Just Dwayne releases ‘The Man & The Earth’ on Kiko Navarro’s rising Afroterraneo label

The latest offering from Kiko Navarro’s rising ‘Afroterraneo’ imprint, ‘The Man & The Earth’ is a soul-stirring and percussive Afro-Latin House cut from Spanish artist, Just Dwayne. 

Born and raised between Barcelona and Ibiza, P. Gonzalez a.k.a Just Dwayne has been at the top of his field for more than 25 years, playing from Europe to Latin America. 
Dwayne has shared a line up with the finest DJs the world has to offer: Dave Seaman, Roger Sanchez, Armin Van Buuren, Sandy Rivera, Harry “Choo Choo” Romero and Cesar de Melero, to name a few. His most recent gigs in Ibiza were at Ocean Beach & Ushuaïa. 

After 12 years living in Costa Rica’s jungle, Dwayne is back in Spain to unveil this stunning track, where he reveals his deep connection to nature, the spiritual, and of course the dance floor. The song is inspired by an old 80’s weekly series in Spain titled ‘El Hombre y La Tierra’, which was dedicated to nature, and the relationship between man and animals, driving and flying throughout the different continents of the world.

Stream ‘The Man & The Earth’ HERE

Press release courtesy of Only Good Stuff

MÜNYA releases debut EP ‘I’m I’m Lying, I’m Flying’ – a sonic letter to the truth filled with punk Instrumentals

“I once was told a lie and then another. Then another. Why was it so easy to lie to me? Was it because it was apparent I was lying to myself? No drug can get me as high as a lie. If I’m lying, I’m flying.” 

Love made a cliche of me. “If I’m Lying, I’m Flying” is my debut EP chronicling a tumultuous time in my young life dealing with the grief of my mother’s passing and the end of a romantic relationship. Years of wonder and contemplation brought me closer to the essence of who I am, a vulnerable storyteller. 

I am MÜNYA. Born in Lusaka, Zambia, raised in Gaborone, Botswana and based in Cape Town, South Africa. My sound is an ode to my environment and the plethora of global cultural movements that continue to influence my perspective on life. 

The four-track/eight minute long EP consists of hard-hitting punk instrumentals juxtaposed with the sweet sounds of loved ones offering guidance and strength amid the chaos. “If I’m Lying, I’m Flying” doesn’t shy away from what it is. Nor does it try to be anything else out right now. It is a one-of-one.

Stream ‘If I’m Lying, I’m Flying’ HERE

Follow MÜNYA HERE

Text by MÜNYA

Afro-house legend Da Capo announces his upcoming Dance EP ‘BAKONE’ with pre-track ‘Molili’

Da Capo, a trailblazer in the Afro-House music genre, hailing from Seshego, Limpopo South Africa, has become a global sensation in the dance music scene. This multi-award-winning DJ and producer continually pushes the boundaries of the genre with his distinctive and captivating sense of groove, mesmerizing melodies, and ability to breathe new life into songs through his remixes, which have garnered him many accolades.

“Bakone,” which means “People from the North” in Sepedi (northern Sotho), Da Capo’s latest work pays homage to his roots. This highly anticipated EP serves as a preview to his upcoming full album which is set to be released in late 2023. With a focus on the future of Afrotech, Bakone exudes power and is crafted for club enthusiasts. The EP features carefully selected hidden gems from DaCapo’s repertoire and includes collaborations with renowned artists such as Batundi, Nana Attah, Lokau Kanza, and Da Africa Deep. For Da Capo, this EP marks the commencement of an extensive global tour, further solidifying his impact on the music industry across continents.

Kicking off the EP is the pre-add track, “Molili” out now. Initially conceived by Da Capo and Batundi, the song took shape with Lokau Kanza’s captivating hook. To infuse an authentic African essence, Da Capo and Batundi enlisted the talents of Nana Attah, whose stellar performance and poignant lyrics gave the track a whole new depth and meaning.

Stream Molili the pre-add track to ‘BAKONE’ HERE

Follow Da Capo:

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Press release courtesy of Sheila Afari PR

DJ, Producer, and Activist CHMBA releases her EP ‘Okangola Caucus’

From the tender age of 7, Chmba (Chmba Ellen Chilemba) has been on a mission to fuse the funkiest afro sounds, future beats, and house grooves. Drawing inspiration from her Pan-African roots and a deep sense of sonic motherhood, she creates infectious Afro-electronic, indie, and house alternative sounds, infused with time-traveling synths, fiery strings, and African percussive rhythms.

