Bongo Band re-release their foundational album in celebration of the 50th anniversary of Hip Hop

2023 marks 50 years since the birth of hip hop, and 50 years since the release of Bongo Band’s foundational album.

The Incredible Bongo Band was formed by MGM and A&R’s Michael Viner in 1972 to record the soundtrack to a now virtually anonymous B-Movie entitled ‘The Thing with Two Heads’. Bongo Band transformed from a loose studio collective to an instrumental pop covers consortium, interpreting classics of the day in their inimitable percussive fashion. Viner recorded them at MGM studios during downtime, assembling line-ups from whichever musicians were available at the time, leading to a unique blend of multi-talented musicians that included Jim Gordon, King Errisson, Jerry Scheff, and Perry Botkin Jr. The full bands’ line-up is shrouded in mystery, but their legacy is undeniable. They spawned cult-classic records that would become a goldmine for hip hop breaks and attain sampling immortality.

1970s Bronx, the Birth of Hip Hop (photographer unknown)

‘Apache’, which was made famous by the British band The Shadows and is legendary in the worlds of dance music and hip hop. It was a staple for DJs such as Kool Herc and Grandmaster Flash as they invented their world-shaking take on the art of DJing at the Bronx block parties of the ‘70s. Over the years it has become a hip hop and breakers anthem and is revered as ‘the break’ of all time with the rhythms of this LP even helping to coin the term ‘breakbeat’. 

“Bongo Rock” is significant, for being one of the musical cornerstones of rap … it is certainly one of the most sampled LP’s in history, if not the most sampled. Almost every history-minded hip-hop DJ has a copy, and the first few bars of “Apache,” can send crowds into overdrive.” According to Kool Herc, the stylistic pioneer many people consider to be the father of hip-hop music, the Bongo’s “Apache” is “the national anthem of hip-hop”. Continuously sampled, including by Nas, Beastie Boys, Moby, Mick Jagger, Kanye West, Sugarhill Gang, Jay-Z, Aphex Twin, DJ Shadow, Massive Attack, to name but a few – this is an album and musical lore you need to be familiar with. 


/// Stream ‘Bongo Rock’ HERE

Press release courtesy of Only Good Stuff

Vans’ New ‘Oversized Florals Collection’ is a creative spin on their Vans Classics

Vans, the icon of creative exploration, is proud to announce the Oversized Floral Collection, a fresh take on Vans Classics influenced by both the future and the past.

Floral print is timeless and Vans’ latest collection features an oversized take on this iconic design across a range of Vans Classics, including the Authentic Stackform OSF in Keepsake Lilac and fresh and fun apparel pieces. The Authentic Stackform OSF takes on new heights, with a chunkier sidewall. The silhouette features oversized floral embellishments across the lateral side-walls and heel contours. 

The Oversized Floral Crew is made with French terry featuring a logo embroidery and textured flower applique. The Oversized Floral Legging Short has a 9-inch inseam and includes an all-over print rib knit jersey with logo embroidery at the hip and lace trim. To complete the collection, the Oversized Floral Sock is the cherry on top of the collection in full bloom. The flat jacquard crew sock features a fuzzy yarn flower detail and color blocking on the toe, heel and hem.

The apparel selection also includes a long sleeve top as well as a floral pant and shorts. Fit for spring and summer, this head-to-toe look is ready to bloom.

SK8 HI STACKFORM TAPERED

OVERSIZED FLORAL CREW FAIRWAY & SOCK MARSHMALLOW

LEGGING SHORT & HERO OUTFIT

Shop the Oversized Floral Collection HERE and at Vans retail locations.

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Press release courtesy of The Bread

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Liam Mockridge releases latest single ‘Touch’ ft. Herizen & Life on Planets

Liam Mockridge fuses elements of R&B and House with the organic recording of his live band on the new single ‘Touch’. A heavy groove drives this track from front to back while the features by Miami-based Herizen & LA rapper Life on Planets temper Liam’s pop vocals and clean harmonies.

As a recording artist and record producer, Liam‘s music has an undeniable flavour of 70’s Funk & Soul blended with modern Disco. Growing up as the youngest of 6 boys, with a half Canadian half Italian heritage. After finding some success as a bedroom producer, he released his first album on the New York dance label Soul Clap Records. Currently based in Berlin, Liam runs a recording studio in an old newspaper factory, and is working on his second full length album.

