Hey Neighbour’s Second Wave Of Talent Line-Up Has Been Released

The second phase of the HEY NEIGHBOUR festival lineup is a fusion of local awesomeness with a dash of international flavour. Why, you ask? ‘Cause local is lekker and global is groovy.

We’re talking about joining the ranks of H.E.R., Khalid, Swedish House Mafia, The Chainsmokers, and Kendrick Lamar. Our lineup is like a global potluck of musical genius, representing neighbourhoods from across the world. Hold onto your hats, ’cause here’s the scoop!

First up, the Amapiano juggernaut, the royalty of the genre, UNCLE WAFFLES, straight outta Swaziland. But hey, Piano fanatics, we’re not stopping there. Get ready to vibe with the Yanos legends: DBN GOGO, the electrifying SCORPION KINGS, the maestro MUSA KEYS, and the firestarter FOCALISTIC.

Wait, there’s more! Get ready to jump with excitement as we welcome the iconic JACK PAROW and the rock sensation FRANCOIS VAN COKE. You know them, you love them – the crowd pleasers, MI CASA, GOODLUCK, and SHIMZA are in the house!

Hold up, hip-hop aficionados, we’re dropping the mic for you too! ANATII and NASTY C are confirmed to bring the heat. And ladies and gentlemen, give it up for the powerhouse SHEKHINAH and the TikTok sensation turned international music sensation, TYLA. Rock vibes, anyone? Let’s groove with Afrikaans rock legends DIE HEUWELS FANTASTIES and the smooth vocals of UK-based JAMES VICKERY.

But guess what? The international flavour isn’t stopping either. We’re bringing the US magic with the incredible DUCKWRTH and the Afro-global vibes with Ghanaian/Liberian superstar JZYNO.

Weekend Passes start at R3,899 for General Access and R4,999 for the VIP experience. Prices will shift as we groove closer to the festival, so get your groove on and book now.

Get your tickets  HERE

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Press release + text by HEY NEIGHBOUR

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

The Cost of Celebration. How to Financially Survive Celebrating Everyone

In March, I wrote a piece about the genuine and very troubling cost of living crisis that was and still is wreaking absolute havoc on our wallets, bank balances, credit and any semblance of savings we have attempted to accumulate. Simply put, the inflation price leaps in products and services far exceed our earnings, which means we live on the knife edge of whether our salaries will get us through the month. Every increase in petrol price, rent or the simple items in your grocery basket feels like a universal gut punch and middle finger for good measure. This brings me to my concern for today’s rambling: just how much financial wiggle room do we have for friends, family and significant others when every tap of our cards makes payday seem increasingly far away? 

So, what exactly sparked this rabbit hole of unpleasantry in me? Recently, I’ve had to think A LOT about finances. Just the sheer expenses of everything ominously looming around the corner in my life has me in a vice grip of anxiety. I recently got engaged, which means my fiancée and I have started planning a wedding and hearing some stories about the budgets involved sent shivers down my spine. That being said, I’m getting to that point in my late twenties where one expects the proposals and engagements to roll in thick and fast. Soon, it’s bridal showers, bachelor/bachelorette parties and potential baby showers accompanied by a PDF of hand-selected gifts to take away the chance of us as friends wasting our money on something that simply isn’t going to be used. If we even have the means to satiate the selections of hand-woven, non-BPD, non-GMO, organic and vegan toys that my friend’s beautiful future babies will drool all over. These, however, are kind of excusable simply because, for the most part, they are one-and-done (albeit the divorce rate begs to throw hands with me on this). Then, there’s the final boss to the B’s of being BROKE, birthdays.

Tobias Barsnes, Courtesy of Unsplash

Tima Miroshnichenko, Courtesy of Pexels

I love my friends, family and loved ones. However, in September, between my friends and family, my fiancée and I have a whopping eleven birthdays to look forward to. No matter how you shake it up in terms of gifts, this is an expense we are bound to feel. This raises an interesting point, a point that is rather unromantic and unsexy. How much do our friendships and relationships cost us, and can we afford it? I honestly thought it was just a ‘me issue’, but having spoken to my partner, colleagues and acquaintances, it’s a topic that permeates their thoughts, but it almost has an air of taboo about it. One acquaintance mentioned, “it’s eight months into the year, and I’ve spent R17k on weddings, including gifts, travel, accommodation, outfits and more”.  