CHMBA’s latest EP Okongola Caucus, could translate to, “a gathering of beauty”, is an exploration of love in all its forms from romance to parental, desire and distance in love untangling, freedom and barriers to love overlapping.

CHMBA describes the EP track by track:

Track 1, Okongola 
Okongola is romance all swagged out with a timeless, hypnotizing synth arp taking you on an electric journey yet still grounded in Afro-energy with bassdrums teasing amapiano vibes. NiGEL on vocals takes you between worlds, maybe a night out in Malawi and maybe also space, Malawi in space? Chmba carefully and somewhat carelessly blends two beautiful genres to make a unique vibe of an afro-electronic future indie energy, you want to dance or go on a drive.

Track 2, Patali
Patali is a sweet cry to get past the boundaries we build when falling… An interaction of heavy basses and drums, with some sweet chords and synths flirting. It’s a trip, Chmba takes stage with her vocals central, with multiple backings, the dream is a live stage that feels somewhere isolated, randomly placed but safe for one to fully evoke falling for someone. Electronic in its feel, with South-East African percussion shying out.

Track 3, Nitemwe ft. Nyago
Nitemwe features Malawi’s Afro spiritual soul music legend, Nyago, taking us on a soul refueling groovy journey… a house dancy beat tempting you into motion, but also deep vocals almost meditative like a call for absolute  inner peace. Nitemwe meaning love me, is an expression of a pure love with no strings attached.

Track 4, Dzuwa ft. Ms Fay
Dzuwa is love in motion, love found and up high. Heated, Dzuwa meaning sun, Ms Fay journeys on a confession of the heart comparing love found to the warmth of the sun. Chmba on the beat, toys with a future soul vibe, with a kick led by a spliced N’goma drum! The synths and keys are groovy, allowing a poetic flow.

About Ms Fay:
Ms Fay is a Malawian singer-songwriter. Her writing draws around love, romance and self-positivity… this is felt through her warm sweet vocals to bring an exotic and charming flair to melodies. Ms Fay defines her music as afro-contemporary, she is versatile, ready to flow through varied sonic compositions or genres.

About Nyago:
Nyago is a singer-songwriter from Malawi. Her story of survival permeates through her deep, beautiful, lustrous voice and enchanting melodies. It is that of a strong and determined young woman who has lived through and overcome unspeakable tragedies. Nyago defines her music as Afro-Spiritual; a fusion drawing from the enchanting rhythms and melodies of the Northern Malawian healing tradition of vimbuza and elements of jazz, soul and folk.

Chmba‘s raw talent and unapologetic style have caught the attention of the Queen of Pop herself, Madonna, who has invited Chmba to play at her exclusive A-list celebrity parties, including the prestigious Oscars’ The Party in Beverly Hills, California. As Glamour Magazine’s Woman of the Year (2017) Chmba has rocked impressive stages across the globe, including the World Economic Forum in Davos, BBC Radio 6, and Tumbler Select Playlist. She’s also opened for Grammy-winning artists like Angelique Kidjo, Nile Rodgers, Metro Boomin, and Laura Mvula, cementing her status as a true trailblazer in the music industry.

Chmba is more than just a talented artist – she’s also a dedicated activist and founder of Tiwale, a community center in Malawi that supports women and gender minorities through art and educational opportunities. Her inspiring work has earned her a spot on Forbes’ Africa 30 Under 30 list, as well as recognition from the Bill and Melinda Gates Foundation and Global Citizen as a Youth Advocate. Chmba‘s unique sound, magnetic energy, and commitment to social change make her a force to be reckoned with, both on and off the stage.

For the month of June, CHMBA is the first Malawian to be featured as a cover star on Apple Music’s Dance Playlist ISGUBHU, which sees her placed among the top DJ producer talent on the continent.