/// Listen to ‘Touch’ HERE

Press release courtesy of Only Good Stuff

The Sunflower’s Guide to Manoeuvring Seasonal Depression

Oh for goodness sake, konje we have to do this every year? *The deepest sigh imaginable… like ever* 

The autumn leaves are falling and so has the high from our beloved sizzling tropical summertime. South African summers, there ain’t nothing like it huh? Except this was not just any summer this was a summer that ushered us into a once unimaginable post-pandemic euphoria filled with steamy piano nights, mornings AND afternoons – listen, a fucken feast. Masks off, smiles wide open echoing through the concrete jungle what feels like decades worth of withheld laughter. A whole lot of head nods nje everywhere you go – a vote of confidence, almost as if saying ‘hey man look at us, look at how far we made it heck I think we can go get it’ whatever it meant to you. We’re together for real, and life is back on track. This summer, we’ve all been like a field of beaming sunflowers, just cheering each other on – pointing each other to the light at the end of the tunnel.

Daniel Hansen, Unsplash.

Arno Smit, Unsplash.

Kodwa ke now here we are, location today-fontein and what was once unsolicited whistles and howls for the sidewalk – read catwalk – tailing my thigh high mini has now turned to well, just straight maltreatment and potential pneumonia from mother nature. She can be a true disciplinarian if you ask me. I couldn’t help but notice that as the temperature continues to drop so does my vibrant personality, like every damn year. A mirror to my own surroundings, I just turn…grey. I first noticed this with the occasional rainy day, you know the drill. Trying to find any and every excuse not to leave the house but then I peeped my winters and yoh sana! Oh they be wintering alright! Kubi-bi-bi-bi to say the least. For instance, during this time, my temper and patience can be shorter than usual. Let’s just say I go on what my unbelievably accepting friends know as the ‘I’m cutting you off!’ spree many of which I’ve had to shamefully retract – some with no positive results because consequences, right? The insecurities really are peaking; between the dry skin and hair irritation, pigment discolouration, weight influx and those marketing heifers paired with an unhealthy hyperfocus on my intrusive 9pm – 3am thoughts? Hell even I wouldn’t want to be around me. In this state, maybe they’re the ones who should cut me off? 

If you or anyone you know is related to any of the above then you could potentially have what academics callSeasonal Affective Disorder (SAD)’ also known as ‘Seasonal Depression’. Other people might not get it but I do, the anticipation of what feels like a recurring level 4 lockdown year after year after year? It’s not for us sunflowers, , us the ‘let’s go chase the sunset!’ ass beings. We wilt at the mere thought of darkness and anticipate dawn like a toddler way past their cadbury limit. If only someone could find a way to bottle that golden hour feeling for these rainy days? Oh, we’d actually be out by the thousands trying to get some, but no one’s cracked the code let alone made affordable and effective therapy available to all.

Ello, Unsplash.

Taisiia Shestopal, Unsplash.

So we try each in our own unique and self-deprecating ways to manufacture a feeling like no other. I’m here to tell you that a 750ml wine bottle ain’t cutting close for this case. Fake dopamine is like a synthetic wig. It’s good at first – I mean you can really get away with it – then suddenly it’s just the pits! So here are a few scientifically approved and totally doable ways for manoeuvering mother nature’s cold shoulder; 

Get some decent rest! 8 hours; nothing more or less! – Now that the whole daylight, night time situation is all jacked up – thanks winter! – you need to adjust your sleep patterns staying up ‘till 3am contemplating your social standing is not doing you or your eye bags any good and sleeping in late is just adding to the SADness. 

Be mindful how you use your sunless energy dear sunflower gang! – Okay this is for my over-commiters, the mbokodos and superheroes of the community. Stop! Just stop! 

Don’t let it get too messy chile – You know how misery likes company even in the form of a piled up chair filled with clothes or a sink filled with dirty dishes, or unwashed hair…you get the point. As tiring as it may be, especially during this time, there’s nothing more refreshing than a decluttered space to match your peaceful mind. I know it will make a world of a difference than having to look at that mess every time you get up. 

Get outside in nature–  like literally hug a tree or somebody consenting. That hug in a mug isn’t gonna give you the warmth you truly crave. Get that Vitamin D by power by force. Oh she’s out there somewhere. 

Eat a balanced diet  – We just spoke about Vitamin D and considering there’s less of it during the winter simply means you’re gonna need to eat more of it. 

Exercise regularly, or at least stretch – You and your smartphone are well aware that you’re no longer clocking your average daily step rate. Move that bowdy! 

Track your daily mood and activities – journal, journal ,journal. Don’t care if it’s via voice recordings, notes on your phone or a good ol’ notebook and pen. Get it out there, don’t let your thoughts swim around aimlessly too long.

Living with seasonal depression ain’t easy, but a little self-care, patience and a whole lotta loving can go a long way. Try to focus on the solutions to our unavoidable frenemy – winter. Questions like ‘what can I do to make myself smile today?’ but  ask yourself that, everyday.  Along with my ‘savvy how-to-winter playbook’ above, I rate we’re good to go. Treat yourself softly when the weather seems harsh, dear sunflower. Now granted these aren’t a substitute for actual medicinal treatment and if the trying ain’t helped then there ain’t no shame in seeking the support of a qualified  mental health professional who’ll hook you up with something specific to your unique self. After all, we’re just trying to see you bloom sunny! 