In a 2018 News24 article, they quoted figures of around R138 494 for a 20-year friendship, but this was before COVID and before the tipping point where everything skyrocketed in price. The cost of living crisis is so rough that I wouldn’t be surprised if the figure were double, triple or even quadruple that. It doesn’t end in friendship, however. Anyone currently dating actively or even couples having regular date nights can attest that however lovely these experiences are, they simply don’t come cheap. Every brunch or lunch easily comes to R500, and dinners easily double that, all while the food quality at many restaurants is inconsistent at best, and the only saving grace is that I don’t have to do the dishes.

Dating is expensive. Australian singles collectively spend around “$43 billion per year on dating alone,” which is a number so big I had to honestly see what it even looks like in Rand and it seems fictitious until you realise that it’s figures posted by mega multinational finance and banking group ING. According to the New York Post, the average American spends around $121 000 (R2.3 million) looking for love in their lifetime, and here, the use of average is flattening the expenses severely – simply because it doesn’t account for overall expenditure.  

How do we survive? How do we stop the financial bleeding, all while maintaining and building beautiful and lasting friendships? Well, the answer is actually more complex because, as is the case with every relationship, there are intricacies, complexities and expectations that are unique to every relationship. That previously mentioned News24 article attempts to offer some solutions, but they fail quite spectacularly in accepting and acknowledging the current situation and just interpersonal and personal relationships in general. They suggest, for example, pooling in money and hosting a braai rather than going out to eat. In a financial sense, yes, this makes sense. Still, it falls comically flat when you consider how hard it can often be to host a bunch of people in an apartment or get permission to even have a braai from authoritarian landlords and body corporates in the first place. It also doesn’t consider the sheer time investment hosting a large group of people tends to have.

Cottonbro Studio, Courtesy of Pexels

Between prepping your home and cleaning up the mountain of dishes, cans and bottles, just to have to clean your place all over again makes the restaurant’s more expensive but convenient option look all the more appealing. They also suggest DIYing some gifts rather than buying them, which also has a host of problems. First, one needs the actual skills to make whatever item, but more importantly, the time. People don’t often mention that one of the things the cost of living crisis has really stolen is our time. My partner is a crafter, and let me tell you, I don’t even know if it’s worth the late nights and the sheer amount of stress.

Is the solution then to just throw money at the problem for convenience? No, I don’t think it’s that either. At the end of the day, it’s not the money that is building the relationship. Money is merely a tool. Although relationships are an investment, I think marketing ploys have fooled us into thinking that we need to experience everything together to build connections. However, this is where I would like to challenge people only to experience what is worthwhile to them. This brings me to the actual solution to how to survive celebrating everyone. It’s all about communication. Most people think they are far better communicators than they actually are and in the fickle world of keeping up appearances, staying silent to protect your projected social status has become all the more common. We need to show that we are strong, that there is no sign of struggle in our lives and that we have it all figured out. 

We really need to stop the cost signalling. There’s a lot of power in saying no or simply explaining to your friends and family the situation you find yourself in. If there’s judgement and disdain, that’s probably not people you want to surround yourself with anyway. In an article on Mashable, an anonymous contributor says, “One of my friends is turning 25 in December and has booked a very fancy venue for a birthday party costing each guest £70 (R1657,87). I messaged her privately and explained that I’m embarrassed to say in the group that I’m unable to attend as I cannot afford it, so she offered to cover my expenses to have me there. I simply could not allow her to do this again, so I politely declined and told her I would see her another time.” Unfortunately, this was met by a passive-aggressive response that wreaked of privilege, but I honestly think this is an absolutely perfectly acceptable solution.  

Another acquaintance of mine shared her suggestion, “I have a big family and all of our siblings decided on an acceptable figure that we were willing to pool together, so that when each of our birthdays come around; we receive one really nice, useful and thoughtful gift. It has taken the stress off of every birthday and we each know that we can look forward to something that we actually want.” This can be applied to friendship circles too and helps democratise the way in which gifts are bought and shared, evening the playing field between people within a community that share differing financial vantage points. 

It’s not about the money spent or money saved. The friends and relationships I’ve built and cultivated in the 27 years of my life are priceless. I’d do all the overpriced draughts, mediocre dinners, eye-watering expensive bagels and presents upon presents upon presents all over again, but don’t let anyone make you feel like less if, at this point in your life, you simply don’t have the means to be as altruistic in a financial capacity as you would like. Hopefully, the relationships that matter most to you also have the space for nuanced, brave conversations around finances.