Nitemwe Nyago

Nigel

Stream ‘Okangola Caucus’ HERE

Follow CHMBA:
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Website

Press release courtesy of Sheila Afari PR

Chapter 17 | Six of the best shows at Paris Menswear Fashion Week SS24

Time is just a construct. How are we here again, with fashion season upon us once again? It’s summer in Europe, and Paris Fashion Week just hosted their menswear showcases. In a very socio-culturally reflective way, ‘menswear’ doesn’t necessarily mean that brands are strictly showing masculine clothing or male models; in fact, most brands are offering a gender-fluid assortment down the runway. This makes all the business-prudency-sense considering that IF a brand is selected by the committee to showcase, the fees to produce a show and secure a slot range from anywhere between €180,000 to €1 million – although I suspect some of our smaller, favourite brands can pull it off for much less. Paris Fashion Week hosts some of the best infrastructure in the world, with both its historical significance as the ‘birthplace of fashion’ as we know it today, alongside some of the most incredible venues, systems and companies that focus all-year to transporting, planning, building and staging fashion week’s biannual showcases. The calendar is set by Fédération de la Haute Couture et de la Mode for Spring/Summer and Autumn/Winter, in collaboration with their counterparts in Milan, London and now Copenhagen – in order to forgo as little overlap as possible.

It’s terribly difficult to reduce the events of Paris Fashion Week into a small-host of shows – but, it must be done, lest we be burdened with visual and aesthetic fatigue. Unless of course it’s anything by Cris Fragkou, who keeps us fully immersed during fashion weeks and has offered use of some of her images below for Dazed Digital, which are standout for Rick Owens, Dior and Junya Watanabe. You can read our most recent conversations with her here. For Chapter 17 (our seventeenth month!) of Interlude, I’ve selected but a *taste* of old favourites to pique your interest as concisely as possible!

Wales Bonner

At one point last year, it was touted that Grace Wales Bonner might be appointed at the helm of Louis Vuitton’s menswear division. Although that was not so, her label Wales Bonner continues to be one of the most contemporarily articulate expressions of menswear in luxury fashion. As an alumni of Central Saint Martins, a recipient of the 2016 LVMH Prize For Young Designers, 2021 CFDA Award for International Men’s Designer and more – Grace utilises her label as an ode to her Afro-Jamaican and British roots, delivering each time an incredible demonstration of the shared sartorial sensibilities of her formative cultures. Her showcase for Paris SS/24 was no exception, with the show titled ‘Marathon’ displaying Wales Bonner’s continued collaboration with adidas Originals and her dedication to the quiet, clean expression of sport-as-inspiration. The show featured Ethiopian long-distance runners Yomif Kejelcha Atomsa and Tamirat Tola as models, and Luke Leitch reported the show notes reading as, “an ode to long journeys and life missions. A celebration of soulful pursuits and inspired movement.” As ever, Wales Bonner showcases the tracksuit as a decidedly important garment; and the show served as a subtle mapping of the legacies between Jamaica and Ethiopia’s diaspora as critical to Britain’s heritage.

Images by Daniele Oberrauch for GoRunway.com

Rick Owens 

Rick Owens is unique among designers in that his followers – in a cult-like manner – refer to themselves as the ‘Tribe’ and are some of fashion’s most loyal clients. A collective sigh might have been released, as Rick’s latest show marked his return from the annals of using colour (shock, horror and wild if you know Rick’s preferred colour is black) – their leader it seems is back from his acid trip, and landed safely in the dingy corner of a grimy techno club. Right where he belongs, where he thrives and where we love him best. Rick’s brutalist, gothic inclinations as the Sith Lord of Fashion were on full display; premiering his latest footwear form, a medical-boot sandal. While it’s not my favourite, it is a reminder of Rick’s sense of humour and purity, even as he continues to merge some of the most morbid articulations of fashion with exquisite tailoring. His alleged boyfriend and definite muse (he and Michèle have an understanding) Tyrone Dylan Susman opened the show, as chiselled as ever and what followed was proportion and manipulation in the silhouettes and the word ‘CUNT’ emblazoned on key pieces. Rick is no enfant terrible (reportedly one of the kindest designers around) but his edge never seems to fade, either.

Images by Cris Fragkou for Dazed Digital

Junya Watanabe 

Unconventionality reigns in Junya Watanabe’s world. As the prodigy of Rei Kawakubo, having risen the ranks through Commes de Garçon, Junya fervently and discreetly continues his independent pathway as a master of deconstruction and asymmetry. Ever inspired by punk-aesthetics and lore, this showcase was a master class in the strange surrealism of DIY culture. The show featured a record-breaking 18 moments of direct collaboration with other brands including New Balance, Brooks Brothers, C.P Company, Gregory, Lousy Livin, MXDVS, Bates, Alpha Industries, Baracuta, Oakley Factory, Patta, Reigning Champ, Maison Kitsune, and Mackintosh. Patches featuring streetwear cult-classics like PALACE adorned workwear jackets, STÜSSY appeared once – all the while construction feat after feat emerged, such as a belt-buckles used as scaffolding for a tunic, or hexagonal denim patchworks. Highly regarded as an expert in his technical abilities and craftsmanship, Junya remains one of the all-time stars of Japanese sartorial consciousness.