And remember, only the sturdiest stems that hold the tallest sunflowers.

Written by: Thandiwe Magwaza​

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Bokani Dyer releases his nation building album ‘Radio Sechaba’

Already a multi award-winning and established artist, with a growing global reputation, Bokani Dyer’s newest record provides an intimate view into South Africa’s multifaceted people – and an opportunity for global connection through music. Titled Radio Sechaba, the album continues Dyer’s creative journey of making rich and immersive music which places him amongst the new wave of South African jazz artists, including the likes of Siya Makuzeni and Nduduzo Makhathini. Throughout the 15-tracks, Dyer’s multi-faceted influences permeate the set of original songs, resulting in a rewarding listening experience. 

“This is the first album of mine that is really drawing on all my influences and putting them into one thing,” says Dyer of the music on Radio Sechaba. “So from song to song you get different types of sounds and music and different approaches, and there is some quiet stuff and there is some loud stuff too.” This array of influences takes the jazz music that Dyer has built his career on and extends it into new areas – already gestured to by his work with Sakhile Moleshe, as part of the groove-based Soul Housing Project, and his abiding interest in the sonic possibilities of electronic music. “When I was recording the album, I didn’t block my inspirations,” Dyer explains. “So the music draws on African music, American music and, really, whatever sounds great to me.”Alongside this, Dyer has thought deeply about what he wants the music of Radio Sechaba to say. “The name of the project is Radio Sechaba and Sechaba means nation,” says the pianist, songwriter and producer. “It is something I have been thinking a great deal about – how I can use my music to reflect the current moment in South Africa and where we’re at, as a people.”

In particular, Dyer honed in on the related topics of nation building and unity. “This is pretty much the central theme of the project. Radio Sechaba is about what this nation – South Africa – is and thinking about a soundtrack that could go along with that theme.” This is no ordinary topic for the artist: Dyer was born in 1986 in Gaborone, Botswana, where many artists from South Africa, including his father, musician Steve Dyer, were living in exile. It was, he says, “an exciting musical time when I was born into a community in exile from apartheid”. So it’s no coincidence that Dyer – who moved back to South Africa as a child in 1993 – gives his nation-building album a name that echoes that of Radio Freedom, the voice in exile of the African National Congress. For around three decades, from 1963 when it was created, Radio Freedom provided inspiration to those in the movement against apartheid and was an important ongoing link between exiles and those resisting within the country.

Consistently thoughtful about the role music can play in connecting, Dyer’s nation-building narrative finds expression in tracks like the reverential “Ho Tla Loka”, “Mogaetsho” (in which he addresses the big theme of betrayal) and the moving and powerful “State of the Nation”. Radio Sechaba might be built around the bigger project of nation building but it also contains a number of songs that focus on the value of individual introspectiveness. There’s a call for presence on “Move On” (“Just breathe and let it go/stuck in past and future all we’ve got is present/Just breathe and let it go”) and a West-African influence instrumentally – call for self-liberation on “Resonance of Truth” (“Where do we go to find some serenity/Stop looking out too far/Try listening within”).

Radio Sechaba also features “Ke Nako” – which is the opening track on the critically acclaimed Johannesburg scene jazz compilation, Indaba Is which was released in early 2021 on Gilles Peterson’s Brownswood label. Meaning ‘Now’s the Time’, the track was included in a 2022 live concert at the Claude Lévi-Strauss theater as part of the Sons d’hiver festival in France. That show placed Dyer’s piano playing centrestage and it’s a gift that has been described by acclaimed South African trumpeter Feya Faku as nothing short of “beautiful”. “His sense of rhythm, his articulation on acoustic piano addresses the piano,” says Faku who has included Dyer in his Feya Faku Quintet shows.

Radio Sechaba is interspersed with short musical interludes – like “Amogelang” and “Spirit People” – that serve as sonic signposts to our collective past, present and future. The album sounds a hopeful note with “You are Home”, a gorgeous, layered piece that recalls West African blues in its eloquent call to all of us: “Know your truth/Let it guide you/From the unknown/It will lead you home”.

/// Stream ‘Radio Sechaba’ HERE 

Connect with Bokani Dyer
Twitter: @BokaniDyer
Instagram: @bokanidyer

Press release courtesy of Sheila Afari PR

Lemkus release the iconic New Balance ‘MADE in USA’ 990s – a tale of American craftsmanship

Brands with heritage have a certain energy to them. Within their products and stories, nostalgia reigns. This is furthered when the embedded nostalgia is redefined in a contemporary vision, relevant to this moment in time. Lemkus’ heritage story is uniquely South African and dates its inception back to 1935; being the first retailer to introduce brands like Converse and BATA to the country in the 1960s and onwards. Today, it’s a nexus for creativity and community with multiple generations of Cape Town’s sneakerheads tracing a moment in time back to their store at St Georges Mall in the CBD. Cue the introduction of a heritage story like New Balance’s ‘MADE in USA’ collection, and together a tradition of sneaker history is forged right here in our city.