Written by: Casey Delport

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

September Is Fashion Month : Here’s Your Guide To All The Shows

The fashion calendar cycle begins in September and is often referred to as the “January” of the fashion industry, signifying the start of a new fashion season. It’s why the Vogue ‘September’ Issue is marked as the most important issue of the year; coinciding with the transition into the autumn/winter season in the northern hemisphere – although don’t be fooled, the showcases are Spring/Summer 2024. The four horsemen of fashion – New York, London, Milan, and Paris – also host their renowned Fashion Weeks throughout the month, showcasing collections that will set trends that will dominate the industry going forward. This means that the SS collections shown now will be bought (by buyers), produced and proliferated in time for the spring season next March and April. I know, it can be confusing. Everything in fashion is planned around September, marking the rejuvenation of the industry and influencing how people dress for the approaching seasons.

One of the most striking outcomes of the pandemic is the live streaming of fashion shows by brands and houses; almost all the shows are either IG streamed or on Youtube, or added very soon thereafter to the websites of your favourites. Below you will find a link to all the schedules; enjoy!

Simone Rocha SS23 FW23 by Filippo Fior for Gorunway.com

GCDS FW23 by Filippo Fior for Gorunway.com

Christian Dior SS23 by Filippo Fior for Gorunway.com

Fendi Menswear SS34 by Filippo Fior for Gorunway.com

NEW YORK /// FASHION’S COOL, QUEER YOUNGER SIBLING
SEPTEMBER 8th – 13th 
New York Fashion Week (NYFW), founded in 1943, emerged as a response to World War II’s disruption of Parisian fashion shows. It aimed to showcase American designers and establish New York as a global fashion hub and while it has taken a ‘backseat’ in recent years to London, Milan and Paris – brands like Collina Strada, Eckhaus Latta and Heron Preston are just some who have made NYFW an event that spotlights innovation, inclusivity and diversity in fashion. My recommendation is to catch up on Peter Do’s debut at Helmut Lang and bask in Cris Fragkou’s imagery from Collina Strada

Read NYFW Schedule HERE

 

LONDON /// FASHION’S QUIRKY, DIY COUSIN
SEPTEMBER 15th – 19th 
London Fashion Week (LFW) originated in 1984 and is organized by the British Fashion Council. Its goal was to promote British designers and brands on an international stage, particularly cult-school Central Saint Martins alumni before some of them headed to big European houses. LFW is known for fosters creativity, employing British tailoring and DIY attitudes and supporting emerging talent – like Lulu Kennedy’s ‘Fashion East’ that scouted talent like Kim Jones OBE, Simone Rocha, Maximilian Davis, Nensi Dojaka, Martine Rose, Wales Bonner, Charles Jeffrey Loverboy, per gotesson, JW Anderson, Mowalola, KNWLS and Supriya Lele to name a few…

Read LFW Schedule HERE

MILAN /// FASHION’S WEALTHY, CHILD-FREE AUNT
SEPTEMBER 19th – 25th
Milan Fashion Week (MFW) dates back to 1958 when it was initiated by Italian fashion houses. MFW aims to celebrate Italian craftsmanship, luxury, and excellence in fashion in one of the most historic fashion cities in the world. It’s all about Prada, Ferragamo, Bottega Veneta and more. Also, Milan Fashion Week has proven to be a close ally of South African fashion; with labels like Mmuso Maxwell, Viviers Studio, Rich Mnisi and more showcasing at the MFW trade show. Read more about Wanda Lephoto, Laanraani, Shweshwekini and Connade showing this year! 

Read MFW Schedule HERE

PARIS /// FASHION’S CEREBRAL, ARCHIVE-OBSESSED PARENT 
SEPTEMBER 25th – OCTOBER 3rd
Paris Fashion Week (PFW), with roots dating to the 19th century, has evolved into a global powerhouse. It emphasises haute couture, luxury and avant-garde designs; with Paris being considered the capital of fashion since the days of Marie Antoinette. Now, Paris welcomes many designers an opportunity to showcase in and amongst its traditional houses like Chanel and Yves Saint Laurent – like Acne Studios (Sweden), our very own Lukhanyo Mdingi and of course, the Japanese masters like Yohji Yamamoto, Junya Watanbe and Commes de Garçon. 