Images by Cris Fragkou for Dazed Digital

Dior 

Kim Jones marked his fifth-anniversary at Dior with a show stopping entrance. Models arose out of elevator-trap doors, giving the audience the entire collection in a matter of minutes. Once the models got moving, the sharpness of Kim’s tailoring was apparent; with accessories by his long-time collaborator, milliner Stephen Jones’ Chinese ‘ronghua’ hats and accessories by Yoon Ambush, jewellery designer for Dior Homme. Socks and sandals offset the tunic-style coats and tailored suits, with injections of neon amidst the demure palette. Embellishment is a key part of Kim Jones’ signature at Dior, and this show was no exception. The collection was a nod to the Blitz Kids / New Wave club scene of the 80s, as Kim told Vogue, “There is an underlying sense of the New Wave in the collection. Stephen was one of those Blitz Kids that were seen as so much part of that. It was also an exciting time for Paris nightlife, where different social groups were hanging out together.”

Images by Cris Fragkou for Dazed Digital

The Row

One thing about me? I will forever kneel at the altar of the Olsen Twins. Ever on their own buzz, The Row’s unisex SS24 collection was launched as a lookbook on their website instead of a runway in Paris. We love efficiency. I don’t have to tell you that The Row never falters on their tailoring (their namesake is taken from Savile Row, the historic tailoring street in London) or that their approach to fashion is ‘quiet luxury’ personified. This season, however, cut a far more relaxed approach than usual. Dare I say, casual? For the twin-sister duo, their pivot into fashion has been the best decision they ever made. The Row has consistently shown an innate and intuitive design reflex, and this season seemed to be a direct commitment to their audience that it really has never been about showmanship, but rather craftsmanship – and they don’t need a runway to flex that.

Images courtesy of The Row

Loewe 

Jonathan Anderson is a silly-goofy guy when he designs for his eponymous label (always intelligently so) but when it comes to Loewe, he reigns as much as possible. Still, the playfulness of glitter fabrics set against billowing tailoring was fun, but not as fun as the few moments when giant needs were pinned into key garments. This, it seems, is a personal message by Jonathan (as he usually leaves in his collections) on his understanding of construction as ongoing, developmental and curatorial. Loewe SS24 was a relaxed, romantic expression of the label and of Jonathan’s place in fashion right now. Shy and ever-concerned, we love JW, always.

Images by Isidore Montag for GoRunway.com

Written by: Holly Beaton

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Vans Took Over Pont Alexandre III to Introduce OTW by Vans During Paris Men’s Fashion Week

During Paris Men’s Fashion Week, Vans hosted a sprawling party on the Seine at Pont Alexandre III, set to the backdrop of the Eiffel Tower, to celebrate the introduction of it’s new pinnacle category, OTW by Vans, a new vision for the most elevated product expressions and brand experiences from the brand. Conceived under the direction of Ian Ginoza, Vice President, Creative Direction for Pinnacle.

“We chose to introduce OTW by Vans in Paris, the global style capital with a deep history and community in skateboarding,” explains Ian Ginoza. “Skateboarding’s influence on the style and fashion conversation is organically going on every day and we’re here on the banks of the Seine, with the world’s best skateboarders, to bring the inspiration of mood boards and runways to the people of Paris and beyond.”

As the sun began to set, the style and skateboarding communities descended upon the banks of the Seine at Pont Alexandre III to witness a monumental skate installation—created in partnership with Unitedfront, PLAYLAB, INC., the Los Angeles-based creative studio known for its work in art, architecture, and graphic design, as well as long-time partner California Skateparks—and performance by King Krule. At the center of the experience was a monumental skate installation that makes a striking visual statement in concert with the Parisian architectural landscape. The primary visual icon of Vans’ past and present—its iconic checkerboard—is mapped onto a vast form: a skateable sculpture park displayed on a giant plinth.

BFA Images by Natalia Ivanova

Images by Natalia Ivanova

Exhibition by Atiba & Axel Cruysberghs Front Blunt Day 1

Blended into the structure were contemporary interpretations of classic skateboarding features like the spine, hubba and wallride; acrylic ramps that allow a view to interior structures; and 14 CCTV cameras that document skate throughout the week and livestream the footage on LED screens embedded in the installation. “Together with OTW by Vans, we wanted to create a grand gesture in a public space—one that marks the future of the brand and unites all the elements of creative and skate culture that we love, boldly and unapologetically,” says Archie Lee Coates IV, Co-Founder, PLAYLAB, INC.