New Balance’s ‘MADE’ collection is an homage to the independent design ethos of the USA. Harkening to an era of craftsmanship, the development of this collection edifies a commitment to construction, engineering and workmanship prides in the region, in 2023 and beyond. Maintaining a manufacturing presence in the United States is part of the brand’s vision to preserve its roots and continually redefine New Balance’s trajectory; this is a path they’ve walked for over hundred years, since their founding in 1906 by William J Riley.

Now with Aimé Leon Dore founder Teddy Santis at the helm of New Balance, a new sense of ALD’s calm and collected sartorial sensibility is infused into the ‘MADE Collection’ and New Balance’s offering. With a soft approach to colour and fabrication, the ‘MIUSA 990s’ feature vintage mesh uppers contrasted with greyscale hairy suede, and set atop two-tone ENCAP midsoles. New Balance’s ‘ENCAP’ is their secret weapon for comfort, and an engineering feat spanning the brand’s founding story – when William J Riley set out to define a shoe that performed in harmony with the natural arch of the foot. 

Clean and precise as ever, Lemkus introduces the ‘MIUSA 990s’ as part of their trusted offering, as purveyors of the finest in sneakers and apparel from across the globe. This is a non-negotiable heritage addition for your collection. 

SHOP THE ‘MIUSA 990s’ HERE AT LEMKUS.COM

Written by: Holly Beaton

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Thebe Magugu’s Phenomenal Cultural Ode to Motherhood

The ethnographically poetic approach of Thebe Magugu knows no bounds. To initiate each move of his brand with incredible effect has become Magugu’s signature; all that Thebe and his team touch turns to gold (and ochre). For the anticipated launch of the label’s website, Thebe Magugu is introducing the second edition of his ‘Heritage Dress’ collection; a stunning collaboration with illustrator Phatu Nembilwi and his long-time art director Chloe Andrea Welgemoed. The first collection was a profound articulation of eight tribes in South Africa into a vision of African sartorial consciousness; the latest collection has brought in a ninth culture, described by Magugu as a response to feedback on the first collection, now showing ‘Ndbele’ as an icon along with Basotho, Zulu, Swazi, Vhavenda, Vatsonga, Bapedi, Tswana, Xhosa culture. 

Zulu Heritage Dress.

Xhosa Heritage Dress.

Vhavenda Heritage Dress.

Vatsonga Heritage Dress.

The thematic concerns of volume 2 of ‘Heritage Dresses’ are portraits of mother and child, and the sacred role of the mother in a Southern African context. Magugu explained to British Vogue, “Conceptually, the imagery is modelled around this idea of women in Africa as totem poles, and I think of my own family – like many women on the continent – who have to carry and balance so many things, physically and metaphorically while looking incredibly regal and chic.” In the familiar vision of African women carrying objects on their heads, the campaign has been another synergistic by Thebe Magugu and Chloe Andrea Welgemoed in deepening the brand’s visual language. Shot by photographer Tatenda Chidora; the images feature Zandile Tshabalala, Pearl Thusi, Lindi Mazibuko, Bee Diamondhead, Syntiche Kabuya, Lita Miti-Qamata, Nadia Nakai, Reneilwe Lebea, Anak Akol, described by Thebe on the official IG teaser for the collection as, “For the muses  I invited women who have been a personal inspiration to me and are also leaders in their respective fields, across music, film, law, fashion, art and politics. Strength, as you will see in the artistic portraits that support this project, is a critical component of this project and the women here have shown it in such a sophisticated, powerfully feminine and graceful manner.”

Tswana Heritage Dress.

Swazi Heritage Dress.

Basotho Heritage Dress.

Bapedi Heritage Dress.

In addition to the release of the dresses, the brand “will release short essays written by Dr M.E Chauke [Dept. Of Health Studies, UNISA], Prof. J.D Mokoena [Dept. Nursing Sciences SMHSU] and Prof. M.C Matlakala [Dept. Of Health Studies, UNISA] explaining each culture’s folkloric childbearing rituals and beliefs, written exclusively for the capsule.” We cannot think of a more poignant manner in which to weave culture, tradition and spirit into the artform of fashion design.

The collection campaign is exclusively released by British Vogue, with whom Thebe Magugu continues to forge a relationship with in bringing South African design sensibilities outward from the country.