Read PFW Schedule HERE

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Get ready for ‘rat girl summer’ and everything it entails

Being a woman in the 21st century is an experience heaving with revelations. Perhaps it’s the visibility of the digital age or the defiance of generations past and present – perhaps, for the first time in all of human history, women across the world are more intertwined than ever with each other, able to revel together in the simultaneous nuance and similarities of the feminine experience. 

The summer season is coming to a close in the northern hemisphere and we are getting ready to embrace spring in the south. In June, writer and content creator Lola Kolade laid down the latest revelatory epitaph, introducing Tik Tok girlies to: ‘rat girl summer’. In a clip viewed over 4 million times, Lola describes ‘rat girl summer’ as a time in which “we’re scurrying around the streets, we’re nibbling on our little snacks and generally finding ourselves in places we have no business being in.” 

In a usual digital response, girlies all over the world  jumped to welcome this beautiful antithetical manifesto as an antidote against the pressures of the ‘perfect summer’ that see us awash with body shame, FOMO and more. Maham Javaid of the Washington Post wrote, “since then, #ratgirlsummer has been shared more than 25 million times on TikTok. The trend is reminiscent of 2019’s Megan Thee Stallion-inspired Hot Girl Summer, but Kolade told The Washington Post that ‘the word hot triggers people to focus on their appearance in a way that Rat Girl Summer discourages.’ ”

Rat Girl Summer vibes from Pexels by Koolshooters

Rat Girl Summer Vibes from Pexels by Polina Tankilevitch

The principles of rat girl summer are simple. Embracing our rat energy means being adaptable and sneaky (but still cute and kind) – it’s an approach towards the most coveted season of the year that demands us to carry far less shame about ourselves and our appearances, employ more spontaneity in our choices and to do this armed with our favourite snacks and drinks, scurrying towards experiences that fill us with joy and fulfilment. Rat girl summer takes the notion of ‘hot girl summer’ and its inextricable ties with the male gaze and asks us to be ourselves for ourselves. As Lola says, the four main qualities of rat girl summer include “going outside (you can’t scurry from bed), allowing yourself to ‘nibble’ or eat any food you like, killing the cringe (to be cringe is to be free) and not overthinking anything.” 

Asserting our identities in the digital age is fraught with highs and lows. On one hand, we find ourselves among like-minded communities, ideas, trends and humorous anecdotes in order to cope and thrive within the human experience. On the other hand, there has never been more pressure to curate the way others perceive us. Ingenious concepts like ‘rat girl summer’ are a giggly, silly remedy for women who have been socialised to constantly measure our worth, appearance or intentions against society’s expectations. What more could we want out of the balmy, sweet summer days than to show up without a head full of over-analysis, existential dread or concerns generally not conducive to wearing cute bikinis and flailing beneath the sunshine?

Co-current to #ratgirlsummer, creator Oliva Maher shared an assemblage of breads, cheese and grapes, coining it as ‘girl dinner’ and ‘mediaeval peasant dinner’. Suddenly, the ‘girl dinner’ trends erupted overlaid with the jingle “Girrrrl dinner, girrl dinner, girrrrrl dinnnner” as women everywhere shared their favourite concoctions and feasts. Everything from aesthetically driven charcuterie boards to flaming hot cheetos dipped in sour cream, the girl dinner movement saw women honing on a seemingly singular feminine truth; we like to snack and our penchant for weird and wonderful flavours is a kind of shared code. 

Usually, we hesitate to define anything around womanhood (and in speaking womanhood, I include femme folks and trans women) with absolutism – often, absolute assumptions have sought to keep women defined by prejudices and projections, hindering the innate experience of complexity held by every single person on the planet. Yet, the reclamation of the word ‘girl’ in this instance is neither diminutive nor diminishing; instead, ‘girl’ speaks to our softness, hilariousness and power. Concepts like ‘girl dinner’ or ‘rat girl summer’ unify the feminine experience under a banner of interdependence with one another and adjusts the hyper-focus of being a woman as merely synonymous with victimhood, oppression or inequality.