Guests included Lourdes Leon, Amelia Gray Hamlin, Fai Khadra, Bakar, Evan Mock, Sam Worthington, Lara Worthington, Haider Ackermann, Elizabeth Von Guttman, Okay Kaya, Stéphane Bak, Tommy Ton, Lev Tanju & Gareth Skewis, Travis ‘Taco’ Bennett, Devyn Garcia, Mae Mei Lapres, Alexia Elkaim, Sabrina Fuentes, Shane Gonzales, Jordan Vickors, Sonny Hall, Dexter Navy, Ian Ginoza, Matt George, Archie Lee Coates IV, Jeff Franklin, and more.

Images by David Ctorza

Images by Natalia Ivanova

Images by David Ctorza

Attendees watched the Vans Skateboarding Team, including Beatrice Domond, Etienne Gagne, Rowan Zorilla, Lizzie Armanto, Mami Tezuka, and Zion Wright, Diego Todd, and Axel Cruysberghs skate the OTW by Vans skate installation, set to the backdrop of the Eiffel Tower and the music by Onyx Collective. Later in the evening, King Krule took to the stage and closed out the night, while Parisian passersby gathered on the bridge.

The OTW by Vans Skate Installation hosted a calendar of on-site events and programming, including an open skate session from 12PM to 8PM CEST on Friday, June 23, followed by an after party and DJ set curated by Donavan’s Sound Club. On Saturday, June 24 open skate sessions continued from 12PM to 8PM CEST with a DJ set by Rory Milanes, and curated by Rinse.

Mami Tezuka by Atiba Jefferson
Rory Milanes, Diego Todd & Tom Belot by David Ctorza

Etienne Gagne & Axel Cruysberghs by David Ctorza
Lizzie Armanto by Natalia Ivanonva

Following the three day installation, OTW by Vans in partnership with California Skateparks will give back to the French skate community by donating elements of the skate installation to Cosanostra Skatepark.

For more news, follow @OTWbyVans 

Press release courtesy of The Bread

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Shein’s Influencer PR Trip Has Enraged The Internet

One thing about consumers – we are sharpening up. No longer fooled by the artful deception of fast fashion, we are demanding much more from corporate companies that continue to contribute heavily to climate change and human rights abuses. Among these companies, SHEIN stands out as the most villainous and contested. A fast-fashion retailer in China, SHEIN has a number of L’s to their name; labour abuses, intellectual property infringement, strenuous environmental impacts and lack of transparency in their supply chain. While they’re certainly not the only culprits in the vast web of the fashion industry’s rampant misconduct; they are behemothic in comparison to their competitors, with their production output making Zara and H&M look like bespoke boutiques in contrast. According to research done by market analysts, SHEIN launches around 9000 new products a day, and hosts around 600,000 items of disposable clothing on their site at any given time. To achieve this, and keep their costs exceedingly low (some pieces sell for as low as $3), there is literally no way that vast, systemic exploitation does not feature within their supply chain. Consumers have been sceptical for a long time, and SHEIN has been relegated to a kind of curse word in fashion. 

So, when last week influencers reported to their audiences from a PR trip paid for by SHEIN in China, the internet was up in FLAMES. In now deleted TikTok videos, a number of influencers walked through a perfectly curated factory facility, known as SHEIN’s ‘Innovation Centre’ offering their seemingly ‘scripted’ perspective to audiences as to what they saw. In what is clearly a SHEIN sampling factory, their ignorance of the multiple manufacturers a company like SHEIN has to outsource to was notwithstanding; let alone the fact that this being a paid trip is inherently unethical, and they would be contractually obliged to present a curated and positive portrait of the trip. One of the influencers who has received a lot of the heat, and doubled down on her sentiments many times, is Dani Carbinaro implied that the ‘west’ has spread propaganda about SHEIN; contrary to the fact that criticism of SHEIN has come from people in China and across the world. Dani refers to herself in the video as an ‘investigative journalist’ as Insider reports, The Los Angeles-based creator, who has nearly 500,000 followers on the platform, said that the Shein handlers who guided her on the trip allowed her to interview a woman working at the centre who answered “honestly” about the “rumours” surrounding its working conditions at Shein. While Carbonari didn’t specify what rumours the woman was referring to, the brand has been widely and publicly scrutinised over its poor labour practices and lack of transparency over the years.” You can watch here for a reload of one of Dani’s videos. Another comment that left audiences in disbelief was Destene Sudduth’s comment that, “they weren’t even sweating, we were the ones sweating walking through the whole facility” – implying it can’t be a sweatshop. I mean, I don’t even know what to say to this level of ignorance.