All images by Tatenda Chidora.

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

Kiko Navarro joins forces with DJ Pippi & Willie Graff to release ‘Tempistica Mistica EP’

Afroterraneo Music founder Kiko Navarro joins forces with old friends and fellow Balearic heroes DJ Pippi and Willie Graff for the ‘Tempistica Mistica EP’, comprising two percussive, Afro-Latin flavoured prime cuts of dancefloor-ready House music. 

Kiko Navarro met DJ Pippi and Willie Graff in the early 2000’s, when he was resident at Pacha Mallorca. Making a pilgrimage to Pacha’s Ibizan mothership to make sure two venues were musically aligned, he quickly became friends with Pippi, who was resident at the club, and Graff, who was hosting the Funky Room upstairs. Unbelievably, the three had never collaborated together before until December 2022, when Graff and Pippi finally visited Kiko’s Mallorca studio and ‘Tempistica Mistica’ was born. 

Heavily inspired by Cuban conga rhythms, opening track ‘N’Fumbei’ deftly blends live percussion, horns and vocals with pristine rhythmic synths and warm electronic touches to summon up a cosmic carnival taking place somewhere between the past and the future. The floaty, piano-led ‘Esanah’ raises the tempo into timeless Latin House territory, paying homage to the fusion sounds pioneered by the likes of Julien Jabre & Dj Gregory in the late 90s, while updating the sonics and arrangements to sound completely fresh. Finally, ‘N’Fumbeats’ strips ‘N’Fumbei’ down to bare bones and lets the percussion ride out, making an essential DJ weapon for those serious dancers.

Kiko Navarro

Dj Pippi

Willie Graff

/// Stream ‘Tempistica Mistica EP’ HERE 

Press Release courtesy of ‘Only Good Stuff’ by Will Sumsuch

tempistica cover

Chapter 16 | ‘Knitwear, for winter? Groundbreaking.’ Your Autumn & Winter 2023 Trends

I know I’m in the minority when I say that I firmly and irrevocably welcome winter; the cosy season of hibernation and slowed down pace of life all tempered by rain, fires and a certain stillness hanging in the air. For us Southern Africans, this mid-year reset is a critical threshold that we must cross. To top it off, winter IS the season for layering; a means of dress that I abide by as the chicest and most liberating way to dress. Truly, there are no rules and as with all our trend-focused conversations on CEC, my disclaimer is always to remind you that trends are merely guides and your personal style is both the compass and shining beacon. In the coldness of winter, opportunity lays in wait to play with texture, fabrication – layers and colour – in a way that only this season affords us. Summer is a time for scantily wearing as little as possible, babes. Winter is about playing in our closets for practicality and takes us back to the purpose of clothing – a way for human beings to respond and adapt to our environments. 

In the past, before the globalised accessibility of the internet, our region of the world lived by the trope of ‘a season later’ determined by the trends dictated by the northern hemisphere. I’m here to tell you that all the trends forecast for the northern hemisphere’s A/W 23/24 season are already at our fingertips; and while they might not be wholly reflected on our shop floors, this is where thrifting and reusing what we may already have becomes a really interesting exercise. Also, our own trends are derived from our personal style, and while we shift away from being dictated to by the northern regions; I have steered away from generalised trends, and instead plucked the gems of useful ‘pieces’ to look for. The list is by no means exhaustive and is intended to get you thinking about the actual garments you may have, or want to add to your wardrobe. All of them are timeless, too.

When putting this together, I’ve elected to reference some well-known publications, things we have seen on the runway and I have made sure to include both women’s and menswear trends. Feel free to mix and match across the gender spectrum or abandon it entirely; again, no rules. As the anarchist slogan goes, ‘No Gods. No Masters’; be your own sartorial icon. 

WOMENSWEAR AUTUMN/WINTER TRENDS

Oversized Coats ///

The coat remains essential; but this season, it’s all about drowning in your coat. In terms of layering, the oversized coats deludes our sense of proportion – making it a great counterbalance to sleek layers underneath. I also think a slightly oversized coat is perennially flattering; what secrets is she hiding underneath that billowing trench? Where is Trinity heading and what does she know? Some specifics for your 2023 coat is camel trench (this always seems to be the case), a padded or quilted coat, leather coats and plaid ones – harkening back to the nostalgia of the 90s and 2000s, respectively.

Images Courtesy of Edward Berthelot, CPHFW Image Bank, Pierre Suu, Christian Vierig.

Knitwear ///

The muse of my selected title is a spin on one of the greatest lines ever uttered, by Meryl’s Anna Wintour-esque character Miranda Priestly. Knitwear stays winning, and of course we need our jerseys; but the balaclava is still a firm-favourite, and applying knitwear in different forms is a great way to incorporate this woven texture in a variety of ways. To contrat the grey skies, I’d suggest using knitwear as a space to introduce kaleidoscopic colours.

