereas the latter is generic, ornamental, public. By highlighting these tensions, Henning aims to critique how objects can enforce conformity and subdue our instincts for intimacy––especially in those spaces that we take for granted in our everyday lives.

Photography by Michael Oliver Love

Versions of the urinal have existed since ancient times, serving both a functional and a social purpose. The politics of who is allowed to use the urinal and how it ought to be used implicitly codifies heteronormative and patriarchal structures. Through the enforcement of rigid binaries between male and female, the urinal is often the site where non-normative expressions of gender and sexuality––such as non-binary and trans individuals’ use of the object––are policed. Any disruption of the unspoken codes that foment around the urinal can be met with castigation, at best, and, at worst, violence. In fact, its very design––sanitised, sterilised and disembodied––suggests conformity to a status quo that disavows any possibility of play, sensuality, or subversion. 

The fountain, on the other hand, holds a more interactive and poetic place in our culture. That is, it has a practical function as well as aesthetic intrigue and spiritual significance. This is why fountains in town squares are often ornately designed, why a coin tossed in fountain water is bound to grant a wish. The fountain is both ordinary and exalted, commonplace and magical. It is a place where people gather to rest, to drink, to splash, to play, or simply to marvel. This is why Henning sees the fountain as a totem for queer liberty. By reintroducing a lost eroticism between these two objects––the fountain and the urinal––Henning’s work celebrates fluidity, reimagining new possibilities for queer visibility and erotic play. 

Some of the sculptures provocatively ‘urinate’ into one another. Others are unapologetically phallus-shaped. Stainless steel wall pieces have dry ice hidden inside of them that, when activated, produces condensation, building up a frozen layer––like a colour field atop the steel––before melting. In other words, these are objects that, at first glance, appear to be solid and sterile, like a public restroom, suddenly begin to sweat, to drip, to cry, like bodies. These choices reimagine a public space that reflects––rather than restrains––the body’s natural needs, desires, and expressions. Inspired by the act of cruising––a practice in which individuals seek anonymous or semi-public sexual encounters, often in locations like public parks, restrooms, and other liminal spaces––Henning sees the exploration of desire in an environment that actively suppresses personal intimacy and public exposure as a subversive and sacred act.

Photography by Michael Oliver Love

Photography by Michael Oliver Love

This point is reinforced by Henning’s use of materials. Stainless steel, for example, is associated with industry, rigidity, and utilitarianism; it is, accordingly, often seen in institutional or public settings, such as restrooms. Ceramics, on the other hand, evoke domesticity, fragility, and intimacy. By merging the two, his work challenges conventional dichotomies between hard and soft, public and private, utility and sensuality. The interplay between the feminine, organic ceramic curves and the masculine, rigid steel structures further mirrors the tension of dominance and submission in queer sexual roles, which the artist intends as a metaphor for the shifting dynamics of identity and desire.

By considering how public spaces might be used for queer expression and challenging the norms that seek to regulate desire, Henning’s work celebrates difference and intimacy. In this way, his practice resonates as both a personal narrative and a collective call to action, advocating for a world in which all expressions of identity can thrive openly and without fear.

This exhibition is available for public viewing at Reservoir from 4 April – 16 April 2025. Reservoir is located on 7th Floor Bree Castle House, 68 Bree Street, Cape Town.

Learn more about Keith Henning Here

Learn more about RESERVOIR Here

 

Press release courtesy of RESERVOIR