Courtesy of BOF

The Shein Influencer Trip attendees Destene Sudduth, Kenya Freeman, Aujené, Dani DMC, Marina Saavedra, and Fernanda Campuzano. 
Credit: Mashable Composite: Shein, Panos Pictures / Public Eye

Everybody wants to get paid and influencers with questionable brand deals is no big news, but the level of ignorance and malignant mistruths that these influencers presented to their followers (who trust them and value their expression as influencers) is offensive.The backlash has been intense and potentially their reputations ruined – at least for now. SHEIN is going to stop at nothing to try and deflect any ill-practices ascribed to them, and are going to play on the vulnerability of influencers. Its not surprising that the five influencers ranged from Black and Women of Colour and plus size women; all marginalised women. If there are any misconceptions about SHEIN and their attempts at transparency were honest, they would invite actual journalists to visit multiple parts of their supply chain – instead of like when two journalists from UK’s Channel 4 went undercover in two Guangzhou factories, as described by The Cut,In one factory, Channel 4 found that workers receive a base salary of 4,000 yuan per month — roughly $556 — to make 500 pieces of clothing per day and that their first month’s pay is withheld from them; in another factory, workers received the equivalent of four cents per item. Workers in both factories were working up to 18-hour days and were given only one day off a month. In one factory, the outlet found women washing their hair during lunch breaks, and workers were penalised two-thirds of their daily wage if they made a mistake on a clothing item.” These findings violate China’s own labour laws. 

If anything is to be taken from this story, it’s that the backlash from audiences on social media is truly hopeful. SHEIN cannot deny the disaster this has been, and the message has been received: we see you and we are tired. We are no longer buying into ethically-oriented platitudes – and this might just be our world’s saving grace, if corporations can act quickly and genuinely enough.

Featured image courtesy of  WWD

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

‘Don’t’ Worry, Be Happy’ – why toxic positivity can be a hindrance to living an authentic life

Picture this – or maybe you don’t have to given the unruly times we’re living in –  your life is in shambles. You know kinda like those off seasons, the ones Ms Lana Del Rey refers to as the ‘winter of my life’? The ones where you feel like you simply just can’t seem to catch a break, not even to catch your breath. You are thoroughly going through it! And at every damn dawn, every turn, every attempt ziyakhala

*let’s out the loudest scream* 

So like the sensible young G that you are, you decide “noh man lemme call my chom’ just to blow off some steam, you know”  – after all you can’t keep all that bottled up right? Stress is a slow killer they say. It’s also bad for your skin, hair, nails and gut and yes, I know these are all very vain side effects to focus on considering there’s the very serious connections found between strokes, heart attacks and depression, as stated by heart.org which highlights the effects of stress on the physical body. A girl is just trying not to look like her problems right, what about my sdima dammit?With all that said, you finally get a hold of your good homie who in comparison to you, is straight cruising through life  – your yoga and daily mantra queen. Perhaps some of that love and light may rub off on you, but perhaps not? At least until you are slapped with yet another regurgitation of an insta post type of advice, You know my friend, just focus on the positive, when life hands you lemons you must make lemonade’ No Clarissa! No!

Madison Oren, Unsplash

Nathan Dumlao, Unsplash

What I need is a bottle of tequila gold neat, for every lemon life chooses to throw at me! Hao! I don’t know about you but personally, I’m so over this ‘don’t worry be happy’ mentality people keep trying to garnish over every damn problem that occurs. Some shit needs concern…and sometimes a hell of a lot of it. ‘Chin up’, ‘brush it off’,’everything happens for a reason’ residents of the ‘good vibes only’ and ‘no complaining zone’ can all go f*#k the hell off! This is real life and in real life I can’t simply ignore the fact that life is a certified bad bitch – not just on Saturdays, like everyday – and she throws hands more often than bodak yellow era Cardi B. 