Love Sweets from Pexels by Jill Wellington

While it continues to be an ongoing fight for liberation for women in every part of the world; part of our recourse must involve the evidence we have that being a girl is truly, deeply and magnificently beautiful. As Emily Heil wrote for the Washington Post, “Emily Contois, a media studies professor at the University of Tulsa who studies food and gender, likes the pure idea of Girl Dinner — that women can be freed by the expectation of society to nurture and provide for others, that they can enjoy the kind of self-indulgent “you do you” eating that men have long felt entitled to. “there’s this lovely connection among women, this sort of happy, open-mouthed grin of recognition and understanding, a sort of camaraderie,” she says.”

Found within these viral movements is a kind hyper-tension, too. Namely, the tension between aestheticism and ugliness. The latter, I use to refer to the push back we have seen against curated, influencer culture. Pioneered by fashion girlies like Clare Perlmutter AKA tinyjewishgirl, ‘ugly fashion’ is a move towards wearing what we want with surrealist, reckless abandon. Rat girl summer tells us to abandon aesthetics if it gets in the way of our scampering and scheming – it’s more about how we feel than how we look. With girl dinner, the juxtaposition between the perfectly arranged charcuterie board against crumpled chip packets and soda cans are invitations to witness the feminine experience as equal parts beautiful and messy. I argue that this tension furthers the acceptance of women (by others and ourselves) as complicated, evolving and poetic beings. 

I can think of no more noble cause this summer than to scamper my way into rat girl summer – with a Coke Zero in one hand and La Roche Posay Fluide Invisible SPF50+ in the other.

Written by: Holly Beaton

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Lwah Ndlunkulu Takes the Mic as Artist of the Year at Basadi Awards, Courtesy of Paradise Sound Systems & Neumann

Paradise Sound Systems and Neumann Microphones are proud to announce their significant contribution to the Basadi in Music Awards, where they played a role in honouring artists and fostering innovation in the music industry. This microphone has a long history of immaculate sound quality, having been used by the likes of Aretha Franklin and Stevie Wonder.   The award ceremony, which was held at the Johannesburg Theatre, showcased a remarkable partnership that emphasises that women’s voices should continue to be amplified and that technology can be a platform to contribute to this upliftment. 

Highlighting the commitment to elevating artists’ capabilities, Namakau Star of Paradise Sound Systems, took the stage at Basadi alongside superstars Busiswah and Ntokozo Mbambo to present a state-of-the-art Neumann microphone to the Artist of the Year, Kwazulu Natal Durban Vocalist, Lwah Ndukulu. This presentation serves to highlight the importance of collaborations between women-led organisations and allies, such as Basadi in Music, Neuman, and Paradise Sound Systems. It is an honour to work in networks and communities that are dedicated to providing premium equipment to artists and nurturing their creative endeavours.

Award winning Lwah Ndukulu’s talent and achievements are a testament to the flourishing music scene in Kwazulu Natal and Durban, and this partnership recognizes her excellence by equipping her with cutting-edge technology. The Neumann microphone, known for its unparalleled sound quality and precision, will undoubtedly serve as a vital tool in enhancing Lwah Ndukulu’s performances and studio recordings.

Basadi in Music – Lwah Ndlukulu

“This collaboration between Paradise Sound Systems, Neumann Microphones, and the Basadi in Music Awards is more than just a gesture; it’s a commitment to empower artists and facilitate their journey to success. We are thrilled to contribute to Lwah Ndukulu’s musical journey,” stated Namakau Star , Artist & Speaker of Paradise Sound System. 

“The Basadi in Music Awards is committed to acknowledging and elevating exceptional women in music. Our collaboration with Paradise Sound System and Neumann Microphones exemplifies our joint dedication to achieving excellence. Through the Neumann Mic TLM 103 the Artist Of The Year, Lwah Ndlunkulu, received more than an award – she gained a transformative instrument that will empower her to soar musically. Our partnership not only recognizes her remarkable talent but also provides a platform for her voice to reach new levels of sonic brilliance, fostering a shared commitment to unparalleled musical excellence.” stated the Basadi in Music Team 

Paradise Sound System is Paradise Worldwide’s very own in-house label dedicated to Build Bridges from Africa To The World throughout its releases. Since 2020 they have supported both,South African artists dedicated to bringing their sound into the world, as well as international artists adapting the sounds into their own music and bringing it back to Africa. 

The Basadi in Music Awards are a prestigious event dedicated to celebrating and honouring women in music across various spheres. From singers to songwriters, stylists to producers, this annual awards ceremony recognizes the exceptional talent and contributions of women in music. 