Images Courtesy of CPHFW Image Bank.

Long Skirts ///

I’ve been a long skirt girly since the cursed ‘boho skirt’ was burned into my brain by the Olsen twins in the Heat Magazine, circa 2005. Still, I love a long skirt and these days it’s more of a straight and long-line (and without a hideous swash-buckling belt) long skirt, or mid-length, always with leggings or tights. Skirts are great because they act as the foundation of an outfit, and in winter you can layer it so much so that it fades into the background entirely.

Images Courtesy of CPHFW Image Bank.

Cargos ///

Out of the entire ‘technical-wear’ trends in which functional garment construction has found its way into the mainstream, cargo pants seems to be the most successful for womenswear. I don’t blame anyone to be honest. When gals can get something with their pocket; we’ll do anything to keep it going. The gendering of garment construction is a topic for another day so for now, get those cargoes or parachute pants, and make sure to invest in a pair that actually have some water-resistant property in its fabrication.

Images Courtesy of CPHFW Image Bank.

Cardigans ///

It’s been a LONG time since I’ve been able to take a cardigan seriously. I think this is scarring from being a tween-to-teenager, a time in which h cardigans and fedora hats reigned. I found one in my wardrobe the other day and wore it as a layer when it was too cold to think straight about what I was doing – suffice to say, I wasn’t mad about it – and lo and behold, it seems neither is the rest of fashion. Cardigans ranging from sleek mohair to chunk cable knits are definitely worth looking into; but please, I’m not ready for the long-cardigan trend to come back. Something about it still reads like a proportional nightmare.

Long-Sleeve Dresses ///

In the same category as the long-skirt, the long-sleeve dress can either be a statement (with so much yummy layering underneath) or can blend firmly into the background. If dresses are your thing, these are best worn with long-johns, leggings and so on; and keeps that ‘too wrapped up’ feeling at bay.

Images Courtesy of CPHFW Image Bank

MENSWEAR AUTUMN/WINTER TRENDS 

Long Coats /// 

There is something to be said for the dapper energy emanating from a man in a coat. I don’t know if it’s the hetero-cis trope that men don’t dress thoughtfully; but that’s not relevant for our fashion conscious CEC dudes. Coats are an investment piece for literally any human being – and I would elect to go wild with coats from plaid, to leather but also into the realm of print and colour.

Images Courtesy of CPHFW Image Bank.

Skirts! ///

This trend is the one that excites me the most. I’ve been rooting for men in skirts for a long time, and I think its resurgence in our collective consciousness is a sign of better times to come. Abandon all tropes of masculinity and wear a skirt – over pants (the best), or showing a bit of leg. A man in a skirt might be almost too powerful, so ensure your skirt-wearing comes along with a commitment to intersectional feminist values and smattering of anarchy in your personal philosophy.

Images Courtesy of Phil Oh, Edward Berthelot (Getty Images), Carlo Scarpato (GoRunway), Daniele Oberrauch (GoRunway), Splash News, Filippo Fior (GoRunway).

Bomber Jackets ///

A bomber jacket is just perennially a VIBE for guys. Whether puffed or padded, printed or plain; there’s a reason this stays the most comfortable space for men to keep warm. There is this idea that it doesn’t get cold enough in South Africa for too much padding; I disagree especially if this autumn is anything to go by.

Images Courtesy of CPHFW Image Bank.

The Suit ///

Casual, daywear suits are in my opinion, a moment to play with the oversizing of silhouettes. A ‘too-tailored’ suit is cool if that’s your thing, but I think menswear is as deep a 90s revival as the gals. A great thing about a suit is mixing and matching the jacket and pants; tailoring intermixed into everyday wear remains cool. Just look at improbable style icon Robin Williams circa ‘96, mixing oversized suit pants with a bomber jacket. If you didn’t know, Robin was an OG and a big fan of Issey Miyake, Yohji Yamamoto and Jean-Paul Gaultier; read about it here.

Images Courtesy of GoRunway, Isidore Montag, Alessandro Lucioni. 

Running Apparel ///

When I say ‘running apparel’ I refer solely to running gear – and not the swathes of ‘gorpcore’ hysteria featuring all of technical wear.  For a direct reference and one that is available here, Orphan Street Clothing Shop have been on this wave for a while as the exclusive stockist of running & cycling apparel brand, ‘Pas Normal’ – integrate their ‘mechanism’ jerseys as tight-fitting layers, and exude the sense that you’re a master of physicality. My tone aside, I really think a well-executed application of running apparel is what tech-wear is really about.

Images Courtesy of CPHFW Image Bank and Phil Oh.