Don’t get me wrong, I’m no ‘Debbie-downer’, I’m just trying to be realistic and  live a balanced life. We’ve all heard the saying ‘you can’t have too much of a good thing’ well that includes positivity. Yes my dhiye, too much love and light is dare I say it…can be toxic. When we deny the very real feelings and experiences of ourselves and others, we are setting ourselves up to only measure life based on how ‘good’ it is. We don’t learn to inhabit the strength and resilience gained from the inevitable challenges that we experience. Life is complex, and our experiences are always going to be a dance between the good, bad, the ugly and the beautiful. Toxic positivity is when we have to shirk everything that isn’t deemed ‘positive’, and therefore we are living in alignment with one of the human experiences. 

As true and as pure as the intentions of the good vibes only movement are, I think this is still considered a coping mechanism or a trauma response. Bad things happen to good people all the time and we can’t keep brushing that reality under the carpet. Doing this can feel completely invalidating our emotions and our human experience –  at times, it feels like we’re shoving invisible happy pills down each other’s throats.

Keagan Henman, Unsplash

Sometimes, in order to heal and to cope, it’s necessary to sit with your issues and your experiences, process your trauma’s and give yourself time to process whatever it is you’re going through. Never taking heed of the negative, results in us undervaluing the importance of these seasons in our lives. It minimises the experience, the voice of hurt gets silenced and invalidated again and again, and before you know it you have your shadow self beefing or contemplating  pulling a Jordan Peele’s ‘Us’  for all the years of torment you’ve caused. 

Truth is, there’s no good way to repress your life, only so many ways to gaslight yourself into thinking it’s greater than it really is and truth be told there’s only so much a good front – or as I like to call it ‘it could be worse’ face – can gain you. If you’re willing to get uncomfortable – really uncomfortable – there’s something better beyond the hurt and darkness. Something worth fighting for. 

According to a study by the National Library of Medicine, it’s more beneficial to accept negative emotions rather than judge, dismiss or avoid them. To paraphrase, their stance suggests that, “individuals who accept rather than judge their mental experiences may attain better psychological health, in part because acceptance helps them experience less negative emotion in response to stressors.”

Nik, Unsplash

Loneliness, for example, is a reminder of the importance of relationships, possibly a way to help us find better and healthier ways to explore them when faced with it. 

Something that I think we could all consider taking into account during these times, is practising mindfulness – of where we are, how we’re feeling and what we’re going through. Being able to not only identify but face your feelings is a bloody superpower, a marvellous one! Think of yourself as the Hulk. You are incredible despite all the bad and good that comes and goes throughout your life. Being present is literally a gift from you to yourself and learning to be present in the thick of our emotions is a seriously important skill. What’s the point of only looking on the bright side, besides, didn’t doctors tell us that’s bad for our eyesight? 

Take a different perspective, make your problems do a little twirl for you so you can see this shit clearly. And validate your emotions dammit. There’s no need to lie to yourself. EXPRESS YOURSELF HONEEEY! And not just the good parts either! I wanna see that summertime sadness, winter time madness, listen, EVERYTHING! 

You’re not only great when you’re good. You’re great just being you and that’s what you deserve. To be you, fully!

Written by: Thandiwe Magwaza

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Kendrick Lamar To Perform in South Africa

Hey Neighbour Festival have announced critically acclaimed rapper and songwriter Kendrick Lamar as their headline act later this year. 

As a new kid on the block in terms of South Africa’s festival rotation, Hey Neighbour have added Kendrick as a headlining act alongside Swedish House Mafia, H.E.R, Khalid and The Chainsmokers. It’s been nine years since Kendrick performed three shows in Cape Town, Johannesburg and Durban.

DATE: 8-10 December 2023
VENUE: Legends Adventure Farm, Pretoria
TIMES: Gates open at 12h00 and close at 00h00

Phase 1 Tickets are running out fast! BOOK NOW

This is strictly an 18 and over event. 

Phase 1 Weekend Passes start at R3,899 for General Access and R4,999 for the VIP experience. The limited phase 1 Single Day passes are almost sold out so grab your tickets now! Phase 2 pricing to be announced soon.

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Featured image by Getty

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Ocean Gate Highlights The Hubris of Billionaires

We have all been inundated with the tragedy surrounding Ocean Gate’s ‘Titan’ submersible; a submarine hybrid used for commercial purposes, which lost communication without a trace last week. The five people in the submersible, including Ocean Gate’s CEO and ‘designer’ of the underwater vehicle, lost their lives in an pressure-induced implosion as confirmed by the US Coast Guard last week after three days of searching. Large swathes of the Atlantic Ocean were searched by collaborative efforts involving the U.S. Coast Guard, the Canadian Coast Guard, the U.S. Navy, and various other governmental and private entities. Eventually, the discovery of the submarine debris was officially revealed, indicating its position at a depth of about 3,810 metres beneath the ocean surface, positioned approximately 488 metres apart from the Titanic wreckage – meaning, in short, that their position had remained while they imploded, probably shortly after the submersible lost communication just 1.5 hours into the journey. 