Neumann Microphones is known as the manufacturer of high-end microphones that have become industry standards in the professional audio world. Their microphones are known for their superior sound quality, reliability, and longevity, and are used by top recording studios and musicians around the world.

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Everard Read announce co-current exhibitions ‘Remedy’ and ‘Well, There Goes That Dream’

REMEDY 
Featuring work by Leila Abrahams, Dominique Edwards and Jeanne Hoffman 

‘Remedy’ brings together the work of three women artists who use their process-based practices to counteract the harms of  present-day lived experience. The exhibition considers these paintings, sculptures and tapestries against the backdrop of  what Louis Bourgeois described as “restoration”: ‘the idea is to repair the damages that are inflicted in life, to make  something that is fragmented – which is what fear and anxiety do to a person – into something whole.’  

We are used to thinking of art as a mental endeavour, but it is a product of the body, which translates into the work itself.  While all three artists make use of distinct media, their work embodies how art-making itself can provide a way to negotiate  the socio-political, bodily and gendered contexts into which we are born, as well as provide a literal form of therapy.

Everard Read, Jeane Hoffman, Inside the wave. 80x60cm.

Everard Read, Dominique Edwards, Remedy, Plaster of Paris.

Everard Read, Leila Abrahams, A is for Anxiety, Medical Gel Capsules and Polyester.

REMEDY opens 6pm Wednesday 6th September and runs until Wednesday 27th September.
Everard Read Cape Town 
3 Portswood Road | Waterfront | 8001

WELL, THERE GOES THAT DREAM 
Featuring Warren Maroon  

“There is no dreaming when in a state of survival.” 

This body of work by Warren Maroon – an artist originally from the Cape Flats – is underpinned by themes of hope  intermingled with despair. The people of South Africa are in survival mode, asserts Maroon, hanging on to what little hope they have. 

Maroon, inspired by an Arte Povera aesthetic, creates work using mostly found objects to communicate aspects of his – and  others’ – lived experience. His work translates familiar objects using a graceful sculptural language of reverence and  contempt to convey an existence between violence and vulnerability.  

“Our political climate is not making things any better,” he states. “There hasn’t been a South African government that has  worked for people of colour. The poor are poorer and the dreams of something better seem to be further away. With the  rising cost of everything, the rolling blackouts and corruption it seems that hope is fading.” How do we exist in a place that  both makes and breaks us?

Everard Read, Warren Maroon, Well, There Goes That Dream, Neon Lights.

Everard Read, Warren Maroon, You Stole My Heart, Waxed Paper and Barbed Wire.

WELL, THERE GOES THAT DREAM opens 6pm Wednesday 6th September and runs until Wednesday 27th September.
Everard Read Cape Town 
3 Portswood Road | Waterfront | 8001

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

‘it’s Broke’s World, We Just Live In It’ Cult-Brand Broke Launches Collab With Old Khaki And Opens Klubhouse

Well, it happened. On 9 September 2023, the family / brand / collective / force known as Broke opened Klubhouse over the weekend at 53 Wale St, Cape Town – not without launching their exclusive collaboration with Old Khaki the day  before. It was Broke’s weekend (although it usually always is) except this time, the previously nomadic collective have landed squarely and precisely in their own flagship store, under the title ‘Klubhouse’ – the banner that they’ve previously used for their cult-status parties and experiences that they’ve hosted leading up to this moment. In a true state of effervescence and unbridled joy, Andile Dlamini, Sindiso Tshuma, Mzwandile Sithole, Akhona Beja and Simbongile Bino welcomed patrons to a space that will be the wildest and most inspiring space this summer and for years to come. A place for the kids to dream, to scheme and make the future manifest; imagine taking the dream of opening a flagship store with your homies and then actually pulling it off? I’ve said it before and I’ll say it again. Broke is the blueprint : in brand-building, collectivising, living and creating. 

 

BROKE X OLD KHAKI

Before I get into the Klubhouse, we have to talk about Broke’s collaboration with Old Khaki. This is the brand’s first collaboration with a major brand resulting in a capsule collection, on display for its launch at Young Blood Gallery on Friday evening. A precise marrying between two formidable brands in their own right; the functional, straightforward appeal of Old Khaki served as the perfect container for Broke to colour in their sartorial vision. Complete with a commercial shot by everyone’s favourite director Bathandwa Ngwendu, Broke X Old Khaki ushers a new dawn of beautiful work for a beautiful future in South Africa.