Oversized Scarves ///

I know when you read ‘oversized scarves’, this image of Lenny Kravitz sprang to mind. While I’m not suggesting we veer fully into blanket territory, I do believe that a cosy scarf is a perfect layering piece; and I think wrapping up as snug as possible has a direct correlation to lessening toxic masculinity. I don’t know, its just a theory.

Images Courtesy of ASOS, Beluti

Featured Images Courtesy of Tyler Joe PFW Spring 22.

Written by: Holly Beaton

For more news, visit the Connect Everything Collective homepage www.ceconline.co.za

RMB Latitudes 2023 presents ‘Special Projects’ exploring the year’s chosen theme ‘Coemergence’

RMB Latitudes 2023 explores the theme of Coemergence this year, defined as ‘the intersection of cultural and aesthetic influences on the creation and interpretation of art from Africa’

With excitement mounting in the lead up to the RMB Latitudes Art Fair, when 40 galleries and 250 artists will bring their art to Shepstone Gardens in Johannesburg from 26 – 28 May 2023, Latitudes Curator, Nkhensani Mkhari, announces three Special Projects that will enhance the visitors’ experience and offer some insight into this year’s chosen theme of Coemergence.

Within the African art context,” explains Mkhari, Coemergence refers to the intersection of various cultural and aesthetic influences on the creation and interpretation of art from Africa. This can include the blending of traditional and contemporary art forms, the incorporation of elements from different ethnic and regional cultures within Africa, and the impact of global perspectives and influences on African art.”

This year, three platforms will support this theme: INDEX, a captivating survey exhibition that brings together an array of independent artistic practices from South Africa, the African region, and the diaspora; ESSAY – an exhibition that showcases a cross-generational dialogue through the works of three artists – Sam Nhlengethwa, Katlego Tlabela, and Cinthia Sifa Mulanga; and the International Galleries Platform.

Cinthia Sifa Mulanga, Mold me II. 2022. Courtesy the artist and Goodman Gallery.

Azuka Muoh, Harmattan Has Come. Digital print, acrylic on canvas. 2022. Courtesy Christopher Moller Gallery.

Hedwig Barry, element-fire.

The International Galleries Platform has been launched as a sustainable means for galleries and artists on the continent and in the diaspora to show in South Africa. The platform presents the opportunity to propose artworks for inclusion within a curated special project. Each year, selected works will be curated thematically so that participating artists are represented in a nuanced way that speaks to their unique practices. The 2023 International Galleries show is led by Mkhari, in close dialogue with the Project Advisory Committee members; Azu Nwagbogu, Valerie Kabov and Lucy MacGarry.

INDEX is a new platform that offers exposure to independent artists, who often have to create their own networks and methods for getting their work seen by audiences. This is often cultivated through fostering relationships with curators, organisers, and other artists, as well as building an online presence through websites, social media, and various platforms. This exhibition is a reflection of this spirit; it speaks to the importance of cultivating connections outside traditional models of exhibition making and creating space for galleries and audiences to discover new artists.

The exhibition is divided into three themes. The first theme is Reflections, and features contemporary photography and figurative paintings by artists like Jody Brand, Terrence Maluleke, Lebogang Mogul Mabusela, Thembinkosi Hlatshwayo, Jack Markovitz, Bahati Simoens, Ketumile Malesa, Samurai Farai and Thato Toeba amongst other luminaries. The theme explores figuration, portraiture, and unpacking the strange and wondrous landscape of the body(politic).

Bahati Simoens, Start The Way You Wanna Finish.

Terence Maluleke, Vertical Line. 2021.

Lwando Dlamini & Ian Mangenga. Oil, charcoal and thread on canvas. 2022-2023. Courtesy Martin Art Projects.
Lwando Dlamini, Asikhalazi. Oil, charcoal and thread on canvas. 2022. Courtesy Martin Art Projects.

The second theme, Rest, explores the dialectic between space and rest, a sustained meditation on the latent tension between the forces of movement and stillness, action and inaction, or change and stability, encapsulated and expressed through sculptural form. It features contemporary sculptural pieces by Warren Maroon, Bulumko Mbete, Cazlynne Peffer, Gaelen Pinnock, Alexandra Naledi Holtman, and a host of hybrid 3D works by Tzung-Hui Lauren Lee, Raees Saieet, and a stellar art installation by Mankebe Seakgoe. The works are curated to evoke a sense of peacefulness and contemplation while also hinting at the underlying energy and dynamism that animate all forms of existence.

The third and final theme is titled Dream and is devoted to contemporary painting ranging from abstract expressionism to landscape, neo-expressionist, and various other styles. The staging features the works of Thokozani Mthiyane, Yonela Makoba, Mankebe Seakgoe, Maja Maljevic, Lerato Lodi, and Benjamin Salvatore, among others.