The coverage on this story has been almost unprecedented considering the highly volatile world that we live in, with so much happening on a daily basis across regions and continents. It seems that mass media latched onto this story while it shot through the social-media-sphere like wildfire; the memes and commentary sparking an intense debate by people online as to whether billionaires, consenting to this trip (on a vessel with a record of issues) should receive our compassion. Before we get into that, here are some of the most egregious facts about the Titan:

Image by OceanGate

Graphic by Jasna Baric CTVNews

More people have explored space than the depth of our oceans and pressure is one of the key reasons as to why this is. Water pressure increases deeper in the ocean due to the weight of the water above it. This pressure, known as hydrostatic pressure, is a result of the force exerted by the weight of the water column. As you descend deeper, the weight of the water above adds up, causing an increase in pressure. Typically, the hull of a deep-diving submarine takes on a spherical shape to ensure uniform pressure distribution across its surface. In the case of Titan, its hull was a cylindrical ‘tube-like’ shape, causing an uneven distribution of pressure. Stockton Rush, the CEO and designer of the submersible, negated every single piece of professional evaluation and advice he received by experts on this design. 

This is one of the reasons why the submarine was not able to be certified, as the Titan was deemed unconventional and deviated from the established standards. However, Stockton Rush emphasised that this did not imply that OceanGate failed to meet the required standards in any relevant areas and that classification agencies hinder innovation through their stringent measures. Such is the hubris of a billionaire who thought that a spherical ‘tube’ – despite its lack of structural integrity for the purposes of pressure distribution – was in any way, innovative.

The vessel weighing 10,000 kgs was constructed using a combination of “titanium and filament wound carbon fibre.” Ocean Gate claimed that the vessel had been extensively tested and proven to be a secure and comfortable means of transportation capable of enduring the immense pressures found in the deep ocean. While carbon fibre has been widely utilised in the aerospace industry, its ability to withstand the repetitive deep-sea pressures had not been conclusively established. The Titanic wreckage rests at a depth of approximately 4000 metres, significantly surpassing the typical diving range of the U.S. Navy submarines, which usually descend to depths of around 600 to 900 metres. With that, the use of mixed, experimental materials were also at a risk of expanding and contracting at different temperature and pressure levels – in and of itself, a major risk to the structural integrity.

While tragedy is never a welcomed thing, and five people lost their lives; the most enlightening discourse arising out of this matter is the seeming arrogance of a billionaire like Stockton Rush, who truly believed that his design was not only safe enough to reach the Titanic wreckage; but that charging $250,000 for commercial use and inviting clients to sign death waivers, was a good idea. This avoidable, albeit totally accidental, disaster has cost millions of dollars and compelled the attention of the world, and seems to showcase the time and attention afforded to billionaires seeking ‘thrill’ and adventure, over a humanitarian crisis such as the capsizing of a refugee boat, which was worryingly mishandled by the Greek Coast Guard. Since the early 2010s, there has been a prominent and ongoing humanitarian challenge involving irregular migration and dangerous voyages undertaken by refugees and migrants across the Mediterranean Sea, primarily from North Africa and the Middle East to Europe. This crisis is fueled by a range of factors, including armed conflicts, political instability, human rights violations, poverty, and limited opportunities in their home countries. Desperate for safety and improved lives, refugees and migrants frequently embark on hazardous journeys aboard overcrowded and unsafe boats, often with the help of human smugglers.

We live in a world where the lives and longevity of the very wealthy (from celebrities to tech gurus, to politicians and so on) are more important than the majority of the world. In a classist, divided world; poor people, fleeing in fear from their homeland due to geopolitical instability, just doesn’t get quite the same airtime as five consenting billionaires who thought a one-trick-pony of a submarine was the best route to seeing a wreckage that is over a hundred years old. I suppose when you have the world at your fingertips, such indulgences are par for the course – and what does 500 human lives and counting, such as with the recent migrant boat disaster, mean in any way? Well, it’s clear what it means: the coverage of this story and the millions injected into it, are directly proportional to the continued devaluation of everyday people.

Featured Image from OceanGate/FILE

Written by: Holly Bell Beaton

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za