Alex Michelsen at Broke x Old Khaki Launch Event by @brionyblevin

The unisex collection is a collegiate-inspired, sharp array of well-crafted garments. Crisp shirts, selvedge denims, a beautiful cardigan with the ‘B’ embossing, loafers and accessories form a strong capsule that doesn’t need to experiment; it takes the DNA of  Broke with usual pieces like hoodies and T-shirts, golf shirts and ruby sweatshirts (indicating the brand’s initial foray onto the scene just three years ago) and suffused it with more formal silhouettes. The key takeaway for me is the references to sharp, formal dress-codes of iKasi Pantsula sartorial culture; such as the perfectly fitting white shirt or the elevated loafer with silver hardware and tassel detailing that are essential for any wardrobe. With Old Khaki’s ram logo and Broke’s ‘B’ mindfully intertwined, the collection plays host to principles of incredible quality, local design and how collaboration can truly serve the future of South African fashion. Huge. 

Purchase BROKE x OLD KHAKI HERE

Oliver Scumboy & Liana Colvin at Broke x Old Khaki Launch Event by @brionyblevin

 Andile Dlamini, Sindiso Tshuma, Mzwandile Sithole, Akhona Beja & Simbongile Bino at Broke x Old Khaki Launch Event by @brionyblevin

Yakubo oghenenyerhovwo at Broke x Old Khaki Launch Event by @brionyblevin

BROKE KLUBHOUSE

A quesnaking down Wale St on Saturday 9th September was in anticipation of one of Cape Town’s most iconic events this year – or even in the last few years. A flagship store is a big, big deal and its opening served as a kind of ceremony for the possibilities available to South Africa’s streetwear and creative community. As our art director Briony Blevin said, “Broke has transformed an inconspicuous space that we’ve all walked or driven past into something really beautiful.” 

News of Broke’s Klubhouse first became consecrated when the lower-half of 53 Wale St was painted white with the signature, electric blue contrasting synonymous with the brand. Over the weekend, wider family members and patrons were let in to experience the exceptionally executed ‘deli’ format; FRESH GOODS and BROKE DELI shelving first read as deli fridges but are actually host to the brand’s garments. Inside, the ominously sized space is tempered by stark white white walls and ceilings with warmth provided by another signature Broke hue; crimson red. You know you’re in Broke territory as every detail in the space is enveloped by the brand’s carefully curated identity.

Andile Dlamini opening Broke Klubhouse by @brionyblevin

With ample lounge and deli-style seating areas, Klubhouse is intended as a synergistic concept store-meets-communal-space-meets-bar, and if the reports of the opening are anything to go by – the best party venue. The deli-counter is actually the DJ booth and the bar is fully operational. I won’t share every detail, because the space is intended to be understood through many visits and experience; but in true BROKE style, the love and energy that has gone into this effort reveals the collective’s spirit as unmatched in their ability to elevate and create literally anything, into something magnificent. We know Klubhouse is going to be a space that only nurtures the seeds of Broke’s manifesto; family, success and good vibes only.

Visit Broke Klubhouse
10h00 – 18h00
Tuesday – Sunday
53 Wale Street, Cape Town

Broke x Old Khaki Launch Event & Klubhouse Film Photography by @brionyblevin

Written by: Holly Beaton
For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Mr Price and Refuse Clothing Brand launch new collaborative collection titled ‘uMsamo’

2022 Scouting Menswear Winners, REFUSE, founded by Tebogo Makgope and Minenhle Memela, together with local retailer Mr Price are excited to announce their new limited-edition range, titled uMsamo, has launched in selected stores, online and on the Mr Price app.

A favourite amongst South Africa’s youth market, REFUSE has been redefining the local menswear space with their African-infused streetwear made with a luxurious twist since 2016. Last year, the design duo won the coveted Scouting Menswear Design prize at SA Fashion Week which gave them the opportunity to showcase their designs on a global scale, including the upcoming Milan Fashion Week in September 2023.

Mr Price X REFUSE Designers, Knit golf & Cargo Pants

Mr Price X REFUSE Camo Print Set

Mr Price X REFUSE Varsity Jacket & Printed Tote Bag

“REFUSE was created for all the township boys who loved fashion and hustled toward the lifestyle they always wanted. Our clothing speaks to hip-hop influences in our streetwear but  never forgot its African roots. The last seven years have been instrumental in us growing our brand and expanding and this Mr Price collab allows us the opportunity to bring our designs  and story to an even bigger audience, without compromising on the fundamentals that make  us Refuse.” – Tebogo Makgope, co-founder. 