Andrzej Urbanski, B05 71 01 22, 2022. Stainless Steel and Automotive Paint. Courtesy Everard Read Gallery.

Frances Goodman, The Chaise Lounge. Hand stitched Sequins on Canvas. 2023. Courtesy Smac Gallery.
Frances Goodman, Change is Coming. Acrylic Nails, Silocone, Fibergalss, Wire and Batting. 2023. Courtesy SMAC Gallery.

Khaya Witbooi, Out of the fire into the frying pan. oil and spray paint on canvas. 2022. Courtesy Kalashnikovv Gallery.

This exhibition is more akin to a library of the arts, a resource, and an inclusive and intersectional record of contemporary artistic practice and cultural production. Hosting this exhibition at an art fair creates a space for independent artists to connect and establish themselves as important contributors to the contemporary art landscape, while also connecting with new audiences and collectors to discover, engage, and connect in a generous and cultivated manner.

ESSAY explores a nuanced dialogue in concept, and approach to colour and line between Nhlengethwa, Tlabela and Mulanga. This cross generational dialogue is pertinent to the zeitgeist as the African art market grows, creating a need to analyse, expand and catalyse the critical middle between commerce and the academy. 

There’s a thread of homage weaving the three artists’ practices together, whether it’s honouring the past or projecting into the future. On a retinal level some of these works depicting interior settings may seem aspirational, on another level, each painting, collage and drawing can be seen as an investigation of the inefficiencies in our existing constructed and natural settings, as well as the relationships that people of colour have with them. 

Each artist’s work can be seen as a journalistic expression of their own becoming, their personal histories, dreams and nightmares projected onto paper and canvas. Their expressive voices are fuelled by architectural and infrastructural representations. These works pivot into a critical multivalent dialogue on representation whilst simultaneously institutionalising black portraiture which has been making waves over the past couple of years.

Michaela Younge, When the church-bells go, so do the gunshots. Merino Wool on Felt 2021. Courtesy SMAC Gallery.

Yannis Davy Guibinga, Nihil Ex Nihilo IV. Digital Photograph. 2021. Courtesy Doyle Wham.

Callan Grecia, Long Nap. Acrylic and Spray Paint on Canvas. 2022. Courtesy SMAC Gallery.

EVENT INFORMATION ///

Parking:

There is no parking at the venue. Visitors should make use of the Fair’s Park and Ride at the Old Edwardian Society, Houghton, where transport will be provided to and from the event. Hope Road is closed for the duration of the event. If arriving in an Uber or a private ride, visitors should have their tickets ready to show officials at the road closure, in order to gain access to the event.

Tickets:
Tickets allow visitors access to the Fair, where they can discover art from 40 galleries and 250 artists. They’ll also be able to explore all three acres of Shepstone Gardens, including the newly opened, stately Great Hall building. What’s more, kids will be able to unleash their creativity with the many activities in the RMB Young Artists’ Playground, and guests can treat themselves to an incredible food and wine experience, by the likes of winemakers from the Franschhoek Wine Valley and sustainable chef, James Diack 

/// PURCHASE TICKETS HERE 

 

About RMB:
Rand Merchant Bank (RMB) is a leading African Corporate and Investment Bank (CIB) with a deal footprint in over 35 countries in Africa. The bank represents the CIB activities of the FirstRand group – one of the largest financial services groups in Africa.

The group follows a multi-branding strategy, and its portfolio of businesses includes South Africa’s leading commercial and retail bank, FNB. RMB furthermore has niche offerings in the UK (London office) and India (Mumbai office). It has also established a broker-dealer business in the US and manages FirstRand’s representative office in New York. RMB manages FirstRand’s representative offices in Kenya, Angola and China. As a leading African CIB, RMB’s expansion on the continent is a key growth strategy. CIB offerings in Africa are offered under the RMB brand in South Africa, Botswana, Namibia and Nigeria and under the FNB CIB brand in Eswatini, Ghana, Lesotho, Mozambique and Zambia.

We offer our clients innovative, value-added advisory, funding, trading, corporate banking and principal investing solutions. We are passionate about solving problems by challenging the norm and seeking solutions beyond the obvious. We are innovative in our thinking and turn challenges into opportunities, while delivering on Traditional values. Innovative ideas.

About Latitudes:
Latitudes launched as a physical art fair in 2019 and has since evolved into an integral player in the African art industry. The all-women team runs an online marketplace for art from Africa, a physical art fair, a series of mentorship programmes and an art award, all with the common goal of creating voices for independent artists and connecting artists with collectors. Latitudes challenge how art can be seen, experienced, and purchased, making the process more inclusive, less intimidating, and ultimately enjoyable for collectors.

Press release courtesy of Bronwyn Coppola.

RMB Latitudes Venue.

Written by: Holly Beaton

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