Comprised of 18 pieces, uMsamo, was conceptualised as reconnection to one’s ancestral roots  through the use of African-inspired graphics and urban streetwear silhouettes. Standout styles from  the collaboration include a denim-on-denim set complete with a matching bucket hat, utility gilets  & cargo pants, a varsity jacket and acid wash tees featuring REFUSE iconography and more.  

“We knew that REFUSE was the perfect brand to partner after their standout showing at  SA Fashion Week in 2022. Their energy and passion are symbiotic with who we are at  Mr Price and we can’t wait for our customers to tap into their explosive designs.”  – Kevin Smit, Managing Director, Mr Price.

Mr Price X REFUSE Utility Gilet, Cargo Pants & Denim Set 

Mr Price X REFUSE Illustrated T-shirt & Socks

Mr Price X REFUSE Soccer Jersey, Shorts & Denim Vest

The limited-edition range is available in 48 selected Mr Price stores, online at mrprice.com and  on the Mr Price app. 

Browse and purchase the collaboration HERE 

To follow the REFUSE journey follow @refuse_rfc on Instagram and visit www.refuse-studios.com for more.

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Liam Mockridge releases latest single ‘Overrated’

With his latest single ‘Overrated’ Liam Mockridge once again delivers an undeniably groovy anthem with his trademark horns, strings and catchy vocals. Over the span of 3 minutes and 30 seconds Liam displays his unique talent of intertwining live band elements with modern beat-based production, giving us a track that feels equally fit for the dance floor and a beach festival in 1976. The restrained vocals added by the singers of German indie outfit Zimmer 90 and the lo-fi disco groove built by Dutch producer Moods, feel perfectly fit to take the listener into Liam’s world. 

As a recording artist and record producer, Liam‘s music has an undeniable flavour of 70’s Funk & Soul blended with modern Disco. Growing up as the youngest of 6 boys, with a half Canadian half Italian heritage, Liam is truly a unique artist by nature. After finding some success as a bedroom producer, he released his first album on the New York Dance Label Soul Clap Records. Currently based in Berlin, Liam runs a recording studio in an old newspaper factory while working on his second full length album.

Overrated Cover

Stream ‘Overrated’ HERE 

Press release courtesy of Only Good Stuff

Fred und Luna release their ‘Future Sounds Of Kraut Vol. 1’ compilation

Future Sounds of Kraut Vol.1’ features 16 modern kraut-ish electronic tracks inspired by Kraftwerk, CAN, Neu, Rother, Klaus Schulze, curated and compiled by Compost Records artist Fred und Luna. Their selection (with six exclusive tracks) shows how well younger artists are revitalizing the Kraut scene. The better known ones, like Pyrolator, Sankt Otten, I:Cube and more. The collage on the cover was exclusively made by the fantastic artist Norika Nienstedt from kraut-metropole Düsseldorf. 

It is not easy nor impossible to define “Krautrock” or “Kraut”. Nevertheless Compost Records and Fred und Luna strike out on the path to find the diverse elements of German electronic music of the 1970s and 1980s and their effects on the newer German and international music scene. 

So, as a first approach, this volume of “Future Sounds Of Kraut” includes the music of up-to date artists primarily influenced by bands representing the repetitive character of German Electronica: Kraftwerk, Can, Neu!, Harmonia and Cluster, just to name a few. 

Feel free to listen and get krautified!

Fred und Luna (Porträt)

Fred Und Luna, Strom/Munich 2022, Foto by Thomas Elsner

Fred und Luna 
Fred und Luna live in a long-established fashion house in Karlsruhe/Germany. The two mannequins are the muses of musician, author and photo and film maker Rainer Buchmüller. Inspired by his mannequin friends and his love for German electronic music of the past decades, Rainer produces a contemporary combination of repetitive rhythms, charming melodies, electronic soundscapes and elements of the Krautrock era under the project name “Fred und Luna”. He calls his music either Elektrokraut or Krautelektro.

Stream ‘Future Sound of Kraut Vol.1’ HERE 

Press release courtesy of Only Good Stuff